本文選題：體育電影 + 制作模式��； 參考：《江西師范大學》2015年碩士論文

【摘要】：體育電影是以體育精神為故事內(nèi)核,故事情節(jié)基本圍繞體育運動而設置的故事片。作為體育文化事業(yè)下的一個重要門類和一種不可或缺的類型電影,體育電影具有巨大的經(jīng)濟影響力和文化影響力,不僅能夠促進整個電影業(yè)的繁榮,帶動相關產(chǎn)業(yè)領域的發(fā)展,而且作為一種意識形態(tài)的有機載體,還代表了一個國家的體育形象、國族文化和體育文化理念。然而,體育電影在我國的發(fā)展卻不容樂觀,雖然總體產(chǎn)量尚豐,不乏經(jīng)典之作,但在電影體制全面改革和商業(yè)化浪潮的背景下常常顯得后力不足,步履蹣跚;與此同時,我國學界對新中國體育電影歷史的研究,幾近沉寂狀態(tài)。反觀西方體育電影,作為文化產(chǎn)業(yè)中的重要支柱,頗受理論界重視,成熟的電影生產(chǎn)發(fā)行體制與先進的電影理論研究相結合,貢獻了一部又一部的藝術佳作。因此,通過對新中國體育電影發(fā)展歷程的理論闡述與創(chuàng)作實踐的總結,指出長久以來制約我國體育電影發(fā)展的各種弊端和因素,這對于當下我國體育電影創(chuàng)作生產(chǎn)和電影產(chǎn)業(yè)化的進一步發(fā)展,具有切實的理論指導意義。本研究運用文獻法、訪談法、比較分析法、邏輯分析法,對新中國體育電影的發(fā)展歷程得出了以下結論。第一,新中國體育電影發(fā)展歷程可以劃分為五個階段。(1)“十七年”時期(1949年-1966年),該階段電影具有革命品格和政治修辭,但是類型特點不明晰;(2)停滯期(1966年-1976年),體育電影發(fā)展完全停滯;(3)新時期(1977年-1990年),這一時期體育電影在改革開放的社會語境下,電影美學觀念得到更新,在生命敘事上有了突破,產(chǎn)生了體育與電影的雙重變革;(4)轉型時期(1999年-2001年),體育在社會轉型期的文化語境下繼續(xù)發(fā)展,并將“主旋律”的電影策略一以貫之,作品中反映出了人文關懷的深化與反思;(5)多元時期(2001年-至今),中國體育電影的創(chuàng)作呈現(xiàn)多元走向、娛樂元素得到廣泛運用,隨著申奧成功,出現(xiàn)了所謂的奧運電影。第二,制約我國體育電影發(fā)展的主要因素有:(1)體育文化資源開發(fā)與藝術形式創(chuàng)新的缺失;(2)體育電影缺乏高水平的專業(yè)創(chuàng)作人才的參與;(3)影像中體育本體與體育精神的缺失;(4)體育電影創(chuàng)作人員體育涵養(yǎng)的缺乏;(5)體育電影作品民營資本注入少,過分依賴國家行政。針對目前我國體育電影發(fā)展的困境和制約因素,本文提出了如下發(fā)展對策:(1)借鑒好萊塢體育電影制作模式;(2)加快體育電影專門人才培養(yǎng);(3)突破體育電影創(chuàng)作的陳舊思維;(4)加強體育電影的市場化運作;(5)加強體育電影的宣傳與報道;(6)加強體育電影的國際交流;(7)加強體育文化傳播。
[Abstract]:Sports film is a feature film with sports spirit as the core of the story and the story plot basically set around sports. As an important category of sports and culture and an indispensable type of film, sports film has great economic and cultural influence, which can not only promote the prosperity of the entire film industry, but also promote the development of related industries. And as an organic carrier of ideology, it also represents a country's sports image, national culture and sports culture concept. However, the development of sports film in our country is not optimistic. Although the overall production is still abundant, there are many classic works, but under the background of the overall reform of the film system and the wave of commercialization, the sports film often appears to be weak and stumbling; at the same time, The study on the history of sports films in China is almost silent. On the contrary, as an important pillar of the cultural industry, western sports films have been attached great importance to by the theorists. The mature film production and distribution system combined with the advanced film theory research has contributed one after another fine works of art. Therefore, by summarizing the theory and creative practice of the development of sports films in New China, the author points out the disadvantages and factors that have restricted the development of sports films in China for a long time. This is of practical theoretical significance for the further development of sports film production and film industrialization in China. This research uses the literature method, interview method, comparative analysis method and logic analysis method to draw the following conclusions on the development of sports film in New China. First, the development of sports films in New China can be divided into five stages: "seventeen years" (1949-1966), which is characterized by revolutionary character and political rhetoric. However, the characteristics of the types are unclear) the stagnation period (1966-1976, the development of sports films is completely stagnant) the new period (1977-1990), the sports films in the social context of reform and opening up, the concept of film aesthetics has been updated. There is a breakthrough in the narrative of life, resulting in a double transformation of sports and movies. (1999-2001, sports continued to develop in the cultural context of the social transition period, and the "theme" of the film strategy is consistent. The works reflect the deepening and introspection of humanistic solicitude (2001-till now, the creation of Chinese sports films presents a pluralistic trend, the entertainment element is widely used, with the success of Olympic bid, the so-called Olympic movies have emerged. Second, The main factors that restrict the development of sports film in China are: 1) the lack of sports cultural resources development and artistic form innovation 2) the lack of high level of professional creative talents in sports film; 3) the lack of sports ontology and sports spirit in the image 4) the lack of sports preservation on the part of sports film creators 5) the private capital injection of sports film works is less, Excessive reliance on state administration. Aiming at the predicament and restriction factors of sports film development in our country at present, This paper puts forward the following development countermeasures: 1) drawing lessons from Hollywood sports film production model (2) speeding up the training of sports film professionals (3) breaking through the old thinking of sports film creation 4) strengthening the market-oriented operation of sports film 5) strengthening sports (6) strengthening the international exchange of sports films and strengthening the spread of sports culture.
【學位授予單位】：江西師范大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：J905

【參考文獻】

相關碩士學位論文 前1條

1 王麗娜;建構與呈現(xiàn)——新中國體育電影文化闡釋[D];山東師范大學;2010年

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本文編號：1969855