發(fā)布時(shí)間：2018-05-17 03:00

  本文選題：物哀 + 日本傳統(tǒng)文化　； 參考：《南京藝術(shù)學(xué)院》2014年碩士論文

【摘要】：當(dāng)前，中國(guó)的動(dòng)漫產(chǎn)業(yè)相較于其他動(dòng)漫業(yè)發(fā)達(dá)的國(guó)家還處于起步階段。曾經(jīng)以“中國(guó)學(xué)派”征服世界觀眾的輝煌的“美術(shù)片”時(shí)代已成為過(guò)去。中國(guó)動(dòng)畫(huà)在經(jīng)歷八十年代到九十年代中葉的沉寂之后，逐漸重新煥發(fā)生機(jī)。作為文化創(chuàng)意產(chǎn)業(yè)之一，中國(guó)動(dòng)畫(huà)越來(lái)越受到國(guó)家重視。而發(fā)展離不開(kāi)向他者的學(xué)習(xí)，特別是向優(yōu)秀者的學(xué)習(xí)。本文即是從一個(gè)學(xué)習(xí)者的角度對(duì)日本動(dòng)畫(huà)進(jìn)行的一番粗淺的研究，希望對(duì)中國(guó)動(dòng)漫事業(yè)的發(fā)展盡一份綿薄之力。本文前半部分主要系統(tǒng)地論述了日本文化中“物哀情結(jié)”的形成和發(fā)展，以及物哀情結(jié)在日本文化中的體現(xiàn)。“物哀”是日本審美意識(shí)的底流，它對(duì)日本傳統(tǒng)文化的形成和發(fā)展有著深遠(yuǎn)的影響。中間部分主要結(jié)合日本經(jīng)典動(dòng)畫(huà)電影，分析了物哀情結(jié)在日本動(dòng)漫作品中的體現(xiàn)，并得出了“物哀情結(jié)”是日本動(dòng)漫的一大特色，是日本文化對(duì)外傳播的載體的結(jié)論。后半部分主要論述了中國(guó)傳統(tǒng)文化的核心文化。中國(guó)在長(zhǎng)期的歷史發(fā)展中形成了重“禮樂(lè)”的傳統(tǒng)，儒學(xué)繼承和發(fā)展了這一傳統(tǒng)并成為了之后中國(guó)傳統(tǒng)文化的核心文化。最后主要結(jié)合前面的論證分析了中國(guó)傳統(tǒng)文化如何轉(zhuǎn)變?yōu)闀r(shí)尚的動(dòng)漫語(yǔ)言的問(wèn)題。
[Abstract]:At present, China's animation industry is still in its infancy compared to other countries with developed animation industry. The era of "art film" that once conquered the world audience with the "Chinese School" has become the past. After the silence of the middle of the middle of 80s to the middle of 90s, Chinese animation gradually reinvigorated. One of the industries, Chinese animation is getting more and more attention from the state. But the development can not be separated from the others, especially to the excellent people. This article is a shallow study of Japanese animation from the perspective of a learner, hoping to do a little effort to the development of Chinese animation. The first half of this article is mainly on the systematic theory. The formation and development of the "mourning complex" in Japanese culture, as well as the embodiment of the sentimentality complex in Japanese culture, are described. "The mourning" is the underflow of Japanese aesthetic consciousness. It has a profound influence on the formation and development of Japanese traditional culture. The middle part mainly combines the Japanese classic animated films, and analyzes the mourning complex in Japanese animation. The embodiment of the product, and the conclusion that the "grief complex" is a major feature of Japanese animation, is the carrier of the carrier of Japanese culture, the latter part mainly discusses the core culture of Chinese traditional culture. China has formed a traditional tradition of "rite and music" in the long history of development. Confucianism inherits and develops this tradition. Then the core culture of Chinese traditional culture is analyzed. Finally, combined with the previous arguments, this paper analyzes the problem of how Chinese traditional culture turns into a fashionable animation language.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J954

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