《大魚海棠》:多重矛盾建構(gòu)下的華美情懷
發(fā)布時(shí)間:2018-06-09 12:03
本文選題:海棠樹 + 人物刻畫; 參考:《電影藝術(shù)》2016年06期
【摘要】:《大魚海棠》以極為華麗優(yōu)美的東方韻味呈現(xiàn)一個(gè)關(guān)乎神話情感的奇幻故事,作為一部觀眾等待12年的國產(chǎn)動(dòng)畫,導(dǎo)演取材諸多古神話典籍盡力呈現(xiàn)一部極具民族色彩的影片,但這當(dāng)中美術(shù)外殼和文化內(nèi)涵的銜接以及整體世界觀、故事設(shè)定、人物刻畫與邏輯關(guān)系,具有許多值得討論的空間。
[Abstract]:"Big fish Haitang" has a fantastic story about mythological emotions with a magnificent and beautiful oriental charm. As an audience waiting for 12 years of domestic animation, the director tries to draw a lot of ancient mythology books to show a very national film, but the connection of the outer shell and cultural connotation and the whole world view, the story is set up. There is much room for discussion.
【分類號(hào)】:J954
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本文編號(hào):1999660
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