本文選題：高碳喜劇 + 低碳喜劇��； 參考：《山東師范大學(xué)》2014年碩士論文

【摘要】：從當(dāng)下影視藝術(shù)市場(chǎng)看，喜劇占了很大比重�？v觀這些作品，其質(zhì)量“高度”卻遠(yuǎn)遠(yuǎn)不如其數(shù)量，呈現(xiàn)出普遍而嚴(yán)重的“泛低俗化、虛假化、泛自由化”等高碳趨勢(shì)，給社會(huì)大眾的身心健康造成了不同程度的損害。本文以“低碳美學(xué)”為理論基礎(chǔ)，以系統(tǒng)觀為考察研究材料的基本視角，以國(guó)內(nèi)外眾多典型的喜劇影視藝術(shù)文本為研究材料，綜合運(yùn)用實(shí)證研究、思辨研究、比較研究三種研究方法，對(duì)低碳喜劇進(jìn)行研究。論文對(duì)當(dāng)代喜劇影視藝術(shù)高碳化現(xiàn)象及成因進(jìn)行分析，，并對(duì)低碳喜劇及其美學(xué)機(jī)制進(jìn)行探討，以此提出低碳喜劇生產(chǎn)策略。 喜劇格局中呈現(xiàn)出“泛低俗化、虛假化、泛自由化”高碳趨勢(shì)，其文本主要特征可歸結(jié)為：色情化和虛假化。色情化表現(xiàn)為文本中大量色情元素的使用，容易激發(fā)沉浸型自由情感。高碳喜劇的本體特征是藝術(shù)虛假，具體表現(xiàn)為四種類(lèi)型：一是美學(xué)創(chuàng)作理念上的謬誤或不當(dāng)；二是喜劇文本的虛假，具體表現(xiàn)為敘事、影視語(yǔ)言、人物塑造、故事內(nèi)容、主題價(jià)值的虛假；三是喜劇情感的虛假，即無(wú)笑可樂(lè)、生理機(jī)械式的笑。 低碳喜劇的審美價(jià)值就在于笑之真，即喜劇之真，它的本質(zhì)特征是符合藝術(shù)真實(shí)，即直觀真實(shí)、超現(xiàn)實(shí)真實(shí)、客觀真實(shí)和主觀真實(shí)。喜劇之真具體表現(xiàn)為歡快明朗的大笑、輕松幽默的笑、含著淚的笑、沉思的笑、溫情的笑五種主要類(lèi)型。 低碳喜劇文本的美學(xué)特征是藝術(shù)真實(shí)，分為直觀真實(shí)、超現(xiàn)實(shí)真實(shí)、主觀真實(shí)和客觀真實(shí)。其中，客觀真實(shí)是構(gòu)成低碳喜劇的充分必要條件，它通過(guò)直觀真實(shí)、超現(xiàn)實(shí)真實(shí)和主觀真實(shí)等途徑來(lái)實(shí)現(xiàn)，具體表現(xiàn)為：敘事上，敘事節(jié)奏緊湊、敘事結(jié)構(gòu)安排合理、結(jié)局圓滿(mǎn)且合情合理；影視語(yǔ)言上，鏡頭語(yǔ)言運(yùn)用豐富、聲音元素使用巧妙；喜劇人物喜劇性真實(shí)可感及喜劇情境設(shè)置合理巧妙、表演真實(shí)、語(yǔ)言臺(tái)詞喜劇色彩濃厚等，這些層面在符合直觀真實(shí)或主觀真實(shí)的同時(shí)，也實(shí)現(xiàn)了客觀真實(shí)。 低碳喜劇審美規(guī)律主要包括：一、處在審美中的審美主體處于意志高度自由的狀態(tài)，觸發(fā)生理和心理兩個(gè)層面的反應(yīng)；二、審美主體在低碳喜劇審美中充當(dāng)“見(jiàn)證者”的身份。低碳喜劇產(chǎn)生的審美情感是一種伴隨著感性愉悅和理性滿(mǎn)足的笑，是一種陶冶型自由情感。 低碳喜劇的生產(chǎn)策略包括創(chuàng)作主體、敘事策略、語(yǔ)言、人物造型四個(gè)方面。創(chuàng)作主體要做好以下工作：一、端正的喜劇創(chuàng)作態(tài)度；二、以低碳喜劇美學(xué)理念作為創(chuàng)作指導(dǎo)；三、注重喜劇團(tuán)隊(duì)建設(shè)；四、具備現(xiàn)實(shí)精神，發(fā)掘現(xiàn)實(shí)題材；五、增強(qiáng)思想功力，對(duì)人性具備深刻的洞察力。在敘事方面，低碳喜劇創(chuàng)作秉承直觀真實(shí)的敘事原則，具體表現(xiàn)為：在結(jié)構(gòu)、主題、人物、節(jié)奏等方面的原則性把握；在敘事結(jié)構(gòu)上，結(jié)合具體創(chuàng)作可借鑒柏格森情景滑稽式結(jié)構(gòu)或一般傳統(tǒng)敘事結(jié)構(gòu)；在敘事策略上可采用獨(dú)特的敘事視點(diǎn)、懸念、巧合、誤會(huì)、獨(dú)白、戲仿等手法進(jìn)行低碳喜劇創(chuàng)作。在視聽(tīng)語(yǔ)言上遵循直觀真實(shí)的原則，在畫(huà)面語(yǔ)言和聲音語(yǔ)言層面，其中又具體涉及鏡頭、剪輯和特效制作、人聲、音樂(lè)、音響等，達(dá)到感官上的愉悅。在人物塑造上符合直觀真實(shí)和客觀真實(shí)的原則，在合乎生活和人性真實(shí)的基礎(chǔ)上，深入發(fā)掘表現(xiàn)人物的不協(xié)調(diào)性。 總之，低碳喜劇遵循藝術(shù)真實(shí)的原則，將具體的喜劇笑點(diǎn)、敘事、情境、人物、表演、視聽(tīng)語(yǔ)言等元素，實(shí)現(xiàn)直觀真實(shí)和主觀真實(shí)，進(jìn)而達(dá)到深層的客觀真實(shí)，即人性真實(shí)，將外在感官和內(nèi)在心理、感性與理性完美結(jié)合起來(lái)，從而給審美主體帶來(lái)感性愉悅和理性滿(mǎn)足，獲得一種陶冶型自由情感。
[Abstract]:On the basis of " low carbon aesthetics " , this paper analyzes the phenomena and causes of the high carbonization and the causes of low carbon comedy , and discusses the low carbon comedy and its aesthetic mechanism . This paper puts forward the strategy of low carbon comedy production .

