本文選題：趙冬苓 + 主旋律影視　； 參考：《電影文學(xué)》2017年13期

【摘要】：近年來(lái),我國(guó)的主旋律影視劇越發(fā)受到市場(chǎng)的關(guān)注。對(duì)于主旋律作品的界定有很多種說(shuō)法,在以愛(ài)國(guó)主義和英雄主義題材為主旋律作品界定標(biāo)準(zhǔn)的情況下,趙冬苓的劇作是一種具有明顯個(gè)性特征的主旋律影視品牌,趙冬苓編劇的作品具有明顯的民間文化主義的特征。在其影視作品中主旋律影片占大多數(shù),在明顯的文化民間主義的特征下,用簡(jiǎn)潔有力的主題,為大眾文化指明確切的方向。本文試從趙冬苓作品中的文化構(gòu)建和傳播出發(fā),簡(jiǎn)析其影視作品的文化特征。
[Abstract]:In recent years, our country's main theme film and television play has been paid more and more attention to the market. There are many theories about the definition of main melody works. Under the condition that the theme works are defined by patriotism and heroism, Zhao Dongling's plays are a kind of main melody film and television brand with obvious personality characteristics. Zhao Dongling's works have obvious characteristics of folk culture. In its film and television works, the main melody film accounts for the majority, under the obvious cultural folk principle characteristic, uses the succinct and powerful theme, points out the exact direction for the popular culture. This paper tries to analyze the cultural characteristics of Zhao Dongling's film and television works from the cultural construction and dissemination of his works.
【作者單位】： 巴音郭楞職業(yè)技術(shù)學(xué)院;
【分類號(hào)】：J905
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本文編號(hào)：1912026