本文選題：新疆電視臺紀錄片 + 史述　； 參考：《陜西師范大學(xué)》2013年碩士論文

【摘要】：新疆本土紀錄片近年來發(fā)展迅速,在國內(nèi)外有重要影響,尤其是新疆電視臺創(chuàng)作的紀錄片。獨特的風(fēng)格和個性的創(chuàng)作成為新疆電視臺紀錄片的顯著特點,紀錄片從選材角度、制作風(fēng)格、敘事結(jié)構(gòu)等方面都獨樹一幟。新疆電視臺紀錄片因其特殊的地域特點和人文特色而擁有極具辨識度的鮮明風(fēng)格,其豐富的內(nèi)容和深刻的主題所構(gòu)建的少數(shù)民族文化景觀,成為中國電視紀錄片的一大亮點。但新疆電視臺出品的紀錄片的梳理以及研究在學(xué)界尚未完善,本文力圖全面系統(tǒng)地梳理其紀錄片發(fā)展的線索和脈象,分析典型的紀錄片作品,總結(jié)其敘事藝術(shù)和多樣化風(fēng)格,并對其紀錄片未來創(chuàng)作和發(fā)展提出個人看法,對新疆紀錄片的發(fā)展和研究提供一定的參考。 在引言部分,闡述本文的研究背景和研究動因,以及研究方法和相關(guān)的文獻綜述,介紹新疆電視臺紀錄片目前發(fā)展的背景和優(yōu)勢,指出目前理論領(lǐng)域?qū)π陆娨暸_紀錄片研究的缺失。 第一章為新疆電視臺紀錄片發(fā)展軌跡歷時研究,這一章分為四節(jié),概述了新疆電視臺紀錄片的發(fā)展歷程和階段性創(chuàng)作走向。1973年開始到1989年,新疆電視臺紀錄片發(fā)展進入創(chuàng)作的前期；90年代為紀錄片創(chuàng)作的繁榮階段,具體為1990年至1999年；從2000年到2004年是新疆電視臺紀錄片走向國內(nèi)外市場的成熟時期；2005年至今則為全面進入精品紀錄片時代�？偨Y(jié)整個發(fā)展歷史,創(chuàng)作者們經(jīng)歷了初期摸索嘗試,依靠聯(lián)合攝制學(xué)習(xí)創(chuàng)作,到自主實踐探討實踐與創(chuàng)作方法交織,最后到客觀紀實、關(guān)注細微的多元化敘事方式的實踐。 第二章分析研究新疆電視臺紀錄片的敘事藝術(shù),根據(jù)新疆電視臺紀錄片四個時期敘事方式的特點,分析新疆電視臺紀錄片在不同發(fā)展時期的敘事藝術(shù)。本章采用案例分析的方法,引用了多部紀錄片,從選題、情節(jié)、細節(jié)、節(jié)奏、懸念等方面進行分析,旨在提煉新疆紀錄片各個發(fā)展時期特有的創(chuàng)作中的敘事特點。 第三章探討新疆電視臺紀錄片的多樣化類型,分別從西域風(fēng)格和多樣化類型來分析其紀錄片創(chuàng)作的風(fēng)格化和多元化,具體研究和分析多部獲獎作品的影像風(fēng)格,以及對新疆電視臺歷年創(chuàng)作的作品按照內(nèi)容和主題的不同進行了分類。 第四章探討了目前新疆電視臺紀錄片選題、創(chuàng)作和定位中存在的問題,對發(fā)展前景提出了建設(shè)性的建議,同時提出在創(chuàng)作中應(yīng)該重視的問題。 在結(jié)語部分闡述了新疆電視臺紀錄片的獨特風(fēng)格和研究以新疆電視臺為代表的新疆本土紀錄片的意義,力圖為紀錄片創(chuàng)作者和研究者提供一點“拋磚引玉”的參考意見。
[Abstract]:Xinjiang local documentary has developed rapidly in recent years and has important influence at home and abroad, especially the documentary created by Xinjiang TV station. The unique style and individual creation become the remarkable characteristic of Xinjiang TV documentary. The documentary is unique from the angle of material selection, production style, narrative structure and so on. Because of its special regional and humanistic characteristics, the documentary film of Xinjiang TV station has a distinctive style of recognition. The rich content and profound theme of the documentary film of Xinjiang TV has become a bright spot of Chinese TV documentary film. However, the research of documentary produced by Xinjiang TV is not perfect in academic circles. This paper tries to comb the clue and pulse of documentary development, analyze typical documentary works, sum up its narrative art and diversified style. The author also puts forward his own views on the future creation and development of his documentaries and provides a certain reference for the development and research of Xinjiang documentaries. In the preface part, this paper expounds the research background and research motivation, as well as the research methods and related literature review, introduces the background and advantages of the development of Xinjiang TV documentary. This paper points out the lack of the research on Xinjiang TV documentary in the field of theory at present. The first chapter is the diachronic research on the development of documentary film of Xinjiang TV station. This chapter is divided into four sections, which summarizes the development course and creative trend of documentary film of Xinjiang TV station. The development of Xinjiang TV documentary came into the prosperous stage of documentary creation in the early 1990s, specifically from 1990 to 1999; The period from 2000 to 2004 is the mature period for Xinjiang TV documentary to enter the domestic and foreign market, and from 2005 to now, it has entered the era of high-quality documentary. Summing up the whole history of development, the creators have experienced initial exploration and attempt, relying on joint film learning and creation, discussing the interweaving of practice and creative methods in their own practice, and finally, to the objective record, to the practice of paying attention to the subtle and diversified narrative methods. The second chapter analyzes the narrative art of Xinjiang TV documentary. According to the characteristics of the narrative mode of Xinjiang TV documentary in four periods, it analyzes the narrative art of Xinjiang TV documentary in different development periods. This chapter uses the method of case analysis, citing a number of documentaries, from the topics, plot, details, rhythm, suspense and other aspects of the analysis, in order to refine the Xinjiang documentary in the development of each unique period of narrative characteristics. The third chapter discusses the diversified types of Xinjiang TV documentary, analyzes the style and diversity of its documentary creation from the style and diversity of the Western region, and specifically studies and analyzes the image style of many award-winning works. As well as the Xinjiang TV works created according to the content and theme of different categories. The fourth chapter discusses the problems existing in the selection, creation and orientation of Xinjiang TV documentary film, and puts forward constructive suggestions for the development prospects, and puts forward the problems that should be paid attention to in the creation. In the conclusion part, the author expounds the unique style of Xinjiang TV documentary and the significance of the research on Xinjiang local documentary, which is represented by Xinjiang TV station, and tries to provide some reference opinions for documentary creators and researchers.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J952

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