本文選題：李玉 + 女性電影��； 參考：《西南大學(xué)》2015年碩士論文

【摘要】：電影作為一種用形象打動心靈的藝術(shù)歷來深受人們的喜愛。①近年來隨著中國電影創(chuàng)作形式的局面和市場氛圍的多樣化,中國電影產(chǎn)業(yè)迎來了廣闊的發(fā)展空間,“百花齊放”的文化格局為中國電影市場營造了更廣大的平臺,這使得“女性”這個命題在電影的多元化背景下飽受關(guān)注,更使得越來越多的影片將目光轉(zhuǎn)移到了女性的生存狀態(tài)上,以特色各異的藝術(shù)方式去演繹和展現(xiàn)她們感情故事的酸甜苦辣。而李玉作為國內(nèi)為數(shù)不多卻又獨具個性的女性導(dǎo)演,她的電影體現(xiàn)著獨特的女性意識。從2001年到2012年,李玉拍攝了《今年夏天》、《紅顏》、《蘋果》、《觀音山》、《二次曝光》五部電影,創(chuàng)造了不同人物性格與人物命運的女性形象,也在影視界引起了眾多電影評論家的關(guān)注。但評論家們關(guān)于李玉電影中女性形象的塑造與女性意識的覺醒,卻缺乏系統(tǒng)的研究和更加深入的思考。本文以李玉電影為切入點,分析女性人物形象及其蘊涵的女性意識,以此探討李玉電影的創(chuàng)作特點和獨特性。首先,本文要對女性電影的定義和發(fā)展進(jìn)行簡單回顧,這一理論是中國女性電影理論分析的重要支撐。第一章解釋“李玉電影”、“女性形象”、“女性意識”相關(guān)概念并探討李玉電影的研究現(xiàn)狀。第二章介紹李玉如何兼容女性的身份與女性作者這兩個相得益彰的重要角色,通過李玉的生平事跡來分析其創(chuàng)作風(fēng)格形成的原因。第三章是探討李玉電影中的女性形象塑造,從打破母親神話的女性形象塑造和世俗生活中的女性悲劇形象兩個方面對李玉電影中女性形象的人文內(nèi)涵進(jìn)行剖析。第四章是研究李玉電影的女性意識,梳理李玉電影中女性意識的發(fā)展脈絡(luò)。第五章主要討論在李玉電影發(fā)展過程中存在的價值和不足之處,促進(jìn)女性主義電影未來更好的發(fā)展。
[Abstract]:Film as a kind of art that has been deeply loved by people. In recent years, with the situation of Chinese film creation form and the diversification of market atmosphere, the Chinese film industry has ushered in a broad space for development. The cultural pattern of "letting a hundred flowers blossom" has created a broader platform for the Chinese film market, which has made the proposition of "women" receive much attention in the context of film diversity. More and more films will focus on women's living conditions, with different artistic ways to deduce and show their love story sweet and bitter. As one of the few female directors in China, Li Yu has a unique female consciousness in her films. From 2001 to 2012, Li Yu shot "Summer of this year", "Beauty", "Apple", "Guanyin Mountain", "second exposure" five films, created different characters and characters fate of the female image, also attracted the attention of many film critics. However, critics lack systematic research and more in-depth thinking about the portrayal of female images and the awakening of female consciousness in Li Yu's films. Based on Li Yu's films, this paper analyzes the images of female characters and their female consciousness, and probes into the creative characteristics and uniqueness of Li Yu's films. First of all, this paper reviews the definition and development of female film, which is an important support for the theoretical analysis of Chinese female film. The first chapter explains the concepts of Li Yu film, female image and female consciousness, and discusses the present situation of Li Yu film research. The second chapter introduces how Li Yu is compatible with the female identity and the female author, the two complementary important roles, through the life story of Li Yu to analyze the reasons for the formation of his creative style. The third chapter is to discuss the female image in Li Yu's movies, and analyze the humanistic connotation of the female image in Li Yu's film from the aspects of breaking the mother's myth and the female tragic image in the secular life. The fourth chapter is to study the female consciousness of Li Yu's films, combing the development of the female consciousness in Li Yu's films. The fifth chapter mainly discusses the value and deficiency in the development of Li Yu's films, and promotes the better development of feminist films in the future.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J905

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