本文選題：電影生態(tài)環(huán)境 + 跨界導(dǎo)演　； 參考：《電影文學(xué)》2017年17期

【摘要】：跨界導(dǎo)演在近年來以高額的票房回報(bào)和引發(fā)的觀影熱潮及網(wǎng)絡(luò)熱評(píng)而博得大眾關(guān)注。從電影生態(tài)的角度看,跨界導(dǎo)演創(chuàng)作介入電影業(yè)加快了我國(guó)電影的多元格局進(jìn)程,同時(shí),跨界導(dǎo)演又面臨著過度依賴明星效應(yīng)和粉絲經(jīng)濟(jì)以及自身電影藝術(shù)修養(yǎng)不足的現(xiàn)實(shí)困境�？缃鐚�(dǎo)演創(chuàng)作現(xiàn)象是順勢(shì)而生且會(huì)長(zhǎng)久地存在于電影界的創(chuàng)作趨勢(shì),我們應(yīng)予以鼓勵(lì)且加以引導(dǎo),為整個(gè)電影生態(tài)的建設(shè)、平衡發(fā)展做出正確的抉擇。
[Abstract]:In recent years, the cross boundary director has attracted the public attention with the upsurge of high ticket office returns and the Internet hot reviews. From the perspective of film ecology, the cross boundary director's creation intervened in the film industry to accelerate the multi pattern process of Chinese films. At the same time, the cross boundary directors are faced with the superstar effect, the fan economy and their own electricity. The phenomenon of the lack of shadow art is the realistic predicament. The phenomenon of cross boundary director creation is the trend of creation in the film industry for a long time. We should encourage and guide them to make a correct choice for the whole development of the film ecology and the balance of development.
【作者單位】： 西南大學(xué)文學(xué)院;
【基金】：國(guó)家社科基金藝術(shù)學(xué)項(xiàng)目“文化公平語境中的電影生態(tài)發(fā)展研究”(項(xiàng)目編號(hào):2016FH02626)的階段性成果
【分類號(hào)】：J911
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本文編號(hào)：2011662