本文選題：情景喜劇 + 提振百姓文化偉力��； 參考：《湖南大學》2014年碩士論文

【摘要】：從我國首部情景喜劇《我愛我家》橫空出世至今，我國情景喜劇跟隨時代脈絡，經歷了題材類型、文化內涵等的巨大變化。但不管如何變化，情景喜劇總是根據每個時段具體的社會背景和百姓生活現狀而創(chuàng)作的，因此，其中包含豐富而深刻的百姓文化。目前，在針對我國情景喜劇的研究中，還沒有將百姓文化與情景喜劇相結合的理論研究，國內學者關注更多的是情景喜劇的特征、現狀及發(fā)展趨勢等問題。雖然也有一部分研究專門分析了情景喜劇的文化內涵，但它們始終沒有涉及到百姓文化這一領域。本文在提振百姓文化偉力的視角下研究我國情景喜劇的創(chuàng)作，期望填補這一方面的學術空白。此外，“百姓文化”是一個全新的概念，什么是百姓文化，它有哪些特點和影響因素，怎樣提升和振興百姓文化的偉大力量，對這些問題的探討是緊跟時代步伐、把握文化脈搏的必然要求，具有一定的理論與實踐意義。 本文綜合運用文獻資料、案例分析等方法，在提振百姓文化偉力視角下對我國情景喜劇創(chuàng)作進行研究。 首先，本文通過文獻綜述，梳理了有關情景喜劇、文化偉力、百姓文化等的研究現狀，闡述了百姓文化的內涵及特點。同時，還對我國情景喜劇創(chuàng)作的主要階段及類型進行了綜合分析。這是研究的基礎。 其次，本文詳細分析了情景喜劇創(chuàng)作對提振百姓文化偉力的多重影響，主要從內容和形式因素兩方面分析。在內容上，包括故事題材、人物形象和主題思想的影響；在形式上，包括喜劇策略和視聽語言的影響。 最后，本文試圖找出我國情景喜劇創(chuàng)作在提振百姓文化偉力語境下的不足與創(chuàng)新路徑。在提振百姓文化偉力的視角下，，我國情景喜劇創(chuàng)作主要有三個方面的不足：題材的同質化、幽默的缺失以及后現代手法的泛化使用。針對這三點不足，本文也從前期策劃、“情景”構造和喜劇策略三方面提出了應對策略。
[Abstract]:Since the birth of our first sitcom, I Love my Family, sitcoms in China have undergone tremendous changes in subject types, cultural connotations and so on, following the context of the times. But no matter how it changes, sitcoms are always created according to the specific social background and the living conditions of the people in each period, therefore, they contain rich and profound culture of the common people. At present, there is no theoretical research on the combination of common culture and sitcom in the study of sitcom in China. Domestic scholars pay more attention to the characteristics, current situation and development trend of sitcom. Although some studies have analyzed the cultural connotations of sitcoms, they have never been involved in the field of popular culture. This paper studies the creation of Chinese sitcom from the perspective of boosting the people's cultural power, hoping to fill the academic gap in this respect. In addition, "popular culture" is a new concept, what is popular culture, what are its characteristics and influencing factors, how to promote and revitalize the great power of people's culture, and the discussion of these problems is keeping pace with the times. It is of theoretical and practical significance to grasp the inevitable requirement of cultural pulse. This paper studies the creation of sitcom in our country from the perspective of boosting the people's cultural power by using the methods of literature and case analysis. First of all, through literature review, this paper combs the research status of sitcom, cultural power, common culture, and expounds the connotation and characteristics of common culture. At the same time, the main stages and types of sitcom creation in China are analyzed. This is the basis of the study. Secondly, this paper analyzes the multiple effects of sitcom creation on boosting people's cultural power, mainly from the aspects of content and form factors. In terms of content, it includes the influence of story theme, character image and theme thought, and the influence of comedy strategy and audiovisual language in form. Finally, this paper tries to find out the shortcomings and innovative ways of Chinese sitcom creation in the context of boosting people's cultural power. From the perspective of boosting people's cultural power, there are three main shortcomings in the creation of sitcom in China: the homogeneity of the subject matter, the lack of humor and the extensive use of post-modern techniques. In view of these three deficiencies, this paper also puts forward the countermeasures from three aspects of early planning, situation construction and comedy strategy.
【學位授予單位】：湖南大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J905

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