本文選題：地域資源 + 藝術(shù)視角�。� 參考：《電影評介》2017年12期

【摘要】：正電影承載了太多的夢幻般永恒的美好映象,而城市則承載了太多的現(xiàn)實、企冀和夢想,同時,每個人亦有著太多關(guān)于城市實體印象的種種回想,這些回想亦與電影類似地以光影的形式縈繞在我們的腦海之中。電影與城市,看似是完全不相干的兩種視域,但是,由藝術(shù)視角而言,二者卻又息息相關(guān)。在現(xiàn)實實體世界之中,雖然較難因為一部電影而愛上一座城市,但至少能夠因為一部電影而了解一座城市的隱約倩影,光影雖然會轉(zhuǎn)瞬間即消失于眼前,但是,
[Abstract]:Positive movies carry too many dreamlike timeless beautiful images, while cities carry too many realities, ambitions and dreams. At the same time, everyone has too many memories of the city's physical impressions. These memories, like movies, haunt our minds in the form of light and shadow. Film and city seem to be completely irrelevant, but from the perspective of art, they are closely related. In the real world, although it is difficult to fall in love with a city because of a movie, but at least because of a film and understand the vague image of a city, light and shadow will disappear in a moment, but,
【作者單位】： 東莞理工學(xué)院城市學(xué)院;
【分類號】：J905
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本文編號：1917550