本文選題：實(shí)拍影像 + 動(dòng)畫制作��； 參考：《四川師范大學(xué)》2013年碩士論文

【摘要】：21世紀(jì)的今天,隨著電腦技術(shù)的迅猛發(fā)展,動(dòng)畫藝術(shù)迅速擴(kuò)展,其強(qiáng)大的視覺沖擊力和美輪美奐的畫面效果,令眾多觀眾為之傾倒,動(dòng)畫行業(yè)也逐漸受到社會(huì)的普遍認(rèn)同與關(guān)注。動(dòng)畫用它特有的藝術(shù)語言和創(chuàng)作手法,沖破國家、種族、語言的阻礙,帶給觀眾無限的樂趣。實(shí)拍影像作為動(dòng)畫制作的參考素材,賦予了角色一種總體的概念,帶著姿勢(shì)與表情,是一種可以被動(dòng)畫藝術(shù)處理的創(chuàng)作素材：同時(shí),作為運(yùn)動(dòng)中的真實(shí)記錄,能夠用來一幀一幀地去研究真實(shí)生命形態(tài)的復(fù)雜動(dòng)作。 本文圍繞實(shí)拍影像在動(dòng)畫制作中的應(yīng)用展開討論,在實(shí)拍影像與動(dòng)畫制作的基本概述中,闡述實(shí)拍影像與動(dòng)畫制作密不可分的關(guān)系；著重探析實(shí)拍影像在動(dòng)畫場(chǎng)景制作、人物角色塑造、動(dòng)物角色塑造以及動(dòng)畫個(gè)體實(shí)物塑造中的應(yīng)用,詳細(xì)說明實(shí)拍影像在動(dòng)畫制作中的應(yīng)用問題。一個(gè)藝術(shù)作品永遠(yuǎn)不是一個(gè)簡(jiǎn)單的復(fù)制,動(dòng)畫也不僅僅是對(duì)現(xiàn)實(shí)生活的復(fù)制。運(yùn)動(dòng)具有其存在的規(guī)律與系統(tǒng)性,但卻不可能傳遞出情感元素。因而,我們需要在實(shí)拍影像的基礎(chǔ)上,加以被我們證明有效的表現(xiàn)工具及表現(xiàn)技法,使實(shí)拍影像在動(dòng)畫設(shè)計(jì)與動(dòng)畫造型的世界里被重新詮釋。論文以大量的國內(nèi)外經(jīng)典動(dòng)畫片為案例,分析實(shí)拍影像在動(dòng)畫制作中的應(yīng)用問題；以畢業(yè)設(shè)計(jì)創(chuàng)作為實(shí)踐,結(jié)合實(shí)拍影像與動(dòng)畫結(jié)合的現(xiàn)狀,探尋實(shí)拍影像應(yīng)用于動(dòng)畫制作的注意事項(xiàng),即實(shí)拍影像需基于動(dòng)畫劇本需要、兩者畫面要匹配等,以便更合理、更恰當(dāng)?shù)膶?shí)拍影像應(yīng)用于動(dòng)畫制作中。 目前,在全球動(dòng)畫市場(chǎng)穩(wěn)步發(fā)展的大環(huán)境下,中國動(dòng)畫將擁有更多的機(jī)遇和發(fā)展空間。論文將動(dòng)畫理論與動(dòng)畫創(chuàng)作中的具體技術(shù)性、實(shí)踐性相統(tǒng)一,并注入相關(guān)美學(xué)知識(shí),試圖將實(shí)拍影像在動(dòng)畫制作中的應(yīng)用這一課題做較為全面的表述。希望能為中國動(dòng)畫產(chǎn)業(yè)的發(fā)展盡綿薄之力,給長(zhǎng)期為探索具有民族特色的中國動(dòng)畫的創(chuàng)作者們提供一定的信息。
[Abstract]:Today in the 21st century, with the rapid development of computer technology and the rapid expansion of animation art, its powerful visual impact and magnificent picture effects have captivated many viewers. Animation industry also gradually received the general recognition and concern of the society. Animation with its unique artistic language and creative techniques, breaking through the country, race, language barriers, to the audience infinite fun. Real images, as reference material for animation, give the character a general concept, with gestures and expressions, as creative material that can be processed by animation art: at the same time, as a true record of movement, Complex actions that can be used to study real life forms in a frame. In this paper, the application of real image in animation production is discussed. In the basic overview of real film image and animation production, the relationship between real shoot image and animation production is expounded, and the emphasis is put on the analysis of real shoot image in animation scene production. The application of character shaping, animal character shaping and animation individual real object molding is explained in detail. A work of art is never a simple copy, animation is not just a reproduction of real life. Motion has its existence law and system, but it is impossible to convey emotional elements. Therefore, we need to demonstrate the effective performance tools and techniques on the basis of the real images, so that the real images can be reinterpreted in the world of animation design and animation modeling. This paper takes a large number of domestic and foreign classic cartoons as an example to analyze the application of real-shoot images in animation production, to graduate design as a practice, combined with the reality of the combination of real images and animation, This paper explores the points needing attention in the application of real shot image in animation production, that is, the actual shot image should be based on the need of animation script, and the two images should be matched in order to more reasonably and appropriately apply the real shot image to the animation production. At present, in the global animation market steady development environment, Chinese animation will have more opportunities and development space. This paper unifies the theory of animation and the concrete technology and practice of animation creation, and infuses the relevant aesthetic knowledge, trying to make a more comprehensive statement of the application of the real shot image in animation production. The author hopes to contribute to the development of Chinese animation industry and provide some information to the creators who have long been exploring Chinese animation with national characteristics.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J954

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本文編號(hào)：1879535