發(fā)布時(shí)間：2018-05-28 04:34

  本文選題：“瘋子形象” + 文化符號(hào)　； 參考：《電影文學(xué)》2017年21期

【摘要】：中國(guó)電影塑造出了許多內(nèi)涵豐富的"瘋子形象",他們?cè)欠饨ㄎ幕呐涯嬲?遭到社會(huì)的放逐;也扮演過(guò)傳統(tǒng)文明的守望者,堅(jiān)持著自己的救贖;他們還是政治高壓的犧牲者、自由個(gè)性的捍衛(wèi)者、現(xiàn)代社會(huì)的迷失者等。而今中國(guó)電影飛速發(fā)展,文藝電影百花齊放,這些電影所塑造的"瘋子形象"展現(xiàn)出匠心獨(dú)運(yùn)的意義表達(dá),具有鮮明的時(shí)代烙印及地域風(fēng)貌。本文嘗試對(duì)"瘋子形象"的隱喻意義進(jìn)行梳理和剖析,以此折射出整個(gè)社會(huì)文化的暗流涌動(dòng)。
[Abstract]:Chinese films have created many "crazy images" with rich connotations. They were rebels of feudal culture and were exiled by society. They also played the watchmen of traditional civilization and insisted on their own salvation. They were also victims of political pressure. Defenders of free personality, lost in modern society, etc. Nowadays, with the rapid development of Chinese films, literary and artistic films are in full bloom. The "image of madman" created by these films shows the expression of originality and originality, and has a distinctive brand of the times and regional features. This paper attempts to sort out and analyze the metaphorical meaning of "madman image" in order to reflect the undercurrent of the whole social culture.
【作者單位】： 長(zhǎng)江師范學(xué)院;
【基金】：長(zhǎng)江師范學(xué)院科研資助項(xiàng)目(項(xiàng)目編號(hào):2015XJXM15)
【分類號(hào)】：J905

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本文編號(hào)：1945323