本文選題：文獻紀錄片 + 風格　； 參考：《揚州大學》2014年碩士論文

【摘要】：“一個國家沒有紀錄片就如同一個家庭沒有相冊�！边@個比喻十分形象生動地概括出紀錄片在一個國家文化傳承中的重要地位與作用。 世界上第一部文獻紀錄片導演艾瑟·蘇勃,作為蘇聯(lián)紀錄片創(chuàng)作者,一個紀錄片類型在二十世紀20年代,由他建立起來,即用以往拍攝的數(shù)據(jù)(或一些新拍的素材)編輯成紀錄片,一開始被稱為匯編影片(Compilation Film)。艾瑟·蘇勃1926年制作的《羅曼諾夫王朝的滅亡》被看作是世界文獻紀錄片的開始。從這之后,這類的紀錄片在很多國家獲得了不同的成長。 在中國,文獻紀錄片是從政論片概念中分離出來的,帶有較為濃重的民族意識和歷史使命感。中國第一部文獻紀錄片是民國期間黎民偉拍攝的《國民革命軍海陸空大戰(zhàn)記》,中國的紀錄片成長之路其實不是很平順,與世界紀錄片發(fā)展的步調(diào),也并非時刻保持同步,而是經(jīng)歷了許多痛苦和波折,所以中國文獻紀錄片較為清晰地折射出中國的社會變革和時代變遷。 文獻紀錄片不單承載著民族文化的記錄與延續(xù),而且還肩負著跨文化交際的任務。在對外傳播中發(fā)揮優(yōu)勢的中國文獻紀錄片,也是中國價值、中國文化軟實力、中國國家形象的重要組成部分。研究其風格衍變歷程,研究其如何更好地呈現(xiàn)及傳播中國文化內(nèi)涵與價值,具有較為重要的現(xiàn)實意義。 本文通過對不同時期文獻紀錄片代表作品的具體分析,總結歸納其風格特征,進而梳理出其風格衍變及發(fā)展脈絡。 論文在明確文獻紀錄片、風格等概念前提下,按時間順序,從1927年中國第一部文獻紀錄片出現(xiàn)到2013年,劃分階段,結合不同年代的時代因素、敘事因素、美學因素等方面,通過分析代表性作品的敘事方式、畫面特征等,找出風格形成的過程、具體影響因素,從而歸納出各個時間段的文獻紀錄片風格,在比較中總結出其變化發(fā)展過程,找出其內(nèi)在變化因素和規(guī)律,以期對中國文獻紀錄片理論和實踐有所思考。 本文分為四個部分： 第一部分主要是有關文獻紀錄片的研究背景、研究目的,以及文獻紀錄片風格衍變研究的現(xiàn)狀和本文準備采用的研究方法。即解釋為什么研究、怎么研究的問題。 第二部分是對本文的研究主體——中國文獻紀錄片和風格進行界定,并且依次闡述中國早期、新中國成立以后、新時期、近年來中國文獻紀錄片的發(fā)展概況。 第三部分根據(jù)時間順序,自1927年以來,中國第一部文獻紀錄片誕生至今,分為四個時間段,即1927-1949年,建國以前,文獻紀錄片在中國初步發(fā)展階段,這段時間內(nèi),再根據(jù)北伐戰(zhàn)爭、抗日戰(zhàn)爭、解放戰(zhàn)爭的時間,選取每個戰(zhàn)爭期間的典型文獻紀錄片進行具體分析；1950-1976,改革開放之前到文革結束,文獻紀錄片的探索時期；1977-2000,新世紀之前,文獻紀錄片成熟時期；2001-2013,新世紀以來,紀錄片繁榮時期。對每個時間段的典型的文獻紀錄片進行具體風格分析,進而概括出各個時間段的文獻紀錄片的風格特征。 第四部分是本文的總結,將本文的研究結果概括提煉出來,闡述本文的創(chuàng)新點還有不足,以期以后更好地完善。
[Abstract]:"No documentary in a country is like a family without albums." this metaphor vividly outlines the important status and role of the documentary in the cultural heritage of a country.
The first documentary film director of the world, Esther sob, as the founder of the Soviet documentary, was created in 20s twentieth Century by him, edited as a documentary with previous data (or some new material), at first called Compilation Film. Erther sob was made in 1926. The destruction of the Romanov Dynasty is regarded as the beginning of World documentary documentaries. Since then, such documentaries have enjoyed different growth in many countries.
In China, the documentary documentary is separated from the concept of political theory, with a strong sense of national consciousness and historical mission. The first documentary film of China is a record of the National Revolutionary Army, the National Revolutionary Army, the sea, land, land and air war taken by Li Min Wei during the period of the Republic of China. The road of the growth of the documentary in China is not very smooth, and the development of the documentary is the step of the world. It is not always synchronized, but has experienced a lot of pain and twists, so the Chinese documentary film clearly reflects the social change and the change of the times in China.
Documentary documentary does not only bear the record and continuity of national culture, but also shoulder the task of intercultural communication. The documentary film of Chinese literature, which plays an advantage in foreign communication, is also an important part of Chinese value, Chinese culture soft power and Chinese national image. And spreading the connotation and value of Chinese culture is of great practical significance.
By analyzing the representative works of documentary films in different periods, this paper summarizes its style and features, and then summarizes its style evolution and development.
According to the concept of documentary documentary, style and so on, the paper, according to the time sequence, from the first documentary documentary in 1927 to 2013, divided the stage, combined with the times factors, narrative factors, aesthetic factors in different years, through the analysis of the narrative style of representative works, the feature of the picture, and so on, to find the process of style formation. The influence factors are specific, and the documentary documentary style of each time period is summed up, and its change and development process is summed up in the comparison, and its internal factors and laws are found out in order to think about the theory and practice of documentary documentary in China.
This article is divided into four parts:
The first part is mainly about the research background of documentary documentary, the purpose of the study, the present situation of the research on the style evolution of documentary documentary and the research methods used in this paper, namely, explaining why the research is studied and how to study it.
The second part is to define the subject of this paper, the documentary and style of Chinese literature, and to explain the development of Chinese documentary documentary in the early period of China, after the founding of new China, in the new period and in recent years.
The third part, according to the time sequence, since 1927, the first documentary documentary was born in China, which is divided into four periods, that is, 1927-1949 years, before the founding of the people's Republic, the documentary documentary in China's preliminary development stage, in this period, according to the Northern Expedition war, the Anti Japanese War, the liberation war time, and select the typical literature during each war. Documentary analysis of the specific documentary; 1950-1976, before the reform and opening to the end of the cultural revolution, documentary documentary exploration period; 1977-2000, the new century, the documentary documentary mature period; 2001-2013, the new century, the documentary film prosperity period. The stylistic features of documentary documentaries in a period of time.
The fourth part is the summary of this paper. The results of this paper are abstracted, and the innovation points of this paper are also discussed.
【學位授予單位】：揚州大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J952

【引證文獻】

相關期刊論文 前1條

1 張宏亮;;文獻紀錄片《東方主戰(zhàn)場》創(chuàng)作風格淺析[J];傳媒觀察;2016年05期

，

本文編號：1963721