發(fā)布時(shí)間：2018-05-10 07:14

  本文選題：意識(shí)流 + 意識(shí)流影像��； 參考：《大連工業(yè)大學(xué)》2014年碩士論文

【摘要】：意識(shí)流屬于精神領(lǐng)域，人的意識(shí)可以說是無時(shí)無刻不在變化和流動(dòng)，人們通過感官來認(rèn)識(shí)這個(gè)世界和了解自己。外界的變化直接作用于人們內(nèi)心的變化。該命題的重點(diǎn)在于，通過對(duì)意識(shí)流影像的研究、意識(shí)流領(lǐng)域知識(shí)的了解，把握人物的內(nèi)心世界，體會(huì)人物的精神內(nèi)涵。而難點(diǎn)則是隨著人們意識(shí)的變幻莫測(cè)，我們永遠(yuǎn)猜不到下一秒人物會(huì)有什么思想，意識(shí)是不被人所控制的。它猶如流水在不停的流動(dòng)，我們只能追隨它的腳步進(jìn)而揣測(cè)體會(huì)人物的內(nèi)心世界。在長達(dá)百年的世界電影史上,出現(xiàn)過一些風(fēng)格迥異、思想深邃的意識(shí)流電影。本文著重探討這類影片的敘事特征、節(jié)奏、美學(xué)價(jià)值以及形成該價(jià)值的諸原因。通過研究,希望了解把握意識(shí)流電影的一些獨(dú)特規(guī)律。一般地說,意識(shí)流電影在敘事上有著淡化情節(jié)和人物性格,注重時(shí)空交錯(cuò)和內(nèi)心獨(dú)白的特征;在節(jié)奏上既講究對(duì)觀眾內(nèi)心節(jié)奏的調(diào)度,又講究觀看注意力的分配,即精心設(shè)計(jì)影片的外部節(jié)奏;意識(shí)流電影的美學(xué)價(jià)值是創(chuàng)造一種比傳統(tǒng)情節(jié)劇別具真實(shí)的現(xiàn)實(shí)——心理現(xiàn)實(shí)主義,而這種價(jià)值觀與超現(xiàn)實(shí)主義思潮、斯特林堡的表現(xiàn)主義戲劇的影響以及創(chuàng)作者個(gè)人的氣質(zhì)性格都密不可分。 電影思潮中反類型、超類型與類型雜糅電影，是對(duì)原有電影類型在形式趣味及觀念上的豐富創(chuàng)造。它的出現(xiàn)并不意味著原有電影類型的消亡，他們之間并不是替代關(guān)系，是可以同時(shí)存在，多元化了電影類型。催生新的電影類型的三種主要方式是通過反類型、超類型與類型雜糅。在未來會(huì)有許多關(guān)于意識(shí)流的電影出現(xiàn)，這是必然的。傳統(tǒng)意識(shí)流電影因其敘事內(nèi)容的凌亂、時(shí)空的不對(duì)稱，導(dǎo)致觀眾很難理解劇情結(jié)構(gòu)，出現(xiàn)看不懂的狀況，傳統(tǒng)的意識(shí)流電影也在逐一的改進(jìn)，像《盜夢(mèng)空間》、《羅拉快跑》等，，這些充滿內(nèi)涵而又使大家能看懂的意識(shí)流電影深受廣大影迷的喜愛，現(xiàn)代的精彩電影或多或少都會(huì)運(yùn)用意識(shí)流的手法來表現(xiàn)其故事情節(jié)，增加敘事的豐富感、復(fù)雜感也屬于電影的亮點(diǎn)及精彩片段。意識(shí)流電影正在影響著全球的影迷，而且會(huì)越來越深遠(yuǎn)和廣泛。 本文時(shí)讀者清楚了解到意識(shí)流的產(chǎn)生及特點(diǎn)，以及關(guān)于意識(shí)流文學(xué)及影像作品，使人們對(duì)意識(shí)流風(fēng)格影像會(huì)有所感知和領(lǐng)悟。
[Abstract]:Stream of consciousness belongs to the spiritual field, the human consciousness can be said to change and flow all the time, people know the world and understand themselves through the senses. Outside changes directly affect people's inner changes. The key point of this proposition is to grasp the inner world and understand the spiritual connotation of the characters through the study of the stream of consciousness images and the understanding of the knowledge in the stream of consciousness field. The difficulty is that with the vagaries of people's consciousness, we can never guess what the next second characters will have, consciousness is not controlled by people. It is like the flow of water, we can only follow its steps and guess the inner world of people. In the century-long history of world cinema, there have been some stream of consciousness films with different styles and profound thoughts. This paper focuses on the narrative characteristics, rhythm, aesthetic value and the reasons for the formation of this kind of film. Through the research, I hope to understand some unique laws of stream of consciousness movies. Generally speaking, stream-of-consciousness movies have the characteristics of desalination of plot and character, emphasis on the interlacing of time and space and inner monologue, as well as on the scheduling of the audience's inner rhythm and the distribution of watching attention. The aesthetic value of the stream of consciousness film is to create a realistic psychological realism, which is more realistic than the traditional plot play, and this kind of value and surrealist trend of thought, The influence of Strindberg's expressionist drama and the personal temperament and character of the creator are inseparable. The anti-type, super-type and type-mixed film in the trend of thought is the rich creation of the original film type in form interest and concept. Its appearance does not mean the extinction of the original film type, it is not a substitute relationship between them, it can exist at the same time, and the film type is diversified. The three main ways to give birth to new types of movies are the blending of anti-type, super-type and type. It is inevitable that there will be many movies about stream of consciousness in the future. Traditional stream-of-consciousness films have been improved one by one because of the disarray of narrative content and the asymmetry of time and space, which makes it difficult for the audience to understand the plot structure and can not be understood. The traditional stream-of-consciousness films are also improving one by one, such as Inception, Lola and so on. These stream-of-consciousness films, which are full of connotation and can be understood by everyone, are loved by the majority of movie fans. Modern and wonderful films will more or less use stream-of-consciousness techniques to express their storylines and increase the rich sense of narrative. Complexity also belongs to the highlights and highlights of the film. Stream of consciousness films are affecting fans all over the world and will become more and more profound and extensive. In this paper, readers have a clear understanding of the origin and characteristics of stream of consciousness, as well as literature and video works of stream of consciousness, which makes people have a sense and understanding of stream of consciousness style images.
【學(xué)位授予單位】：大連工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

【共引文獻(xiàn)】

相關(guān)期刊論文 前1條

1 劉立丹;;意識(shí)流小說《奧蘭多》中的女權(quán)主義[J];網(wǎng)友世界;2013年24期

相關(guān)碩士學(xué)位論文 前8條

1 扎依拉·達(dá)爾曼別克;烏瑪爾哈孜·艾坦及其作品中的意識(shí)流[D];中央民族大學(xué);2013年

2 王楠楠;王家衛(wèi)電影敘事風(fēng)格研究[D];重慶工商大學(xué);2014年

3 唐沛;王童電影藝術(shù)研究[D];河北大學(xué);2014年

4 陳楠;重大建設(shè)題材電視劇研究[D];南京師范大學(xué);2014年

5 葉鋒;中國香港與大陸律政劇比較研究[D];南京師范大學(xué);2014年

6 周曉筱;走向“主流電影”的“主旋律電影”[D];南京大學(xué);2014年

7 蔣艷;蘇教版高中語文必修教材外國文學(xué)教學(xué)研究[D];蘇州大學(xué);2014年

8 朱武;受眾心理行為對(duì)微電影廣告創(chuàng)作影響的研究[D];華東理工大學(xué);2015年

本文編號(hào)：1868328