本文選題：青春偶像電視劇 + 亞文化　； 參考：《河北大學(xué)》2014年碩士論文

【摘要】：中國(guó)電視劇是處于特定歷史文化與經(jīng)濟(jì)發(fā)展環(huán)境中的藝術(shù)產(chǎn)物，具有廣泛的傳播性與藝術(shù)影響力。自1998年《將愛(ài)情進(jìn)行到底》播出以來(lái)，國(guó)產(chǎn)青春偶像電視劇作為一種具有鮮明特點(diǎn)的電視劇類型，在不斷發(fā)展中形成自己的規(guī)律并不斷成熟，對(duì)于構(gòu)建青年文化、繁榮文化市場(chǎng)、完善文化產(chǎn)業(yè)鏈，具有著非常重要的意義。 對(duì)青春偶像電視劇而言，“青春的偶像”是構(gòu)成青春偶像電視劇的重要元素。青春偶像劇作為一種類型劇，在長(zhǎng)期的實(shí)踐中，形成了自己的規(guī)律，“造夢(mèng)”是其重要的特點(diǎn)，通過(guò)經(jīng)典場(chǎng)景畫面、人物、音樂(lè)等一系列設(shè)置，營(yíng)造出夢(mèng)幻的視覺(jué)效果，通過(guò)場(chǎng)景、時(shí)尚、音樂(lè)等多種藝術(shù)形式對(duì)青春偶像劇做出理論的分析和總結(jié)。國(guó)產(chǎn)青春偶像劇發(fā)展的線索可以凸顯為“80后”這一代成長(zhǎng)的線索，它隨著“80后”的成長(zhǎng)而成長(zhǎng)。在國(guó)產(chǎn)青春偶像劇背后體現(xiàn)著偶像文化和粉絲文化、性別文化觀念、地域文化觀念、青年文化觀念等復(fù)雜的社會(huì)文化現(xiàn)象。國(guó)產(chǎn)青春偶像劇未來(lái)的發(fā)展中，，在處理與日韓模式的關(guān)系和面對(duì)大眾消費(fèi)文化發(fā)展方面有很多問(wèn)題值得反思和探討。 本文將國(guó)產(chǎn)青春偶像劇放在20世紀(jì)90年代后這一歷史語(yǔ)境下，從亞文化、偶像文化、粉絲文化等理論對(duì)研究對(duì)象進(jìn)行具體地分析，探究國(guó)產(chǎn)青春偶像電視劇體現(xiàn)的特點(diǎn)及其反映的社會(huì)文化現(xiàn)象，以及大眾文化消費(fèi)下的青春偶像劇，從而進(jìn)一步挖掘青春偶像劇的文化蘊(yùn)含與精神導(dǎo)向，提高青春偶像劇的品位和影響力。
[Abstract]:Chinese TV play is an artistic product in a specific historical and cultural and economic development environment. It has a wide range of dissemination and artistic influence. Since 1998, when "carry on Love to the end" was broadcast, as a kind of TV drama with distinctive characteristics, domestic youth idol TV series has formed its own laws and matured in the course of continuous development, so as to construct the youth culture. It is of great significance to prosper the cultural market and perfect the cultural industry chain. To the youth idol TV series, the youth idol is the important element of the youth idol TV play. As a type of drama, youth idol drama has formed its own law in long-term practice. "Dreammaking" is an important feature of it. Through a series of settings such as classical scenes, characters, music and so on, it creates a dreamy visual effect. Through scene, fashion, music and other forms of art to make a theoretical analysis and summary of idol drama. The clue of the development of the domestic youth idol drama can be highlighted as the clue of the growth of the generation after 80, which grows with the growth of the generation after 80. Behind the Chinese idol drama are the complicated social and cultural phenomena, such as idolatry culture, fan culture, gender culture, regional culture, youth culture and so on. In the future development of domestic youth idol drama, there are many problems worth reflecting and discussing in dealing with the relationship between Japan and South Korea and facing the development of mass consumption culture. In this paper, the author puts the domestic idol drama in the historical context after the 1990s, and analyzes the research object from the theory of subculture, idolatry culture, fan culture and so on. This paper probes into the characteristics and social and cultural phenomena reflected in domestic youth idol TV dramas, as well as the youth idol dramas under the consumption of popular culture, so as to further explore the cultural implication and spiritual orientation of youth idol dramas. Improve the taste and influence of youth idol drama.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

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本文編號(hào)：1886338