本文選題：西部電影 + 新西部電影�。� 參考：《陜西科技大學(xué)》2014年碩士論文

【摘要】：新西部電影在電影行業(yè)中最早是作為一種文化概念而被提及到。首先，站在歷史發(fā)展的維度上，當(dāng)下的社會文化語境相較于西部電影剛剛誕生之時，已經(jīng)有了翻天覆地的改變，西部的定義、西部的風(fēng)情、西部的環(huán)境、西部的地緣文化也產(chǎn)生了很大的衍變。其次，站在文化姿態(tài)的層面上，第五代導(dǎo)演所打造出的西部電影以及他們作品中所蘊(yùn)含的文化概念早已變做一個文化標(biāo)志。正因如此，假若作品中的文化姿態(tài)依舊保持著一成不變，那么就存在著失去票房、失去受眾的可能性。藝術(shù)最擔(dān)心的是會有雷同出現(xiàn)，前輩們所打造的品牌效應(yīng)和杰出導(dǎo)演們所帶來的沖擊無疑是不容小覷的。后繼者若是想找到能掙脫上一代輝煌成就所造成的禁錮的道路，就必須培養(yǎng)出新觀點、新方式、新視域，這樣才能打造出一個新的適合自己的成長環(huán)境。從理論含義上看，第五代導(dǎo)演們從上世紀(jì)80年代開始，經(jīng)過不懈奮斗已經(jīng)從不同方面將西部電影提高到一個高位，而第六代導(dǎo)演白手起家經(jīng)過不斷努力將西部電影推進(jìn)到了另一個新的高位（即新西部電影的出現(xiàn)）。本文研究的王全安導(dǎo)演就是第六代導(dǎo)演中土生土長于西部并且頗具西部特色的一位，他所拍攝的電影都蘊(yùn)含著濃郁的西部風(fēng)情和多彩的藝術(shù)特色，尤其是他近期的作品更可以稱得上是新西部電影的代表。 文章的主要內(nèi)容包括以下四個部分：首先，緒論部分是本文的選題目的、選題意義、早前關(guān)于王全安導(dǎo)演相關(guān)研究情況的歸納。其次，筆者就西部電影、新西部電影等跟本文研究對象有關(guān)的詞語進(jìn)行了相應(yīng)的簡析介紹，主要為了更好地詮釋王全安導(dǎo)演作為第六代導(dǎo)演中的一位代表，在新西部電影流派中的位置及作用。第三，通過將王全安導(dǎo)演四部既彰顯西部傳統(tǒng)特色，又能夠展現(xiàn)新西部電影風(fēng)采的影片作為研究基礎(chǔ)，，按照影片上映的時間順序?qū)ψ髌芬灰贿M(jìn)行解讀，并在西部電影與新西部電影之間使用了橫向?qū)Ρ鹊难芯糠绞剑剿髁送跞矊?dǎo)演在新西部電影視域下所展示出的影像敘事風(fēng)格。論文的重點在于王全安導(dǎo)演作品的影視影像敘事風(fēng)格研究，利用王全安導(dǎo)演四部大作中的人物形象、視聽語言、民俗運(yùn)用三個方面對導(dǎo)演風(fēng)格進(jìn)行學(xué)術(shù)研究，以借此分析出新西部電影視域下王全安導(dǎo)演影像敘事風(fēng)格的獨(dú)特魅力所在。最終，結(jié)合對王全安導(dǎo)演的研究和對新西部電影發(fā)展現(xiàn)狀的研究，提煉出了一些對新西部電影以及當(dāng)下中國電影發(fā)展的建議與研究心得。
[Abstract]:New Western movies were first mentioned as a cultural concept in the film industry. First of all, standing on the dimension of historical development, the current social and cultural context has changed dramatically compared with the time when the western movies were just born, the definition of the west, the customs of the west, the environment of the west, The geopolitical culture of the west has also produced great changes. Secondly, on the level of cultural posture, the western films made by the fifth generation directors and the cultural concepts contained in their works have long changed into a cultural symbol. Because of this, if the cultural posture in the work remains unchanged, then there is the possibility of losing the box office and audience. Art is most worried about the emergence of the same, the previous generation of brand effects and the impact of outstanding directors is certainly not to be underestimated. If the successors want to find a way out of the previous generation of brilliant achievements caused by imprisonment, we must cultivate new ideas, new ways, new horizons, so as to create a new environment suitable for their own growth. From a theoretical point of view, since the 1980s, the fifth-generation directors have raised the western films to a high level from different aspects through unremitting efforts. And the sixth generation of directors started from scratch to push Western movies to another new high (the emergence of New Western movies). Director Wang Quanan, who is studied in this paper, is one of the sixth generation directors born and raised in the west. The films he makes all contain rich western customs and colorful artistic characteristics. In particular, his recent works can be said to be the representative of the New West film. The main contents of the article include the following four parts: first, the introduction part is the purpose of the topic, the significance of the topic, earlier on about Wang Quanan director related research. Secondly, the author makes a brief analysis of the words and expressions related to the research object of this paper, mainly in order to better interpret Wang Quanan as a representative of the sixth generation of directors. The position and function in the New Western Film genre. Third, by using the four films directed by Wang Quanan, which not only highlight the traditional characteristics of the west, but also show the style of the new western movies as the research basis, the works are interpreted one by one according to the time sequence of the films being released. In addition, the author uses the research method of horizontal contrast between the western film and the new western film, and explores the image narrative style that Wang Quanan shows in the new western film field of view. The focus of the thesis is on the film and video narrative style of director Wang Quanan's works. The author makes an academic research on the director's style from three aspects: character image, audiovisual language and folk custom in Wang Quanan's four masterpieces. In order to analyze the new western film under the vision of Wang Quanan director of the unique charm of the image narrative style. Finally, combined with the research of director Wang Quanan and the present situation of the development of the new western movies, some suggestions and research experiences on the development of the new western movies and the current Chinese films are extracted.
【學(xué)位授予單位】：陜西科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

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本文編號：1915678