本文選題：NHK + 紀(jì)錄片��； 參考：《山東大學(xué)》2014年碩士論文

【摘要】：近年來(lái),隨著中國(guó)經(jīng)濟(jì)的發(fā)展,中國(guó)取代日本成為世界第二大經(jīng)濟(jì)體,越來(lái)越多的國(guó)家將目光聚焦中國(guó)。國(guó)際上關(guān)于中國(guó)的聲音和議論越來(lái)越多。在國(guó)際紀(jì)錄片市場(chǎng)上,中國(guó)題材的紀(jì)錄片越來(lái)越受寵。NGC、BBC、Discovery、NHK等外國(guó)紀(jì)錄片制作機(jī)構(gòu)和部門(mén)紛紛制作拍攝中國(guó)題材的紀(jì)錄片。例如BBC和央視合拍的《美麗中國(guó)》、PBS的《內(nèi)視中國(guó)》、Discovery的《列國(guó)圖志之中國(guó)》、CBC的《中國(guó)之崛起》等。而與中國(guó)有著歷史淵源的鄰國(guó)日本的電視機(jī)構(gòu)——NHK所拍攝的關(guān)于中國(guó)題材的紀(jì)錄片就更多了。中國(guó)題材的紀(jì)錄片受關(guān)注,一方面是由于中國(guó)的崛起引起世界矚目,成為不可忽視的力量；另一方面,中國(guó)的改革逐步進(jìn)入攻堅(jiān)期,社會(huì)轉(zhuǎn)型時(shí)期,新的社會(huì)階層出現(xiàn),各階層間的利益沖突開(kāi)始激化,長(zhǎng)期積累的各種社會(huì)矛盾逐漸凸顯,外國(guó)的紀(jì)錄片拍攝機(jī)構(gòu)可以在中國(guó)挖掘到大量鮮活的素材。 NHK制作播出了大量有關(guān)中國(guó)題材的紀(jì)錄片,涉及中國(guó)的歷史、文化、地理、經(jīng)濟(jì)、社會(huì)等各個(gè)方面,是海外電視機(jī)構(gòu)中拍攝中國(guó)題材紀(jì)錄片最多的。不僅數(shù)量上居多,在質(zhì)量上,無(wú)論敘事、影像、深度、廣度,NHK的紀(jì)錄片也達(dá)到了相當(dāng)高的水平。 NHK作為一個(gè)外國(guó)電視機(jī)構(gòu),拍攝的涉華紀(jì)錄片是“洋眼看中國(guó)”,那么NHK所拍攝的紀(jì)錄片是如何記錄中國(guó)的?他們?yōu)楹芜@樣記錄中國(guó)?對(duì)我們有哪些啟示和借鑒?這些都是值得思考的問(wèn)題,也是本論文要研究的問(wèn)題。本文將以NHK播出的涉華紀(jì)錄片作為研究對(duì)象,試圖通過(guò)敘事學(xué)的角度,運(yùn)用相關(guān)的敘事學(xué)理論,對(duì)NHK涉華紀(jì)錄片進(jìn)行分析,從敘事視角、敘事語(yǔ)言、敘事特色等方面研究。
[Abstract]:In recent years, with the development of China's economy, China has replaced Japan as the world's second largest economy, and more countries are focusing on China. There are more and more voices and comments about China in the world. In the international documentary market, Chinese documentaries are becoming more and more popular. For example, BBC and CCTV's "Beautiful China", PBS, "Inner Vision China", "Discovery of China", "A Chronicles of the Nations" and "the rise of China" by CBC, etc. NHK, a Japanese television organization with historical ties to China, has produced more documentaries on China. On the one hand, China's rise has attracted the attention of the world and become a force that cannot be ignored; on the other hand, China's reform has gradually entered a critical period, and a new social class has emerged during the period of social transformation. Conflicts of interest among various strata began to intensify, and various social contradictions accumulated over a long period of time gradually became apparent. Foreign documentary filmmakers could dig up a large number of living materials in China. NHK produced and broadcast a large number of documentaries on Chinese subjects. China's history, culture, geography, economy, society and other aspects are the most frequently filmed Chinese documentaries in overseas television organizations. Not only in terms of quantity, but also in terms of quality, whether narrative, video, depth, or breadth, NHK documentaries have also reached a fairly high level. As a foreign television organization, NHK is shooting documentaries about China from foreign countries. So how does NHK record China? Why do they record China like this? What is the inspiration and reference to us? All these are worth thinking about, and are also the problems to be studied in this paper. This paper will take the Chinese documentary broadcast by NHK as the research object, try to use the related narratology theory through the narratology angle, analyze the NHK documentaries concerning China, study from the narrative angle of view, narrative language, narrative characteristic and so on.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J952

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本文編號(hào)：1987811