本文選題：紀(jì)錄片 + 懷斯曼��； 參考：《浙江師范大學(xué)》2013年碩士論文

【摘要】：紀(jì)錄片與社會(huì)的發(fā)展變化緊密相連,它不僅記錄了一個(gè)國(guó)家的歷史,也承載了一個(gè)民族的文化。一方面,它忠實(shí)地記錄著社會(huì)的方方面面,大到政治經(jīng)濟(jì)風(fēng)云,小到凡人小事,作為時(shí)代檔案發(fā)揮著獨(dú)特的社會(huì)功能；另一方面,社會(huì)對(duì)文化的多元化需求,也推動(dòng)著紀(jì)錄片在觀念、內(nèi)容、形式上的加速變革。 本文選取了紀(jì)錄片大師弗雷德里克·懷斯曼及其若干具有代表性的紀(jì)錄片作品作為研究對(duì)象,對(duì)其創(chuàng)作風(fēng)格的形成,創(chuàng)作內(nèi)容、創(chuàng)作形式以及作品對(duì)現(xiàn)當(dāng)代的影響等方面展開(kāi)深入的剖析和探討。 首先,通過(guò)分析上世紀(jì)60年代新現(xiàn)實(shí)主義電影運(yùn)動(dòng)、巴贊的紀(jì)實(shí)性電影美學(xué)理論等文化背景,以及被拍攝對(duì)象所處的社會(huì)外部環(huán)境,探討懷斯曼紀(jì)錄片創(chuàng)作觀念的形成同紀(jì)錄片美學(xué)思潮的演變和社會(huì)歷史環(huán)境兩方面之間的關(guān)聯(lián)；其次,針對(duì)懷斯曼紀(jì)錄片作品的內(nèi)容,分別從社會(huì)、個(gè)人、生命等三方面作為研究切入點(diǎn),從多視角探討紀(jì)錄片在揭示人與人之間、人與社會(huì)之間復(fù)雜關(guān)系的表現(xiàn)功能,重點(diǎn)研究懷斯曼紀(jì)錄片的對(duì)生命的關(guān)懷與反思主題；第三,通過(guò)分析懷斯曼創(chuàng)作過(guò)程,探討其旁觀美學(xué)的特征,以及如何運(yùn)用隱喻和印象式畫(huà)面,深化和延展紀(jì)錄片主題的創(chuàng)作手法。在上述研究的基礎(chǔ)上,著重探討了懷斯曼紀(jì)錄片對(duì)中國(guó)紀(jì)錄片美學(xué)思潮的影響以及其獨(dú)特的創(chuàng)作風(fēng)格在中國(guó)的具體實(shí)踐,介紹了我國(guó)以“直接電影”旁觀美學(xué)特征為風(fēng)格的紀(jì)錄片創(chuàng)作進(jìn)程,以及這些紀(jì)錄片對(duì)中國(guó)紀(jì)錄片創(chuàng)作的發(fā)展和變革的引領(lǐng)作用。 在二十一世紀(jì)的今天,中國(guó)文化與國(guó)際文化交流頻繁,借鑒國(guó)外的創(chuàng)作模式和創(chuàng)作手法,可更好的促進(jìn)我國(guó)紀(jì)錄片向多元化發(fā)展,引導(dǎo)我們的紀(jì)錄片更多的關(guān)注對(duì)社會(huì)、人生、生命的思考,也是將我國(guó)紀(jì)錄片融入國(guó)際社會(huì)的一個(gè)良好途徑。
[Abstract]:Documentary film is closely related to the development and change of society. It not only records the history of a country, but also carries the culture of a nation. On the one hand, it faithfully records all aspects of society, ranging from political and economic events to minor human affairs, which play a unique social role as archives of the times; on the other hand, the society has a diversified demand for culture. It also promotes the accelerated change in the concept, content and form of the documentary. This paper chooses Frederick Wiseman and his representative documentary works as the object of study, the formation of its creation style, the creation of content, The forms of creation and the influence of the works on modern and contemporary are deeply analyzed and discussed. First of all, by analyzing the cultural background of Neo-realism Movie Movement in the 1960s, Bazan's documentary Film Aesthetics Theory, and the social external environment of the subject, This paper discusses the relationship between the formation of Wiseman documentary creation concept and the evolution of documentary aesthetic trend and the social and historical environment. Secondly, aiming at the content of Wiseman documentary works, the author analyzes the relationship between the society and the individual. Life and other three aspects as a research breakthrough point of view, from multiple perspectives to explore the documentary in revealing the complex relationship between people and society, focusing on the concern for life and reflect on the theme of Wiseman documentary; third, Through analyzing the process of Wiseman's creation, this paper probes into the characteristics of his onlooker aesthetics, and how to use metaphor and impressionistic pictures to deepen and extend the creative techniques of the theme of documentary. On the basis of the above research, this paper focuses on the influence of Wiseman documentary on the aesthetic trend of Chinese documentary and the concrete practice of its unique creative style in China. This paper introduces the process of documentary creation in China with the aesthetic characteristics of "direct film" as a bystander, and the leading role of these documentaries in the development and reform of documentary creation in China. Today in the 21 century, Chinese culture and international cultural exchanges are frequent. Drawing lessons from foreign creation models and creative techniques, we can better promote the development of Chinese documentaries to diversity, and guide our documentaries to pay more attention to society and life. The thinking of life is also a good way to integrate Chinese documentaries into the international community.
【學(xué)位授予單位】：浙江師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J952

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 吳文光;;弗雷德里克·懷斯曼(Frederick Wiseman) 以日常生活之紀(jì)錄而構(gòu)造了一部美國(guó)史詩(shī)[J];當(dāng)代藝術(shù)與投資;2007年11期

2 吳文光;;我認(rèn)識(shí)的懷斯曼和他的紀(jì)錄片[J];當(dāng)代藝術(shù)與投資;2007年11期

3 王遲;;虛構(gòu)的懷斯曼[J];南方電視學(xué)刊;2012年01期

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本文編號(hào)：1985894