本文選題：“水滸氣” + 抗戰(zhàn)電視劇��； 參考：《三峽大學(xué)》2014年碩士論文

【摘要】：與早期的抗戰(zhàn)電視劇相比，新世紀(jì)以來的抗戰(zhàn)電視劇在各個(gè)方面都越來越具有“水滸”色彩。本論文對(duì)新世紀(jì)以來抗戰(zhàn)電視劇中的“水滸氣”進(jìn)行研究，探討“水滸氣”在抗戰(zhàn)電視劇中的新特點(diǎn)，以及抗戰(zhàn)電視劇在當(dāng)下盛行的歷史文化因素和現(xiàn)實(shí)因素。 論文第一章從各個(gè)方面來說明新世紀(jì)以來的抗戰(zhàn)電視劇所具有“水滸”特色。首先，抗戰(zhàn)電視劇揭露日軍侵華、社會(huì)混亂的現(xiàn)實(shí)及其歌頌抗戰(zhàn)英雄們英勇反抗的精神，這種主題與《水滸傳》忠君愛國的思想傾向基本是一致的；其次，抗戰(zhàn)電視劇緊張曲折、富于傳奇性的抗戰(zhàn)故事與《水滸傳》著意表現(xiàn)英雄傳奇也是相似的；再次，抗戰(zhàn)電視劇中的英雄人物形象與梁山好漢形象在性情氣質(zhì)上十分類似；又次，在行為人格上，抗戰(zhàn)英雄與梁山好漢一樣，皆有不怕犧牲、路見不平拔刀相助的俠義風(fēng)范；最后，抗戰(zhàn)電視劇中生動(dòng)形象的語言與《水滸傳》如出一轍，既幽默風(fēng)趣又符合人物身份。這五個(gè)方面從不同的角度說明新世紀(jì)以來的抗戰(zhàn)電視劇處處透露出“水滸”風(fēng)派和“水滸”氣息。 論文第二章主要是歸納“水滸氣”在抗戰(zhàn)電視劇中的新特點(diǎn)。第一，與梁山好漢以反抗貪官污吏的壓迫而奮起反抗有所不同，抗戰(zhàn)電視劇高揚(yáng)反抗外敵入侵的愛國主義精神，雖然這些抗戰(zhàn)英雄們身上充滿了“匪氣”，但是他們無私無畏、忠義愛國，與日本軍國主義勢(shì)不兩立；第二，與梁山好漢歧視婦女、不近女色不同，抗戰(zhàn)電視劇中的英雄追求美女，美女也愛英雄，顯露了基本的人性欲望；第三，抗戰(zhàn)電視劇剔除了梁山好漢血腥嗜殺的一面，注重人文主義關(guān)懷，關(guān)注人的生命和自由、平等的權(quán)利；第四，《水滸傳》中的英雄們舍生忘死的行動(dòng)，，大多基于江湖道義，而抗戰(zhàn)英雄們是為了解救勞苦大眾于水深火熱之中這個(gè)崇高的信仰而奮斗不止。 本文第三章首先論述了抗戰(zhàn)電視劇中盛行“水滸氣”的三個(gè)原因：一是中國民眾有著深厚的“水滸”情結(jié)，扶危救困的俠義之氣始終具有廣泛的群眾基礎(chǔ)在；二是《水滸傳》產(chǎn)生于我們民族式微的宋元時(shí)期，其中的忠義愛國思想無疑能夠啟發(fā)抗戰(zhàn)電視劇對(duì)于愛國主義思想的表現(xiàn)；三是《水滸傳》具有極強(qiáng)的戲劇性、傳奇性，抗戰(zhàn)影視劇從《水滸傳》中吸取營養(yǎng)，符合廣大觀眾的審美心理和審美習(xí)慣。接著簡要論述了抗戰(zhàn)電視劇摻入“水滸氣”所存在的三個(gè)問題：英雄之路離奇化、情感糾葛浪漫化、娛樂功能過度化。最后，對(duì)于抗戰(zhàn)電視劇如何走出現(xiàn)在的困境的問題，筆者提出了兩條建議：一是拓展和豐富抗戰(zhàn)電視劇的主體與內(nèi)容，二是追求原生態(tài)的抗戰(zhàn)歷史。 在寫作過程中，本論文用現(xiàn)代人的眼光重新審視“水滸氣”，找出其新的內(nèi)涵與特點(diǎn)，具有很強(qiáng)的現(xiàn)實(shí)意義。
[Abstract]:Compared with the early anti-Japanese TV series, the anti-Japanese dramas in the new century have more and more "Water margin" color in every aspect. This paper makes a research on the "Water margin Qi" in the TV series of Anti-Japanese War since the new century, and probes into the new characteristics of "Water margin Qi" in the TV dramas of the Anti-Japanese War, as well as the historical and cultural factors and realistic factors prevailing in the TV dramas of the Anti-Japanese War at present. The first chapter explains the features of "Water margin" in the TV dramas of Anti-Japanese War in the new century. First, the TV dramas of the War of Resistance reveal the reality of the Japanese invasion of China and the social chaos and the spirit of the heroic resistance of the heroes of the War of Resistance. This theme is basically in line with the patriotic ideological tendency of "the Water margin" to be loyal to the monarch; secondly, The drama of the War of Resistance is tense and tortuous, and the legendary story of the War of Resistance is similar to the story of "Water margin", which is intended to show heroic legend. Thirdly, the characters of heroes in the TV series of the War of Resistance against Japan are very similar to the images of Liangshan's hero in temperament; again, the characters in the TV series of the War of Resistance against Japan are very similar in temperament. In terms of behavioural personality, the heroes of the Anti-Japanese War, like the heroes of Liang Shan, have a chivalrous demeanor who is not afraid of sacrifice, and the road is uneven and the sword helps. Finally, the