本文選題：家庭倫理劇 + 新型男性形象　； 參考：《首都師范大學(xué)》2013年碩士論文

【摘要】：近年來(lái),隨著一些家庭倫理劇的熱播,一種新型男性形象進(jìn)入人們的視野,引發(fā)人們的關(guān)注,在深受女性觀眾好評(píng)的同時(shí),也引發(fā)了大家對(duì)這種新型男性形象以及性別關(guān)系的思考。本文選取了當(dāng)下幾部熱播的家庭倫理劇,《裸婚時(shí)代》、《媳婦的美好時(shí)代》、《金太郎的幸福生活》,通過(guò)對(duì)其中的新型男性形象做文本分析并梳理之前一些男性形象的發(fā)展情況,試圖用性別理論、消費(fèi)社會(huì)符號(hào)理論以及電視文化的相關(guān)理論對(duì)這種新型男性形象做一個(gè)理論觀照,從而對(duì)這一新型形象做深入的闡釋和反思。本論文除了緒論和結(jié)語(yǔ)外,共分為三部分。 緒論部分簡(jiǎn)述了本文的寫(xiě)作意義及目前國(guó)內(nèi)外文獻(xiàn)研究家庭倫理劇男性形象的現(xiàn)狀,明確了本文的寫(xiě)作思路和寫(xiě)作意義。 第一部分從內(nèi)外兩個(gè)方面,運(yùn)用電視劇文本分析的方法對(duì)當(dāng)下家庭倫理劇中的新型男性形象做了一個(gè)大致的概括和分析。這種新型男性形象的出現(xiàn),打破了原有的性別界定,表現(xiàn)出與原有的男性氣質(zhì)很大差別的形象特征,他們平凡、普通,卻得到了眾多女性觀眾的追捧和青睞,引發(fā)社會(huì)的極大關(guān)注。 第二部分從理想男性標(biāo)準(zhǔn)的轉(zhuǎn)變和當(dāng)代女性地位的提升兩個(gè)方面對(duì)這種新型男性形象進(jìn)行分析,揭示其產(chǎn)生的現(xiàn)實(shí)基礎(chǔ)。波伏娃的“女人不是天生的,而是被造就的”理論言說(shuō)給女性運(yùn)動(dòng)指明了方向,同時(shí)也啟發(fā)了我們以之思考男性性別角色問(wèn)題,加之女性意識(shí)覺(jué)醒、女性地位提升,也從一定程度上改變著男女相處的模式�？傊�,男性、女性?xún)蓚�(gè)群體在社會(huì)中不斷適應(yīng)環(huán)境而做出的改變都影響到電視劇人物形象的創(chuàng)作和形成,是其人物形象塑造的現(xiàn)實(shí)基礎(chǔ)。 第三部分主要在社會(huì)性別理論的基礎(chǔ)上,結(jié)合方剛提出的男性解放觀點(diǎn)對(duì)這一男性形象進(jìn)行理論的分析和觀照。所謂的男性氣質(zhì)其實(shí)就是社會(huì)文化影響和塑造的、在當(dāng)下認(rèn)為是合理的、得體的男性特有思維、行為和感覺(jué)方式,并不是固定不變的,而是隨著時(shí)代語(yǔ)境的變化而不斷變化的。當(dāng)下出現(xiàn)的這種新型男性形象在一定程度上滿(mǎn)足了當(dāng)下人們的審美期待,但卻并非是男性形象的最終理想。 結(jié)語(yǔ)部分我們提出要對(duì)當(dāng)下這一新型男性形象做全面、合理的認(rèn)識(shí),體會(huì)當(dāng)下社會(huì)中男性和女性一樣在受著壓迫和束縛,應(yīng)充分發(fā)揮大眾媒介的文化傳承功能以及強(qiáng)大的滲透力和影響力,為建構(gòu)真正平等和諧的兩性關(guān)系發(fā)揮正面積極的作用,呼吁男性和女性的共同解放,加強(qiáng)男女兼性氣質(zhì)的培養(yǎng),建造一個(gè)人人獲得充分發(fā)展的新世界。
[Abstract]:In recent years, with the popularity of some family ethics dramas, a new type of male image has come into people's view and aroused people's attention. At the same time, it has been well received by female viewers. It also leads to the reflection of this new male image and gender relationship. This article selects several popular family ethics dramas, "the naked marriage time", "the wife's beautiful time", "the golden Taro's happy life", through the text analysis to the new male image and combs the development of some male images before. This paper attempts to use the theory of gender, the theory of consumer social symbols and the relevant theories of TV culture to make a theoretical view of this new male image, so as to make a deep explanation and reflection on this new image. In addition to the introduction and conclusion, this paper is divided into three parts. The introduction part briefly describes the writing significance of this article and the current situation of domestic and foreign literature research on the male image of family ethics drama, and clarifies the writing ideas and writing significance of this article. The first part makes a general summary and analysis of the new male image in the family ethics drama by means of the text analysis of TV series from both inside and outside. The appearance of this new male image breaks the original definition of gender and shows the image characteristics that are very different from the original masculinity. They are ordinary and ordinary, but they have been sought after and favored by many female viewers. Arouse the society's great concern. The second part analyzes the new male image from two aspects: the change of ideal male standard and the promotion of contemporary female status, and reveals the realistic basis of its emergence. Bovova's theory that women are not born, but are created, shows the direction of the women's movement, and at the same time inspires us to think about the gender roles of men, together with the awakening of women's consciousness, and the advancement of women. It also changes the pattern of men and women to some extent. In a word, the changes made by both men and women in the society have influenced the creation and formation of characters in TV series, and are the realistic basis of shaping their characters. The third part mainly on the basis of the gender theory, combined with Fang Gang's view of male emancipation, to the theoretical analysis and reflection of this male image. The so-called masculine temperament is actually influenced and shaped by social culture. At present, it is considered reasonable and appropriate for the male unique thinking, behavior and feeling style, which is not fixed, but constantly changing with the change of the times' context. To some extent, this new male image meets the aesthetic expectations of the present people, but it is not the ultimate ideal of the male image. In the conclusion part, we propose that we should make a comprehensive and reasonable understanding of this new male image, and realize that men and women are being oppressed and restrained as well as women in the present society. We should give full play to the cultural heritage function of mass media as well as its powerful penetration and influence, play a positive and positive role in the construction of a truly equal and harmonious relationship between the two sexes, and call for the common emancipation of men and women. Strengthen the cultivation of the facultative temperament of men and women, and build a new world in which everyone is fully developed.
【學(xué)位授予單位】：首都師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J905

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