淺析動畫中的節(jié)奏美
發(fā)布時間:2018-05-13 08:10
本文選題:動畫節(jié)奏 + 畫面; 參考:《大連工業(yè)大學(xué)》2014年碩士論文
【摘要】:節(jié)奏作為重要的動畫創(chuàng)作手段廣泛的應(yīng)用于動畫藝術(shù)中。節(jié)奏表現(xiàn)在劇情、聲音、動作和鏡頭的制作中。如果沒有節(jié)奏那就沒有動畫藝術(shù)中的此起彼伏,也沒有了色彩的冷暖差異,更沒有通過動畫角色表現(xiàn)出的感人精彩畫面。節(jié)奏的控制與使用作為動畫藝術(shù)最為重要的特征和與眾不同的表現(xiàn)手法,是廣大動畫藝術(shù)的靈魂,是動畫創(chuàng)作中新生的血液。因此動畫的創(chuàng)作中一定要將節(jié)奏放在首要,尊重節(jié)奏,節(jié)奏是動畫藝術(shù)生機(jī)的源泉。 我國市場對于動畫的要求是豐富的,,可相比于其他動畫強(qiáng)國來說我國的動畫表現(xiàn)出來的是弱不禁風(fēng)的對抗力。繼續(xù)走市場化道路是讓我國的動畫競爭力強(qiáng)大的根本。有兩個重要的因素決定著我國動畫能否強(qiáng)大:1、創(chuàng)作的動力;2、授向的群體。通過對動畫藝術(shù)中節(jié)奏的研究,探求能吸引觀眾并能節(jié)約開支的方法;動畫的授向的群體就是觀眾,經(jīng)過對各個年齡段的觀眾他們心中對節(jié)奏的理解與倚重的詳細(xì)分析,打破我國的動畫觀眾片面的格局,在研發(fā)出的作品中賦予更高的層次。通過對不同國家的動畫藝術(shù)作品中節(jié)奏的分析、對比研究,提出我國動畫中節(jié)奏的表現(xiàn)上存在的問題。解析各種類別的動畫藝術(shù)的節(jié)奏,發(fā)散思維眼光放遠(yuǎn),掌握住整體的節(jié)奏。動畫藝術(shù)的每一部分都離不開節(jié)奏,而這每一個環(huán)節(jié)又相互的制約影響著,每一環(huán)節(jié)的研究細(xì)則是不同的,但它們的方向是共同朝著動畫藝術(shù)的整體節(jié)奏所研究的。 本文研究所得結(jié)論是我國的動畫中節(jié)奏的表現(xiàn)應(yīng)該取決于觀眾的心理來設(shè)計;動作方面的節(jié)奏需要細(xì)微,細(xì)至每一個動畫人物的性格,和動畫人物的每一個情緒;強(qiáng)調(diào)趣味性與個性化的配音選擇,還有不能忽視的部分是動畫中的音樂與音效,要深刻研究探討音效的巨大作用,而音樂既要正面的與動畫畫面統(tǒng)一又要反面的與畫面進(jìn)行襯托。動畫藝術(shù)中的整體節(jié)奏如地基一般奠定了整部作品的基礎(chǔ)與基本方向,在此之上通過敘事的節(jié)奏、動作的節(jié)奏、聲音的節(jié)奏和分鏡頭的節(jié)奏(第四章)的表現(xiàn)來構(gòu)成一個完整的整部動畫節(jié)奏系統(tǒng)。
[Abstract]:Rhythm, as an important means of animation creation, is widely used in animation art. Rhythm is reflected in the production of plot, sound, action and lens. If there is no rhythm, there is no animation art one after another, there is no difference in color, not through animation characters show the moving wonderful picture. The control and use of rhythm, as the most important feature of animation art and distinctive expression, is the soul of animation art and the new blood in animation creation. Therefore, the creation of animation must put rhythm in the first place, respect rhythm, rhythm is the source of animation art vitality. China's market is rich in the requirements of animation, but compared with other animation powers, China's animation shows a weak antagonism. Continue to take the road of marketization is to make our country's animation competitiveness strong fundamental. There are two important factors that determine whether the animation of our country can be powerful: 1, the motive force of creation, the group of direction. Through the study of the rhythm in animation art, we seek ways to attract the audience and save money. The audience is the group to which animation is directed, and through a detailed analysis of the understanding and reliance on rhythm in the hearts of the audience of all ages, Break the one-sided pattern of animation audience in our country, and give a higher level in the works developed. Based on the analysis of rhythm in animation works of different countries, this paper puts forward the problems in the performance of rhythm in animation in China. Analyze the rhythm of various types of animation art, divergent thinking vision, grasp the overall rhythm. Every part of animation art can not be separated from rhythm, and each link restricts each other. The research rules of each link are different, but their direction is towards the whole rhythm of animation art. The conclusion of this paper is that the performance of rhythm in animation in our country should depend on the psychology of the audience, the rhythm of action needs to be subtle, from the character of each animated character to every emotion of the animated character; The emphasis on interesting and personalized choice of dubbing, and the part that can not be ignored is the music and sound effects in animation. We should deeply study the great role of sound effects. And music should not only be positive and animation picture unity, but also opposite to the picture. The whole rhythm in animation art, such as foundation, has laid the foundation and basic direction of the whole work, which is based on the rhythm of narration, the rhythm of movement, The rhythm of the sound and the rhythm of the camera (Chapter 4) constitute a complete system of animation rhythms.
【學(xué)位授予單位】:大連工業(yè)大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:J954
【參考文獻(xiàn)】
相關(guān)期刊論文 前8條
1 劉瑤;;音樂在動畫片中的獨(dú)白與旁白作用[J];安徽文學(xué)(下半月);2009年12期
2 許盛;;淺議動漫角色造型設(shè)計的應(yīng)用表現(xiàn)特性[J];浙江傳媒學(xué)院學(xué)報;2008年01期
3 胡鄧;;動畫藝術(shù)的時代特征和民族性關(guān)系的思考[J];重慶郵電大學(xué)學(xué)報(社會科學(xué)版);2008年S1期
4 趙敏;;關(guān)于日本漫畫研究[J];考試周刊;2008年35期
5 胡娟;張治全;;動畫創(chuàng)作中節(jié)奏的把握[J];銅陵學(xué)院學(xué)報;2012年02期
6 陳磊;;日本動漫文化與當(dāng)代新波普藝術(shù)[J];裝飾;2007年04期
7 孫立軍;;動畫創(chuàng)作中的節(jié)奏[J];裝飾;2011年06期
8 彭巍;;動畫藝術(shù)的節(jié)奏美[J];文藝爭鳴;2010年16期
本文編號:1882363
本文鏈接:http://sikaile.net/wenyilunwen/dianyingdianshilunwen/1882363.html
教材專著