本文選題：紀(jì)錄片 + 鄂倫春族��； 參考：《華東師范大學(xué)》2014年碩士論文

【摘要】：鄂倫春族是中國(guó)人口最少的幾個(gè)少數(shù)民族之一,也是中國(guó)最后的游獵民族之一。少數(shù)民族的傳統(tǒng)文化作為國(guó)家的文化財(cái)富一直受到政府的重視,在新中國(guó)剛剛成立的艱難時(shí)刻,搶救現(xiàn)代化進(jìn)程中即將消逝的民族文化便提上議程�！耙粋€(gè)國(guó)家的紀(jì)錄片就好像是一個(gè)家庭的相冊(cè)�！奔o(jì)錄片對(duì)時(shí)代的記錄和保存群體記憶的功能以及人為操控的可能性,使之無(wú)論在塑造國(guó)家形象還是表達(dá)個(gè)體意識(shí)層面上,都能成為很好的載體。 鄂倫春族在影像中,始終是以他者的身份存在,而這種他者形象的建構(gòu),又受到不同的社會(huì)文化思潮的影響。本文選取中央電視臺(tái)播出的鄂倫春族紀(jì)錄片作為文本,通過研究影響作者自我遮蔽的原因和方法,分析鄂倫春族影像中的他者形象是如何被建構(gòu)的。
[Abstract]:The Oroqian is one of the smallest ethnic minorities in China and one of the last hunting nations in China. The traditional culture of ethnic minorities as the cultural wealth of the country has been attached importance to by the government, in the new China has just been established in the difficult time, the rescue of the modernization process is about to disappear in the national culture on the agenda. "A national documentary is like a family album." Documentaries record the times, preserve the function of group memory and the possibility of artificial manipulation, so that it can become a good carrier in shaping national image or expressing individual consciousness. In the image, the Oroqian always exists as the other, and the construction of the image of the other is influenced by different social and cultural thoughts. This paper selects the Oroqian documentary broadcast by China Central Television as the text, analyzes how the other image in the images of the Oroqian people is constructed by studying the reasons and methods that influence the author's self-shielding.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J952

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本文編號(hào)：2013203