本文選題：謎題電影 + 不可靠敘述��； 參考：《重慶大學(xué)》2014年碩士論文

【摘要】：謎題電影是一個新興的電影類型，以獨(dú)特的風(fēng)格和內(nèi)容在全世界擁有大批的影迷。謎題電影的諸多代表作也為觀眾津津樂道，即使在國內(nèi)也在許多網(wǎng)站以“最考驗智商”為噱頭來推廣和分析。國外的謎題電影已經(jīng)蔚然成風(fēng)，國內(nèi)的謎題電影在無意識中也漸漸跟上了步伐。 本文將謎題電影與類型電影相互參照，期望它能夠得到應(yīng)有的地位和重視。謎題電影是新興的，，具有許多新生事物的優(yōu)勢，華語的類型電影有許多的困境，在類型的泥潭中舉步維艱，而謎題電影既能幫助導(dǎo)演樹立風(fēng)格，又具有很高的商業(yè)性，這是非常值得探索的方向。同時謎題電影一個很重要的特征是與觀眾關(guān)系的營造，與觀眾互動，尊重觀眾，這也是近幾年我們許多電影所缺乏的。對電影敘事的研究也是本文的重要內(nèi)容，無論是經(jīng)典好萊塢的敘事、藝術(shù)電影的敘事再到謎題電影的敘事，其受到當(dāng)時的文化語境的影響是巨大的，敘事的變化與創(chuàng)新是推動電影類型和風(fēng)格多變的重要因素。 本文一共從四個部分對謎題電影進(jìn)行藝術(shù)研究，第一部分是對經(jīng)典好萊塢到謎題電影階段的探究。包括經(jīng)典好萊塢電影的敘事與演變，藝術(shù)電影中的謎題以及謎題電影的產(chǎn)生與發(fā)展。第二部分主要對謎題電影的代表導(dǎo)演和作品進(jìn)行研究與分析，以克里斯托弗·諾蘭、大衛(wèi)·芬奇、姜文、李安為例，對國內(nèi)外謎題電影進(jìn)行總體概述。還對謎題電影與類型電影和流派之間的關(guān)系進(jìn)行了深入分析。第三部分主要研究謎題電影的主要特征，本章重點探討的三大特征是不可靠敘述、多視角敘述和額外修飾，其它特征也會散落本章之中。第四部分主要探討謎題電影與觀眾之間的關(guān)系，以及由謎題帶來的迷影效應(yīng)。 謎題電影之所以得到眾多觀眾的青睞，不僅是它以復(fù)雜的敘事和迷宮般的結(jié)構(gòu)吸引人心，更在于它對生命的高度思考，對人性的反復(fù)琢磨，對生活的無比尊重，研究謎題電影，正是源于對生命、人性、生活的追問，是建構(gòu)在哲學(xué)與宗教基礎(chǔ)之上，對這一電影藝術(shù)進(jìn)行的研究。
[Abstract]:Puzzle film is a new type of film, with a unique style and content in a large number of fans around the world. Many of the masterpieces of puzzles are also enjoyed by viewers, even in China, in many sites with the "test IQ" as a gimmick to promote and analyze. Foreign puzzles have become popular, domestic puzzles in the unconscious film has gradually kept up with the pace. In this paper, the puzzle film and the type of film cross-reference, hoping that it can be given due status and attention. Riddle movies are new and have the advantage of many new things. Chinese genre movies have many difficulties, which are difficult to do in the quagmire. Puzzle films can help the directors to establish their style and have a high degree of business. This is the direction that is worth exploring very much. At the same time, a very important feature of riddle film is to create a relationship with the audience, interact with the audience, respect the audience, this is also the lack of many of our films in recent years. The study of film narration is also an important part of this paper. Whether it is the classic Hollywood narrative, the narrative of art film to the narrative of riddle film, it is greatly influenced by the cultural context at that time. The change and innovation of narrative is an important factor to promote the variety of film types and styles. The first part is the exploration of classic Hollywood to the stage of puzzle film. It includes the narration and evolution of the classic Hollywood film, the puzzles in the art film and the emergence and development of the puzzle film. The second part mainly studies and analyzes the representative director and works of riddle film, taking Christopher Nolan, David Finch, Jiang Wen, Ang Lee as the examples, gives a general overview of puzzles film at home and abroad. The relationship between puzzles, genre films and schools is also analyzed. The third part mainly studies the main features of riddle film. The three main characteristics of this chapter are unreliable narration, multi-angle narration and extra modification, and other features will also be scattered in this chapter. The fourth part mainly discusses the relationship between the puzzle film and the audience, as well as the puzzle effect. The reason why the riddle film has won the favor of many audiences is not only that it attracts people with its complex narrative and labyrinthine structure, but also that it highly thinks about life, ponders over human nature over and over again, respects life incomparably, and studies riddle films. It comes from the inquiry of life, humanity and life, which is based on philosophy and religion.
【學(xué)位授予單位】：重慶大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

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相關(guān)期刊論文 前2條

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本文編號：1974707