發(fā)布時(shí)間：2018-05-10 17:46

  本文選題：電影音樂 + 電影�。� 參考：《天津師范大學(xué)》2013年碩士論文

【摘要】：本文從審美主體的角度,通過運(yùn)用心理學(xué)理論中的情緒與情感的研究方法,來探討電影音樂對(duì)人物情緒的營造。對(duì)于人物,又將分為從片中人物,即電影音樂如何對(duì)片中角色進(jìn)行情緒的營造展開論述；其次從片外人物展開分析,也就是電影音樂如何對(duì)觀眾的情緒進(jìn)行營造,這兩方面進(jìn)行論述。通過列舉一些具有代表性的影片來進(jìn)一步闡釋電影音樂是如何在營造著人物的情緒,表達(dá)著自己的感情的。電影是一門綜合藝術(shù),也是一門試聽藝術(shù),電影的聲音是由音樂、音響和電影的畫面語言共同構(gòu)成的。在一部作品中電影音樂的加入,使得電影的表現(xiàn)力更加突出,最初的電影音樂只是為了配合劇情的需要而作為一種附屬品隨意添加其中,而隨著新風(fēng)格、新體裁的發(fā)展,電影音樂在電影發(fā)展史上邁上了主角級(jí)的地位,大大加強(qiáng)了電影藝術(shù)的表現(xiàn)力和感染力,它可以與電影的敘事平行,來表達(dá)導(dǎo)演所要表達(dá)的理念甚至于深入人物的內(nèi)心世界,也可以通過電影音樂做進(jìn)一步闡釋,或者與敘事構(gòu)成復(fù)調(diào)關(guān)系,或抒情或抽象的表達(dá)出影片的哲理性思考,研究電影音樂對(duì)電影的作用,可以更好的去理解電影,理解導(dǎo)演的思想,也是對(duì)電影藝術(shù)在更深層次的一種把握。從某種角度來說,電影音樂更像是電影的一種表情,配合著故事人物,表達(dá)著自己的情緒,訴說著自己的情感。電影音樂可以總領(lǐng)了一部影片的情緒,電影音樂在電影中的運(yùn)用是可以首先為觀眾提供一種故事的氛圍,比提示觀眾故事的主線是在怎樣的環(huán)境下發(fā)生的,再從音樂到影片主題思想的表達(dá),可以散發(fā)出導(dǎo)演自己對(duì)這個(gè)世界的情感體驗(yàn)通過這樣的畫面和音樂形式來表現(xiàn),給影片以情緒的表達(dá)。正如電影理論家林格倫曾說過說：“一個(gè)藝術(shù)家愈是想表達(dá)有關(guān)情感和情緒的東西,形式對(duì)于他就愈為重要,因此,影片在表達(dá)感情和抒情的部分使用音樂才是最合適的。”通過音樂來把握人物的心理和情緒,是導(dǎo)演慣用的手法。也是這篇論文想去深入探討研究的依據(jù)。
[Abstract]:From the point of view of aesthetic subject, this paper discusses the creation of moods of characters in film music by using the research methods of emotion and emotion in psychological theory. For the characters, it will be divided into the characters in the film, that is, how the movie music carries out the emotional construction of the characters in the film; secondly, from the analysis of the characters outside the film, that is, how the movie music creates the emotions of the audience, These two aspects are discussed. By enumerating some representative films to further explain how film music is creating characters' emotions and expressing their feelings. Film is a comprehensive art, is also an audition art, the sound of the film is composed of music, sound and film screen language. The addition of film music in a work makes the performance of the film more prominent. The original film music was added as an accessory to the needs of the plot, and with the development of the new style and new genre, Film music has taken the leading role in the history of film development, greatly enhancing the expressiveness and appeal of film art. It can be parallel to the narration of the film, to express the idea that the director wants to express and even to go deep into the inner world of the characters. We can also make further interpretation through film music, or form a polyphonic relationship with narration, or express the philosophical thinking of the film lyrically or abstractly, and study the role of film music on the film, so that we can better understand the film. Understanding the director's ideas is also a deeper grasp of film art. From a certain angle, film music is more like a kind of expression of the film, with the story characters, expressing their emotions, telling their feelings. Movie music can always take the mood of a film. The use of film music in the film can first provide the audience with a kind of atmosphere of a story, rather than reminding the audience of the main line of the story under what circumstances. Then from the music to the film theme thought expression can exude the director's own emotion experience to this world through such picture and the music form to express to the movie with the emotion expression. As film theorist Lindgren once said, "the more an artist wants to express something about emotion and emotion, the more important form is to him. Therefore, music is the most appropriate part of the film to express emotion and lyricism." Through music to grasp the character's psychology and emotion, is the director's usual technique. It is also the basis of this paper to go deep into the research.
【學(xué)位授予單位】：天津師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J617.6

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本文編號(hào)：1870265