本文選題：電影高雄 + 臺(tái)北��； 參考：《臺(tái)灣研究集刊》2017年05期

【摘要】：2000年以來(lái),在高雄市政府的拍片援助計(jì)劃下,越來(lái)越多的電影取景于高雄,講述了新的"高雄故事"。這些"高雄故事"往往通過(guò)高雄-臺(tái)北的南北對(duì)抗結(jié)構(gòu),從鄉(xiāng)土、草根、邊緣的立場(chǎng)出發(fā),表達(dá)經(jīng)濟(jì)衰落下高雄的無(wú)奈和反抗�！恫荒軟]有你》和《愛琳娜》作為其中的兩部代表作品,開拓了高雄在電影中的空間表現(xiàn)以及所具有的文化政治內(nèi)涵,在強(qiáng)調(diào)影像在地化的同時(shí),也建構(gòu)起了高雄之于臺(tái)灣的隱喻性。高雄的抗?fàn)?被賦予了一種新的主體意識(shí)想象。然而,因缺乏對(duì)社會(huì)關(guān)系的剖析和介入,這些"高雄故事"對(duì)社會(huì)矛盾的再現(xiàn)只停留于抽象的二元對(duì)立結(jié)構(gòu),結(jié)果只能是為反抗而反抗,無(wú)法提供具有現(xiàn)實(shí)性的解決出路。
[Abstract]:Since 2000, under the Kaohsiung city government's film aid program, more and more films have been set in Kaohsiung, telling the new Kaohsiung Story. These "Kaohsiung stories" are often based on the North-South confrontation structure of Kaohsiung and Taipei, starting from the local, grassroots, and marginal positions. Expressing the helplessness and resistance of Kaohsiung under the economic decline. "can't have you without you" and "Elena" as two representative works, which have opened up Kaohsiung's space performance in the film and its cultural and political connotations. At the same time, it also constructs the metaphorical nature of Kaohsiung to Taiwan. Kaohsiung's struggle was endowed with a new subjective imagination. However, due to the lack of analysis and intervention of social relations, the reappearance of these "Kaohsiung stories" to social contradictions only stays in the abstract dualistic opposition structure, the result can only be revolt for resistance and can not provide a realistic solution.
【作者單位】： 兩岸關(guān)系和平發(fā)展協(xié)同創(chuàng)新中心;廈門大學(xué)臺(tái)灣研究中心;
【基金】：教育部哲學(xué)社會(huì)科學(xué)研究重大課題攻關(guān)項(xiàng)目“海峽兩岸歷史文化教育中相互認(rèn)知、表述、態(tài)度及影響研究”(13JZD003)
【分類號(hào)】：J909.2
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本文編號(hào)：1935086