中國(guó)獨(dú)立紀(jì)錄片紀(jì)實(shí)風(fēng)格變遷研究
發(fā)布時(shí)間:2018-05-14 15:51
本文選題:獨(dú)立紀(jì)錄片 + 紀(jì)實(shí); 參考:《河北師范大學(xué)》2015年碩士論文
【摘要】:獨(dú)立紀(jì)錄片在中國(guó)出現(xiàn)已經(jīng)有二十多年,在這二十多年里,獨(dú)立紀(jì)錄片在中國(guó)的發(fā)展十分迅速,從初步萌芽到日益成熟,作為紀(jì)錄影像一個(gè)重要的方面,其對(duì)中國(guó)的社會(huì)現(xiàn)實(shí)進(jìn)行了不一樣視角的觀照。本文以中國(guó)大陸的獨(dú)立紀(jì)錄片作為研究對(duì)象,對(duì)其從紀(jì)實(shí)風(fēng)格、創(chuàng)作視角,主體意識(shí)等方向進(jìn)行了解讀。全文首先對(duì)獨(dú)立紀(jì)錄片的概念界定進(jìn)行解讀,厘清獨(dú)立影像與獨(dú)立紀(jì)錄片的概念問題,包含與被包含問題,再將獨(dú)立紀(jì)錄片與非獨(dú)立紀(jì)錄片,即體制內(nèi)紀(jì)錄片,將二者從概念上加以區(qū)分,并且指出二者的界限標(biāo)準(zhǔn),對(duì)它們的關(guān)系加以分析。文章隨后以中國(guó)獨(dú)立紀(jì)錄片在中國(guó)發(fā)展的時(shí)間階段為主線,分別從早期萌芽時(shí)期、中期探索與發(fā)展時(shí)期以及后來的興盛時(shí)期這三個(gè)發(fā)展階段,對(duì)中國(guó)獨(dú)立紀(jì)錄片進(jìn)行思考與解讀。在早期萌芽階段,通過對(duì)該階段作品的分析,把本時(shí)期總結(jié)為“自然主義”紀(jì)實(shí)時(shí)期,從題材、創(chuàng)作主體等方面進(jìn)行了具體的分析。在中期的探索發(fā)展階段,從“直接電影”與“真實(shí)電影”的角度,對(duì)該時(shí)期的紀(jì)實(shí)風(fēng)格進(jìn)行解讀,認(rèn)為這一時(shí)期的創(chuàng)作作品在紀(jì)實(shí)風(fēng)格上的體現(xiàn)是“直接電影”與“真實(shí)電影”二者的雜糅,并且從該時(shí)期創(chuàng)作作品的分析上加以論證。在興盛時(shí)期,中國(guó)獨(dú)立紀(jì)錄片的創(chuàng)作者們傾向故事化的表達(dá),在作品創(chuàng)作上體現(xiàn)出一種故事化敘事的創(chuàng)作傾向,故事化敘事成為該時(shí)期獨(dú)立紀(jì)錄片最突出的紀(jì)實(shí)特征,通過對(duì)具體作品的分析論證了這一特征,并且指出該時(shí)期的作品在題材上以及創(chuàng)作視角上的特點(diǎn)。自從1990年第一部真正意義上的獨(dú)立紀(jì)錄片《流浪北京——最后的夢(mèng)想者》的誕生一直到現(xiàn)在,獨(dú)立紀(jì)錄片在中國(guó)的發(fā)展只不過短暫的25年,然而伴隨著中國(guó)社會(huì)的迅猛發(fā)展,獨(dú)立紀(jì)錄片迅速完成了三個(gè)階段的轉(zhuǎn)變,可以預(yù)見,其在今后的發(fā)展亦是前景廣闊。
[Abstract]:Independent documentaries have appeared in China for more than 20 years. In these more than 20 years, independent documentaries have developed very rapidly in China, from the initial germination to the increasingly mature, as an important aspect of recording images. It has carried on the different angle of view to the social reality of China. This paper takes the independent documentary film in mainland China as the research object, and interprets it from the aspects of documentary style, creative perspective, subject consciousness and so on. First, the paper interprets the definition of the concept of independent documentary, clarifies the concept of independent image and independent documentary, including and is included, and then the independent documentary and non-independent documentary, that is, the system of documentary. This paper distinguishes the two from the concept, and points out the limit standard of the two, and analyzes their relations. The article then takes the time stage of Chinese independent documentary development in China as the main line, respectively from the early budding period, the middle exploration and development period and the later prosperous period. To the Chinese independent documentary film carries on the ponder and the interpretation. In the early embryonic stage, through the analysis of the works of this stage, this period is summed up as "naturalism" documentary period, from the subject matter, creative subject and other aspects of specific analysis. From the perspective of "direct film" and "real film", this paper interprets the documentary style of this period in the middle stage of exploration and development. The author thinks that the reflection of the documentary style of the creative works in this period is the mixture of "direct film" and "real film", and proves from the analysis of the creation works of this period. In the prosperous period, the creators of Chinese independent documentaries tended to express themselves in stories, and the creation of works showed a tendency of story narration. Story narration became the most prominent documentary feature of independent documentaries in that period. Through the analysis of the concrete works, this paper demonstrates this characteristic, and points out the characteristics of the works of this period in the subject matter as well as the visual angle of creation. Since the birth of the first truly independent documentary, stray Beijing-the Last Dreamer, in 1990, independent documentaries have been developing in China for only a short period of 25 years, but with the rapid development of Chinese society. The independent documentary has completed the transformation of three stages quickly, and it can be predicted that its future development is also bright.
【學(xué)位授予單位】:河北師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2015
【分類號(hào)】:J952
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