本文選題：《老炮兒》 + 身份歸屬�。� 參考：《電影文學(xué)》2016年06期

【摘要】：借用西方存在主義理論和符號(hào)學(xué)的部分觀點(diǎn),文章通過(guò)對(duì)電影《老炮兒》中個(gè)性化人名和臺(tái)詞的文本化細(xì)讀,來(lái)尋求主角和配角的身份歸屬,歸納出電影的多元化主題。文章在挖掘故事背后權(quán)力博弈的同時(shí),也對(duì)以老炮兒為中心的小人物的內(nèi)心做了探討。電影可視為一部以言語(yǔ)為表現(xiàn)層面,然后從中尋找角色各自的身份歸屬,并探求隱藏在故事背后的棋局博弈,傾聽(tīng)來(lái)自權(quán)力雙方彼此抗衡的聲音,頗有內(nèi)涵和深度的片子。
[Abstract]:Based on some viewpoints of western existentialism and semiotics, this paper tries to find out the identity of the protagonists and supporting actors by reading the text of the individualized names and lines in the film "Old Guaner", and concludes the diversified themes of the films. While excavating the power game behind the story, the article also discusses the inner heart of the little man who takes the old gun as the center. The film can be regarded as a film with language as its expression level, and then find out the identity of the characters, and explore the game of chess game hidden behind the story, listen to the voices of the two sides of power competing against each other, and have the connotation and depth of the film.
【作者單位】： 上海民航職業(yè)技術(shù)學(xué)院;
【分類(lèi)號(hào)】：J905
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本文編號(hào)：1958527