本文選題：色彩 + 動畫角色　； 參考：《武漢理工大學(xué)》2014年碩士論文

【摘要】：動畫角色設(shè)計是用形象的語言,將抽象的象征意義轉(zhuǎn)化為具象形象并直接傳達(dá)于人的視覺的一種藝術(shù)樣式。它清除了人們的知覺感受與視覺符號之間的距離,使其具有廣泛的受眾群體。決定動畫影片成功的關(guān)鍵，在于充分挖掘塑造角色的性格,準(zhǔn)確的傳達(dá)角色的情感與思想,通過角色引導(dǎo)故事的起承轉(zhuǎn)合，將影片劇情推向高潮。在影視動畫中，隨著劇情的起承轉(zhuǎn)合，角色心理會隨劇情的轉(zhuǎn)折而產(chǎn)生緊張、恐懼、憤怒、悲傷或愉悅、興奮、高亢、激動等變化。而造型、色彩、動作設(shè)計是動畫創(chuàng)作中最直觀，最具感染力的視覺元素，在傳達(dá)和揭示動畫劇情中角色的心理過程和個性信息方面起著重要的作用。不同的造型、色彩、動作設(shè)計的運用在刻畫不同的空間、時間和不同的對象時，，都將產(chǎn)生不同的心理和生理的變化，并且不斷地傳達(dá)著動畫影片的情感方向。在動畫創(chuàng)作中，造型、色彩、動作設(shè)計可以用來襯托角色的情緒與心理變化，直接表現(xiàn)角色的個性特征。把握造型、色彩、動作設(shè)計情感表現(xiàn)，是塑造動畫角色心理的一種重要手段。本文的研究目的首先是能夠為動畫角色設(shè)計中對角色性格塑造的研究提供理論依據(jù)與參考價值,二是希望參照動畫發(fā)展史中的優(yōu)秀的國內(nèi)外影片，梳理總結(jié)動畫角色性格塑造的規(guī)律,形成一套系統(tǒng)的程式化的角色性格塑造手法，為在動畫創(chuàng)作中表現(xiàn)動畫角色性格、情感等提供程式化的設(shè)計依據(jù)參考。最后,是希望通過研究角色性格塑造能夠給筆者在創(chuàng)作畢業(yè)設(shè)計的過程中有所啟發(fā)。
[Abstract]:Animation character design is an artistic style that transforms abstract symbolic meaning into concrete image and conveys directly to human vision. It clears the distance between people's perceptual feeling and visual symbols and makes them have a wide audience. The key to the success of animated film lies in fully excavating and shaping the character of the character, accurately conveying the character's emotion and thought, and bringing the plot to the climax through the combination of the character guiding the story. In film and television animation, the character psychology will produce tension, fear, anger, sadness or pleasure, excitement, hyperactivity, excitement and so on with the transition of the plot. However, modeling, color and action design are the most intuitive and infectious visual elements in animation creation, which play an important role in conveying and revealing the psychological process and personality information of characters in animation plot. The application of different modeling, color and action design in depicting different space, time and different objects will produce different psychological and physiological changes, and constantly convey the emotional direction of the animated film. In animation creation, modeling, color and action design can be used to foil the emotional and psychological changes of the character and directly reflect the personality characteristics of the character. Grasping the emotional expression of modeling, color and action design is an important means to shape the psychology of animation characters. The purpose of this paper is to provide the theoretical basis and reference value for the study of character shaping in the animation character design, and the second is to refer to the excellent domestic and foreign films in the history of animation development. Combing and summing up the rules of character shaping of animation characters, forming a set of systematic stylized character shaping techniques, providing a reference for the design of stylized design for the expression of character and emotion in animation creation. Finally, it is hoped that the study of character-building can enlighten the author in the process of creating graduation design.
【學(xué)位授予單位】：武漢理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J954

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 陳硯池;;基于動畫場景中色彩情感的傳達(dá)[J];文教資料;2009年22期

本文編號：1936471