發(fā)布時(shí)間：2018-06-02 00:29

  本文選題：小成本3D視頻 + 立體深度��； 參考：《山東師范大學(xué)》2014年碩士論文

【摘要】：2009年詹姆斯·卡梅隆帶著3D《阿凡達(dá)》在世界范圍內(nèi)瘋狂撈取票房，用赤裸裸的金錢炫耀著3D技術(shù)的力量。2010年開創(chuàng)了3D電視元年，3D技術(shù)逐步地回歸到電視節(jié)目制作中。雖然3D終端市場已經(jīng)逐步成型并開始往傳統(tǒng)終端市場滲透，但是由于制作3D視頻的投資大，成本高，以及相關(guān)技術(shù)和實(shí)踐的缺乏，用于3D電視、互聯(lián)網(wǎng)、3D手機(jī)等3D小型播放終端播放的3D作品片源匱乏，片源匱乏反過來又制約3D終端市場的進(jìn)一步發(fā)展。如何降低3D的制作成本，為3D電視、互聯(lián)網(wǎng)、3D手機(jī)提供可供播放的3D視頻？小成本3D視頻與3D電影相比有哪些異同？小成本3D視頻的拍攝編輯又有哪些技巧？小成本3D視頻未來的發(fā)展前景又如何？本文在區(qū)別小成本3D視頻和3D視頻不同的基礎(chǔ)之上，通過參考現(xiàn)行的3D電視技術(shù)指導(dǎo)意見和質(zhì)量控制報(bào)告，對(duì)大量已有3D影視作品的分析歸納，分析已有3D視頻和自拍小成本3D視頻實(shí)例，尋求小成本3D拍攝制作的獨(dú)特技術(shù)要求和制作關(guān)鍵技術(shù)，，探尋小成本3D視頻拍攝編輯的方法。本篇論文共分為四個(gè)部分： 第一部分主要是小成本3D視頻概述，在研究小成本3D視頻拍攝編輯之前，首先要界定小成本3D視頻的概念，通過與2D視頻、3D電影的比較，總結(jié)小成本3D視頻的特點(diǎn)，歸納小成本3D視頻的定義，介紹小成本3D視頻的原理，主要有立體視覺原理、立體顯示技術(shù)原理、虛擬現(xiàn)實(shí)技術(shù)原理，并從文藝美學(xué)、技術(shù)美學(xué)和經(jīng)濟(jì)美學(xué)等方面探討小成本3D視頻的藝術(shù)性。 第二部分主要探索小成本3D視頻的拍攝，主要包括小成本3D視頻的拍攝技術(shù)、適合小成本3D的拍攝題材、小成本3D視頻的拍攝技巧等內(nèi)容。小成本3D拍攝技術(shù)主要有雙攝像機(jī)拍攝技術(shù)和攝錄一體機(jī)拍攝技術(shù)，拍攝題材主要有非平民化題材、空間色調(diào)豐富的題材以及富含運(yùn)動(dòng)因素的題材，拍攝技巧主要從構(gòu)圖和場面調(diào)度兩個(gè)方面進(jìn)行分析總結(jié)。第四節(jié)和第五節(jié)分別通過優(yōu)秀視頻案例《雨果》、《泰山》以及小成本3D試驗(yàn)片《泉城人家》具體分析拍攝過程中需要考慮的因素以及可能出現(xiàn)的問題。 第三部分主要探索了小成本3D視頻的后期編輯工作，包括小成本3D視頻編輯軟件的選擇、3D編輯流程、小成本3D的編輯技巧，第四節(jié)以《國脈》為例，對(duì)其鏡頭組接手法和字幕制作方法進(jìn)行分析，然后繼續(xù)結(jié)合小成本3D試驗(yàn)片《泉城人家》對(duì)其后期編輯工作進(jìn)行具體分析。 第四部分主要探討小成本3D視頻的市場現(xiàn)狀和發(fā)展趨勢(shì)。對(duì)于小成本3D視頻的市場現(xiàn)狀主要從片源、技術(shù)、價(jià)格和觀看習(xí)慣等方面進(jìn)行分析總結(jié)，對(duì)于小成本3D的未來發(fā)展趨勢(shì)則從3D電視、3D互聯(lián)網(wǎng)及手機(jī)等方面進(jìn)行歸納。
[Abstract]:James Cameron flaunted the power of 3D technology around the world in 2009 with 3D 'Avatar' and bragged the power of 3D technology with naked money. The first year of 3D TV in 2010 began with 3D technology gradually returning to television production. Although the 3D terminal market has gradually formed and begun to infiltrate into the traditional terminal market, it is used in 3D TV because of the large investment in making 3D video, the high cost, and the lack of related technology and practice. In turn, the lack of 3D source restricts the further development of 3D terminal market. How to reduce the cost of 3D production and provide 3D video for 3D TV, Internet and 3D mobile phone? What are the similarities and differences between low-cost 3D video and 3D movies? What are the techniques for shooting and editing a low-cost 3D video? What is the future of low-cost 3D video? On the basis of distinguishing 3D video from 3D video with small cost, by referring to the technical guidance and quality control report of 3D TV, this paper analyzes and sums up a large number of existing 3D video works. This paper analyzes the examples of 3D video and selfie with low cost, seeks for the unique technical requirements and key technologies of 3D shooting and making, and explores the methods of editing 3D video at low cost. This thesis is divided into four parts: The first part is the overview of the small cost 3D video. Before researching the low cost 3D video shooting and editing, we should first define the concept of the small cost 3D video, and summarize the characteristics of the small cost 3D video by comparing it with 2D video / 3D movie. This paper summarizes the definition of small cost 3D video, introduces the principle of small cost 3D video, mainly includes stereo vision principle, stereoscopic display technology principle, virtual reality technology principle, and from literature and art aesthetics, This paper discusses the artistry of low-cost 3D video from the aspects of technology aesthetics and economic aesthetics. The second part mainly explores the low cost 3D video shooting, mainly includes the low cost 3D video shooting technology, suitable for the low cost 3D shooting subject matter, the small cost 3D video shooting skill and so on. Low-cost 3D photography technology mainly includes dual-camera shooting technology and integrated camera shooting technology. The subjects of shooting are mainly non-civilian subjects, rich spatial color themes and themes rich in motion factors. The shooting techniques are analyzed and summarized from two aspects: composition and scene scheduling. In the fourth and fifth sections, the factors that need to be considered and the possible problems in the shooting process are analyzed by the excellent video examples of "Hugo", "Mount Tai" and "Quancheng Family", respectively. The third part mainly explores the later editing work of 3D video with low cost, including the selection of 3D editing software for low cost, the editing skills of 3D at low cost. This paper analyzes the technique of lens group and the method of subtitle making, and then continues to analyze the later editing work of the film combined with the small cost 3D experimental film "Quancheng Family". The fourth part mainly discusses the market situation and development trend of low-cost 3D video. The market situation of low cost 3D video is analyzed and summarized from the aspects of film source, technology, price and viewing habits. The future development trend of low cost 3D video is summarized from 3D TV, 3D internet and mobile phone.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J931

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 邸龍見;3D電視立體效果實(shí)現(xiàn)探究[D];山東師范大學(xué);2015年

本文編號(hào)：1966445