本文選題：穿越劇 + 敘事特點(diǎn)　； 參考：《湖北大學(xué)》2013年碩士論文

【摘要】：本文以近些年流行的穿越劇為研究對(duì)象,運(yùn)用文學(xué)理論、影像美學(xué)、受眾心理學(xué)等理論,探究穿越劇受歡迎的原因、別具特色的藝術(shù)特征及獨(dú)到的創(chuàng)作理念。同時(shí)文章也討論了穿越劇的缺點(diǎn)及它今后的發(fā)展方向。 穿越劇用藝術(shù)化的視角和寫(xiě)意的手法來(lái)創(chuàng)作電視劇,在造型穿著上力圖營(yíng)造出一種古典美,利用色彩、光影去構(gòu)建經(jīng)典畫(huà)面,運(yùn)用鏡頭切換讓受眾體會(huì)到穿越之感；人物形象鮮明、個(gè)性十足,利用獨(dú)特的視角來(lái)關(guān)照女性；歷史和虛構(gòu)交織建構(gòu)故事……使人們體會(huì)到穿越劇的藝術(shù)魅力、語(yǔ)言魅力、敘事魅力,并將世俗風(fēng)格和藝術(shù)風(fēng)格結(jié)合到一起,讓電視劇達(dá)到雅俗共賞的效果。這些都使穿越劇具有現(xiàn)代的審美特點(diǎn)。 在電視屏幕上一直不缺少穿越劇,但是它在這個(gè)時(shí)代備受到關(guān)注,這和受眾心理隨著時(shí)代發(fā)生變化有著很大的關(guān)系。在社會(huì)轉(zhuǎn)型時(shí)期,特殊的環(huán)境造成了人們特殊的心理：心理失衡、缺乏人際交流、冷漠麻木、缺少娛樂(lè)和刺激……因此,穿越劇的虛擬感、新奇感和刺激感都幫助人們暫時(shí)擺脫了生活的壓力和忙碌,在精神上獲得美感和愉悅的享受。人們接受穿越劇,也和商業(yè)化社會(huì)息息相關(guān),穿越劇從網(wǎng)絡(luò)文學(xué)開(kāi)始興起,在翻拍、電視臺(tái)策劃及各方的議論之中,它又聚集了大量的人氣,讓傳播范圍不斷擴(kuò)大。 但是,穿越劇一直是一個(gè)飽受爭(zhēng)議的影視話題,它的模式化和對(duì)歷史的更改是其兩大致命的缺點(diǎn),如何揚(yáng)長(zhǎng)避短,將其缺點(diǎn)轉(zhuǎn)化為優(yōu)勢(shì),繼續(xù)創(chuàng)作出既贏得受眾歡迎,又能提高整體大眾品味的精神文化產(chǎn)品,是我們當(dāng)前應(yīng)該研究的問(wèn)題。
[Abstract]:This article takes the popular traversing drama in recent years as the research object, uses the literature theory, the image esthetics, the audience psychology and so on theory, explores the traversing drama popular reason, the unique artistic characteristic and the unique creation idea. At the same time, the article also discusses the shortcomings of traversing drama and its future development direction. Traversing drama uses artistic perspective and freehand brushwork to create TV dramas, trying to create a kind of classical beauty in styling and dressing, using color, light and shadow to construct classic pictures, and using lens switching to let the audience realize the sense of traversing; The characters are vivid and individualized, and take care of women from a unique perspective; history and fiction are intertwined to construct stories. Make people realize the artistic charm, language charm, narrative charm of traversing drama, and combine the secular style and artistic style together, so that the TV drama can achieve the effect of elegance and common appreciation. All these make the traversing drama have modern aesthetic characteristics. There has always been a lack of traversing on TV screens, but it has attracted attention in this era, which has a lot to do with the changing psychology of the audience. In the period of social transformation, special environment causes people's special psychology: psychological imbalance, lack of interpersonal communication, apathy and numbness, lack of entertainment and stimulation. Therefore, the virtual sense, novelty and thrill of traversing drama help people to get rid of the pressure and busy of life temporarily, and to enjoy beauty and pleasure in spirit. People accept traversing drama, which is closely related to commercial society. Traversing drama begins to rise from online literature. In the process of remaking, TV planning and various discussions, it has gathered a lot of popularity and made the scope of communication expand. However, traversing drama has always been a controversial topic of film and television. Its patterns and changes to history are its two major fatal shortcomings. How to promote its strengths and circumvent its weaknesses, turn its shortcomings into advantages, and continue to create and win the popularity of the audience, The spiritual and cultural products which can improve the overall public taste are the problems that we should study at present.
【學(xué)位授予單位】：湖北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：G206;J905

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本文編號(hào)：1911670