本文選題：中非影視交流 + 坦桑尼亞　； 參考：《當代電影》2017年10期

【摘要】：坦桑尼亞是中非影視合作的橋頭堡,以坦桑尼亞為例,可管窺中非影視交流與合作的發(fā)展路徑和未來方向。20世紀60年代以來中坦影視合作經(jīng)歷了技術(shù)援助、影片放映、譯制配音、數(shù)字運營等四種路徑,逐步由服務(wù)外交向產(chǎn)業(yè)合作方向發(fā)展。整體上,中坦影視交流存在著免費贈送、暫無合作拍攝、難以深度融合等問題,未來應(yīng)繼續(xù)拓展駐外機構(gòu)、商業(yè)院線、合拍項目等合作路徑。
[Abstract]:Tanzania is a bridgehead for Sino-African film and television cooperation. Taking Tanzania as an example, we can see the development path and future direction of China-Africa film and television exchanges and cooperation. Since the 1960s, Sino-Tanzanian film and television cooperation has experienced technical assistance. Translation dubbing, digital operation, gradually from service diplomacy to the direction of industrial cooperation. On the whole, there are some problems in the communication between China and Tanzania, such as free gift, no cooperative shooting, difficulty in deep integration, and so on. In the future, we should continue to expand the cooperative paths such as overseas agencies, commercial academies, and co-production projects.
【作者單位】： 浙江師范大學非洲研究院/非洲影視研究中心;
【基金】：教育部哲學社會科學研究重大課題攻關(guān)項目(項目編號:15JZD033)子課題“中國與非洲國家人文交流:戰(zhàn)略布局與運行機制”的階段性研究成果
【分類號】：J992.6
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本文編號：2008817