In the comedy pattern , there is a trend of " pan - low , false and pan - liberalization " . The main features of the text can be attributed to pornography and false . The sex expression is the use of a large number of pornography elements in the text , and it is easy to arouse the free emotion of immersion . The main features of the high - carbon comedy are artistic false , and the concrete expression is four types : one is the fallacies or improper mistakes in the concept of aesthetic creation ;
The second is the falsity of the comedy text , the concrete expression is the narration , the film language , the character shaping , the story content , the false of the subject value ;
The third is the false feeling of comedy , that is , no laughing cola , physiological mechanical smile .

The aesthetic value of the low - carbon comedy lies in the truth of laughter , that is , the truth of comedy , its essential feature is that it conforms to the reality of art , that is , intuitive , real , objective , real and subjective .

The aesthetic characteristic of the low - carbon comedy text is the reality of art , which is divided into intuitional , real , subjective and objective reality .
In the video language , the lens language is rich , and the sound elements are skillfully used ;
The comedy characters comedy realistic feeling and comedy situation setting is reasonable and clever , the performance is true , the language line is very rich and so on , these levels are in conformity with the visual real or subjective reality , also realized objective reality .

The aesthetic law of low carbon comedy mainly includes : Firstly , the aesthetic subject in the aesthetic is in the state of free will , trigger the reaction between physiology and psychology ;
Second , the aesthetic subject acts as the " witness " in the aesthetic of the low - carbon comedy . The aesthetic emotion produced by the low - carbon comedy is a smile which is accompanied with emotional pleasure and reason . It is a kind of free emotion .

The production strategy of low - carbon comedy includes four aspects : creation subject , narrative strategy , language and human figure .
Secondly , using the concept of low carbon comedy as the guidance of creation ;
3.Pay attention to the construction of comedy team ;
fourthly , the realistic spirit is possessed , and the realistic subject matter is explored ;
Fifth , enhance the ideological power and have profound insight into human nature . In the aspect of narration , the low - carbon comedy creation is based on the intuitive and true narrative principle , which is characterized by the principle of structure , theme , character , rhythm and so on ;
On the narrative structure , combining with the specific creation can learn from the narrative structure of the son scene or the general traditional narrative structure ;
In the narrative strategy , a unique narrative point of view , suspense , coincidence , misunderstanding , monologue , play imitation and so on are adopted to create the low - carbon comedy .

In short , the low - carbon comedy follows the true principle of art , and makes the concrete comedy laugh point , narrative , situation , character , performance , audio - visual language and other elements to realize the visual and subjective reality , thus achieving the objective reality of the deep level , namely , the reality of human nature , combining the external sense and the inner psychology , the sensibility and the reason perfectly , thus bringing the perceptual pleasure and reason to the aesthetic subject to be satisfied , so as to obtain a kind of pottery and metallurgical free emotion .

【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J905

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 張笑函;影視藝術(shù)低碳敘事研究[D];山東師范大學(xué);2015年

本文編號(hào)：1870994