vivid language of the TV series in the War of Resistance is the same as the Story of the Marsh. It is both humorous and witty and in line with the identity of the character. From different angles, these five aspects explain that the TV dramas of the Anti-Japanese War since the new century reveal the flavor of "Water margin" and "Water margin" everywhere. The second chapter summarizes the new features of Shuihu Qi in the TV dramas of the War of Resistance against Japan. First, unlike Liangshan heroes who rose up to resist the oppression of corrupt officials, the TV dramas of the Anti-Japanese War raised the spirit of patriotism against the invasion of foreign enemies. Although these heroes of the War of Resistance are full of "banditry", they are intrepid and intrepid. Loyalty and patriotism are inextricably linked to Japanese militarism. Second, they discriminate against women and do not come close to women. The heroes in the TV series of the War of Resistance against Japan pursue beautiful women, and beautiful women also love heroes, showing their basic human desire; third, The TV series of the War of Resistance against Japan has eliminated the bloody killing side of Liang Shan's hero, paid attention to humanism, paid attention to people's life and freedom, and paid attention to equal rights. Fourthly, the heroes in the Water margin, mostly based on the moral principles of the river and lake, are willing to sacrifice their lives and forget their lives. And the heroes of the War of Resistance fought to save the laboring people from this lofty belief. The third chapter first discusses the three reasons why "Shuihu Qi" prevails in the TV dramas of the Anti-Japanese War: first, the Chinese people have a deep "Water margin" complex, and the chivalrous spirit of helping the needy always has a broad mass base; Second, the Water margin came into being in the Song and Yuan dynasties, when our nation was declining, in which the patriotic ideology of loyalty and righteousness can undoubtedly inspire the expression of patriotism in the TV dramas of the War of Resistance against Japan; third, the Legend of the Water margin is highly dramatic and legendary. Anti-Japanese War movies and TV dramas draw nutrients from Water margin, which accord with the aesthetic psychology and habits of the audience. Then it briefly discusses the three problems that exist in the dramas of the War of Resistance against Japan: the road of heroism, the romance of emotional entanglement, and the excessive function of entertainment. Finally, the author puts forward two suggestions on how to get out of the current predicament of the TV series of the Anti-Japanese War: first, to expand and enrich the subject and content of the TV series of the War of Resistance against Japan, and second, to pursue the original history of the War of Resistance against Japan. In the process of writing, this paper reexamines Shuihu Qi with the eyes of modern people and finds out its new connotation and characteristics, which is of great practical significance.
【學(xué)位授予單位】：三峽大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

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