發(fā)布時(shí)間：2018-06-16 04:27

  本文選題：電影重慶 + 影像傳播　； 參考：《重慶工商大學(xué)》2014年碩士論文

【摘要】：重慶直轄以來(lái)，中國(guó)電影對(duì)重慶的呈現(xiàn)方式于以往歷史時(shí)期就有明顯不同。作為中國(guó)西部近幾年發(fā)展最快的城市之一，重慶，也因?yàn)橹陛牜@得快速發(fā)展的機(jī)會(huì)，成為中國(guó)最典型的新興大都市和轉(zhuǎn)型社會(huì)最有代表性的城市社會(huì)空間。在重慶我們可以發(fā)現(xiàn)大城市大農(nóng)村并存，城鄉(xiāng)二元結(jié)構(gòu)是異常突出的。伴隨直轄，重慶經(jīng)過(guò)十多年的發(fā)展，，其本身甚至整個(gè)中國(guó)經(jīng)濟(jì)、社會(huì)經(jīng)歷了快速的發(fā)展，加之，中國(guó)電影業(yè)的改革等歷史因素的影響，電影中的重慶想象方式還在發(fā)生著變化。這樣，無(wú)論在城市的物理空間還是社會(huì)歷史語(yǔ)境方面，其復(fù)雜的多元性特征使“重慶城”這個(gè)場(chǎng)所在影像中構(gòu)建強(qiáng)烈的戲劇性。重慶不僅是一個(gè)明確的地域空間，還是一個(gè)有著更多話語(yǔ)權(quán)和情感體驗(yàn)的場(chǎng)所。這讓筆者對(duì)作為電影文本中被想象構(gòu)建起來(lái)的重慶，產(chǎn)生濃厚的興趣。選擇這個(gè)時(shí)期上的重慶影像的重要意義也因此顯而易見(jiàn)。 本論文就試圖對(duì)重慶直轄后這一時(shí)期的電影進(jìn)行分析，筆者將選取《三峽好人》、《生活秀》、《日照重慶》、《迷城》、《秘岸》、《好奇害死貓》、《瘋狂的石頭》、《門》等八部以重慶為電影拍攝地的電影為主要的影像研究文本。 反觀現(xiàn)在對(duì)電影重慶的研究，還主要集中在城市電影的層面，比如介紹重慶電影的歷史，分析重慶電影的文本，以及關(guān)注在重慶形象的傳播研究上。而對(duì)電影中重慶影像的研究卻有著很大的空缺，本文作者將從直轄后電影中的重慶影像的角度分析研究，著重關(guān)注超越城市經(jīng)驗(yàn)之上，導(dǎo)演對(duì)城市的敘述，以及地域與空間的意義闡釋。重慶本身是個(gè)視覺(jué)化豐富的城市,電影與重慶的結(jié)合,又為重慶開辟出新的觀察空間和表現(xiàn)手段,展現(xiàn)了它在銀幕上新興的都市景觀。電影中所呈現(xiàn)的不是真實(shí)的重慶，而是經(jīng)過(guò)主創(chuàng)者想象和闡釋的重慶。當(dāng)草根敘事、身體的意象、狹窄的城市空間通過(guò)重復(fù)的影像呈現(xiàn)建構(gòu)起了一個(gè)穩(wěn)定的重慶符號(hào)之后，重慶城市電影作為區(qū)域電影中的重要一環(huán)，也正在建立起屬于自己的類型、風(fēng)格和敘事模式。通過(guò)對(duì)重慶電影中重慶符號(hào)的解讀試圖探討電影文本中被想象的重慶的現(xiàn)實(shí)意義。
[Abstract]:Since Chongqing has been directly under the central government, the presentation mode of Chinese films to Chongqing has been distinctly different from the previous historical period. As one of the fastest growing cities in Western China in recent years, Chongqing has become the most representative urban social space of the most typical emerging metropolis and transformation society because of the opportunity to develop rapidly. We can find that the big cities and large rural areas coexist, and the two yuan structure of the urban and rural areas is outstanding. With the development of more than 10 years, Chongqing has undergone a rapid development in itself even the whole Chinese economy, and the influence of the reform of the Chinese film industry and other historical factors, the Chongqing imaginary way in the film is still changing. In this way, both in the physical space of the city and in the social and historical context, its complex pluralism makes the place of "Chongqing city" strong and dramatic in the image. Chongqing is not only a clear regional space, but also a place with more discourse power and emotional experience. This makes the author as a film text. Chongqing, which is supposed to be constructed, has great interest. The importance of choosing Chongqing images in this period is obvious.
This paper tries to analyze the films of Chongqing after the central government, and the author will select the eight films, such as the good people of the Three Gorges, the life show, the sunshine Chongqing, the fan city, the secret bank, the curious and the death of the cat, the crazy stone, the door, and so on, which are the main images of the film based on the film in Chongqing.
In contrast, the present study of film Chongqing is mainly concentrated on the level of urban film, such as the introduction of the history of Chongqing films, the analysis of the text of the Chongqing films, and the study of the communication of the image of Chongqing. But there are great vacancies in the study of the image of Chongqing in the movie, and the author of this article will be from the Chongqing image in the film after the central government. An angle analysis, focusing on beyond the city experience, the narrative of the city by the director, and the interpretation of the meaning of the region and space. Chongqing itself is a visually rich city, the combination of film and Chongqing, and a new observation space and expression for Chongqing, showing its emerging urban landscape on the screen. It is not the real Chongqing, but the Chongqing which has been imagined and interpreted by the creator. After the grass root narration, the body image, the narrow city space and the stable Chongqing symbol through the repeated image, the Chongqing city film is an important part of the regional film, and is also building its own class. Type, style and narrative mode. Through the interpretation of Chongqing symbols in Chongqing movies, we try to explore the realistic meaning of Chongqing in the movie text.
【學(xué)位授予單位】：重慶工商大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905;G206

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本文編號(hào)：2025309