本文選題：軍旅題材電視劇 + 軍人形象��； 參考：《西北師范大學(xué)》2013年碩士論文

【摘要】：新世紀(jì)以來(lái)，隨著大眾精神文化生活的漸趨豐盛和消費(fèi)文化的逐漸滲透，電視劇藝術(shù)展現(xiàn)出空前的繁榮態(tài)勢(shì)。這其中軍旅題材電視劇的變化分外明顯，尤其是在建國(guó)60周年和建黨90周年的契機(jī)下，軍旅題材電視劇可謂是迎來(lái)了新的春天。新世紀(jì)的軍旅劇不再一味地追求英雄主義、集體主義、理想主義觀照下的革命英雄，而是將視野放得更為開(kāi)闊，，對(duì)軍人形象的塑造也不再追求形式上的完美，而是將一系列小人物、小故事、小細(xì)節(jié)展現(xiàn)給觀眾，帶給觀眾的是更為細(xì)膩、真摯的情感和更為真實(shí)、貼切的鮮活形象。 本文對(duì)軍旅題材電視劇的研究正是立足于這些變化，將新世紀(jì)以來(lái)榮獲電視劇“飛天獎(jiǎng)”的軍旅劇作為研究樣本。文章的第一部分是對(duì)軍旅題材電視劇的概述，以宏觀的方式梳理了軍旅劇塑造的軍人形象的歷史和發(fā)展變化，并總結(jié)了相應(yīng)的規(guī)律。第二部分，則是以軍旅劇中所塑造的典型當(dāng)代軍人形象為研究對(duì)象，具體地分析了劇中再現(xiàn)的當(dāng)代軍人的外在形象和內(nèi)在形象，并運(yùn)用圖表詳細(xì)的展現(xiàn)了所選樣本中再現(xiàn)的軍人形象的具體情形。文章通過(guò)對(duì)量的總結(jié)，歸納出了劇中再現(xiàn)的當(dāng)代軍人的諸多具體特點(diǎn)。第三部分，是對(duì)典型化了的當(dāng)代男性軍人形象的細(xì)致探討，文章運(yùn)用符號(hào)學(xué)等理論，探究出了男性軍人身上的霸權(quán)男性氣質(zhì)是通過(guò)對(duì)身體敘事的借用得以展現(xiàn)的。文章的第四部分，以軍旅劇中的女軍人為研究對(duì)象，分析了作為“綠葉”的她們是如何在軍旅劇中展現(xiàn)自身魅力的。文章最后，筆者總結(jié)了軍旅劇在創(chuàng)作中出現(xiàn)的部分問(wèn)題，并且根據(jù)軍旅劇創(chuàng)作的相應(yīng)趨勢(shì)提出了自己的幾點(diǎn)思考。
[Abstract]:Since the new century, with the gradual enrichment of the spiritual and cultural life of the masses and the gradual penetration of consumer culture, the art of TV plays has shown unprecedented prosperity. Especially under the opportunity of the 60th anniversary of the founding of the people's Republic of China and the 90th anniversary of the founding of the Party, the military TV series has ushered in a new spring. Military dramas in the new century no longer blindly pursue heroic, collectivist and idealistic revolutionary heroes. Instead, they broaden their horizons and do not seek formal perfection in shaping the image of military personnel. But a series of small people, small stories, small details to show to the audience, to the audience is more delicate, sincere feelings and a more real, appropriate vivid image. Based on these changes, this paper takes the military drama which has won the TV series "Feitian Award" as the research sample. The first part of the article is the summary of the military TV series, combing the history and development of the military images created by military dramas in a macroscopic way, and summarizing the corresponding laws. The second part, taking the typical contemporary soldier image created in the military drama as the research object, concretely analyzes the external image and the internal image of the contemporary soldier in the play. And use the chart to show in detail the image of the selected sample of the military image of the specific situation. Through summing up the quantity, the article sums up many concrete characteristics of the contemporary soldiers. The third part is a detailed discussion on the typical image of contemporary male servicemen. The article uses semiotics theory to explore that the hegemonic masculinity of male soldiers is displayed through the borrowing of body narration. In the fourth part, taking the female soldiers in the military drama as the research object, the author analyzes how they show their charm in the military drama. At the end of the article, the author summarizes some problems in the creation of military dramas, and puts forward some thoughts according to the corresponding trend of military drama creation.
【學(xué)位授予單位】：西北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J905

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 王W

本文編號(hào)：1915233