發(fā)布時間：2018-05-25 04:21

  本文選題：變態(tài)心理學(xué) + 變態(tài)心理題材　； 參考：《上海戲劇學(xué)院》2014年碩士論文

【摘要】：自打電影工作者把變態(tài)心理學(xué)引入到創(chuàng)作中來,一種新的電影題材和情境就誕生了。從前,電影看重外部動作和表層動機；后來,電影藉變態(tài)心理學(xué)之利走進人物的內(nèi)心深處,走向遙遠的彼岸世界,人心不再隔著肚皮,而是被直接投放到大屏幕上,裸露在觀眾面前。 但是,目前國內(nèi)變態(tài)心理題材電影的劇本創(chuàng)作和國外相比仍存在很大差距,除了國內(nèi)電影制作者對變態(tài)心理題材關(guān)注較少之外,對其劇作模式也缺乏了解。 本文結(jié)合變態(tài)心理學(xué)中的相關(guān)論述,將國內(nèi)外較為成功的變態(tài)心理題材電影及情境加以分類,從而找出創(chuàng)作規(guī)律。
[Abstract]:Since the filmmaker introduced abnormal psychology into the creation, a new film theme and situation was born. Once upon a time, films valued external actions and superficial motives; later, with the benefit of abnormal psychology, films entered the depths of the characters' hearts and moved to the faraway world of the other shore. Instead of being separated from their belly, the people's hearts were placed directly on the big screen. Bare in front of the audience. However, at present, there is still a big gap between the screenplay writing of the domestic abnormal psychological movies and that of the foreign countries. Besides, the domestic filmmakers pay less attention to the abnormal psychological themes, and they also lack the understanding of the mode of their plays. Combined with the related exposition in abnormal psychology, this paper classifies the domestic and foreign successful abnormal psychological films and situations, and finds out the creative law.
【學(xué)位授予單位】：上海戲劇學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

【參考文獻】

相關(guān)期刊論文 前2條

1 孔都;解構(gòu)犯罪心理片的敘事模式[J];當(dāng)代電影;2000年04期

2 張燕;簡約的心理電影[J];電影評介;2000年08期

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本文編號：1932064