本文選題：電影市場(chǎng) + 男主角��； 參考：《電影評(píng)介》2017年05期

【摘要】：正1986年,美國青春片《春天不是讀書天》的上映,在大范圍內(nèi)引起了熱議。本片導(dǎo)演約翰·修斯堪稱20世紀(jì)末的金牌喜劇人,他拒絕給“青春”一詞下定義,而是致力于用鏡頭呈現(xiàn)出少年時(shí)光的不同形態(tài)�！洞禾觳皇亲x書天》講述了高中生菲利斯和朋友們?yōu)槠谝惶斓奶訉W(xué)經(jīng)歷,對(duì)升學(xué)、戀愛、家庭等與青少年生活息息相關(guān)的話題進(jìn)行了深度討論。光陰飛逝,時(shí)隔30年,這部影片仍然能夠引起觀眾的共鳴,為我國當(dāng)下青春片泛濫的電影市場(chǎng)提供了豐富借鑒。
[Abstract]:In 1986, the American youth film Spring is not a Reading Day was released, arousing wide debate. The film's director, John Cassius, a gold medalist comedian at the end of the 20th century, refused to define the term "youth". Instead, it is dedicated to using the camera to present different forms of youth. Spring is not a Reading Day. It tells about a day of truancy in senior high school and friends, about going to school, falling in love with each other. Family and other topics closely related to the life of teenagers were discussed in depth. After 30 years, the film can still resonate with the audience, which provides a rich reference for the current youth film market in China.
【作者單位】： 河北農(nóng)業(yè)大學(xué)外國語學(xué)院;

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本文編號(hào)：1960765