本文選題：白蛇傳說 + 圖騰��； 參考：《湖南師范大學(xué)》2014年碩士論文

【摘要】：民間傳說對中國古典文學(xué)的影響是巨大的,不僅因為其廣闊的故事資源為古典文學(xué)的創(chuàng)作提供豐富的素材基礎(chǔ),也由于其雅俗共賞的藝術(shù)特質(zhì)使得其能夠在坊間代代相傳。學(xué)術(shù)界中對于民間傳說的研究也是層出不窮,而作為被人們奉為經(jīng)典的四大民間傳說《梁山伯與祝英臺》、《孟姜女哭長城》、《白蛇傳說》、《牛郎織女》,每一段傳奇悲情愛情故事的背后都寄托著世人對美好愛情和幸福生活的向往,但往往被現(xiàn)實所逼迫無可奈何,只能在精神的世界尋求些許的安慰。隨著人們物質(zhì)生活的不斷提高,對于文藝作品的需求也越來越高。技術(shù)的發(fā)展將一段段傳奇搬上熒屏,將個人主觀的想象借助視覺欣賞的沖擊來替代。藝術(shù)審美和藝術(shù)期待不斷推動當(dāng)代電影人尋求突破與創(chuàng)新,根植于大眾最為熟悉的民間故事,結(jié)合時下最流行的表現(xiàn)方式對作品進(jìn)行多次創(chuàng)作加工,力求獲得最大的市場反響。 《白蛇傳說》作為其中一部被翻拍較多的故事,在影視作品的展現(xiàn)中也是稂莠不齊,褒貶不一。在迄今翻拍的二十多個版本中,集聚著來自臺灣、香港、內(nèi)地等不同地方導(dǎo)演、編劇對這一傳奇故事的理解與解讀。在尊重文本大綱的基礎(chǔ)之上,添入多方位、多視角的現(xiàn)代因素與之相結(jié)合,將一個更加真實美麗而又凄婉動人的愛情悲劇演繹的如此逼真,震懾心扉。歷來對于白蛇故事的研究也是非常豐富的,但是學(xué)者卻更多的關(guān)注于它的源頭來自哪里,之后的演變又是怎樣的,最終形成一個完整的故事呈現(xiàn)給世人。即使當(dāng)下的影視作品也非常豐富多彩,然而在這方面的研究還是相當(dāng)有限的,尤其是對作品當(dāng)中所表現(xiàn)出來的關(guān)于白蛇、許仙、小青、法海等主要人物的性格轉(zhuǎn)變分析比對,主題側(cè)重的差異性以及作品整體呈現(xiàn)的優(yōu)點與不足等等,這些方面的關(guān)注仍是筆者認(rèn)為不可忽視的重要部分。 本論文首先從“白蛇故事”的源頭進(jìn)行探究,追尋其在歷史遺跡當(dāng)中的發(fā)展、轉(zhuǎn)變和延續(xù),其次結(jié)合筆者所選取的其中幾部較為突出的影視作品與文本資料進(jìn)行比對分析,重點落在對影像資料當(dāng)中所呈現(xiàn)的主題、人物轉(zhuǎn)變以及橫向縱向?qū)Ρ犬?dāng)中尋找這一多重藝術(shù)創(chuàng)作的特殊意義所在。
[Abstract]:The influence of folklore on Chinese classical literature is great, not only because its vast story resources provide rich material basis for the creation of classical literature, but also because of its artistic characteristics of common appreciation, it can be passed down from generation to generation. The study of folklore in academic circles is also endless. And as the four great folklore "Liang Shanbo and Zhu Yingtai", "Meng Jiangnv crying the Great Wall", "White Snake Biography", "Niulang Weaver Girl", each legendary and tragic love story lies behind the world's yearning for a better love and a happy life. But often forced by the reality of helpless, can only seek some comfort in the spiritual world. With the improvement of people's material life, the demand for literary works is higher and higher. The development of technology brings a piece of legend to the screen, replacing personal subjective imagination with the impact of visual appreciation. Art aesthetics and artistic expectation constantly push contemporary filmmakers to seek breakthrough and innovation, rooted in popular folk stories, combining with the most popular way of expression to create and process works many times, in order to obtain the greatest market response. White Snake Biography, as one of the more remade stories, in the film and television show is mixed, mixed praise. In more than two dozen reproductions so far, the writers have interpreted the legendary story with directors from different places, including Taiwan, Hong Kong and the mainland. On the basis of respecting the outline of the text, adding the modern factors of multi-direction and multi-angle of view, we can deduce a more real, beautiful and sad tragedy of love so lifelike and shocking. The study of White Snake story has always been very rich, but scholars pay more attention to where it comes from, and how it evolves afterwards, and finally forms a complete story to present to the world. Even though the current film and television works are also very rich and colorful, however, the research in this area is still quite limited. In particular, the analysis and comparison of the character changes of the main characters such as White Snake, Xu Xian, Xiao Qing, Fa Hai and so on are shown in the works. The difference of the theme and the advantages and disadvantages of the work as a whole are still the important parts which the author thinks can not be ignored. This paper first explores the source of "White Snake Story", seeks its development, transformation and continuation among historical sites, and then compares and analyzes several of the more prominent film and television works and text materials selected by the author. The focus is on the theme of the image, the character transformation and the horizontal and vertical contrast to find the special significance of this multi-artistic creation.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

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