本文選題：影視藝術(shù) + 國(guó)產(chǎn)動(dòng)畫��； 參考：《藝術(shù)百家》2016年05期

【摘要】：國(guó)產(chǎn)動(dòng)畫片起點(diǎn)很高,20世紀(jì)也曾有過(guò)幾次創(chuàng)作高潮,曾被譽(yù)為"中國(guó)動(dòng)畫學(xué)派"。但從20世紀(jì)90年代以來(lái),隨著外來(lái)動(dòng)畫片的強(qiáng)勢(shì)入侵,國(guó)產(chǎn)動(dòng)畫片遇到發(fā)展瓶頸,出現(xiàn)主題與類型單一、低幼化現(xiàn)象突出、藝術(shù)水準(zhǔn)不高、資源有待整合等問(wèn)題,亟待改進(jìn)。
[Abstract]:There were several creative climaxes in the 20th century, and they were praised as "Chinese Animation School". However, since the 1990s, with the strong invasion of foreign cartoons, domestic animation has encountered the bottleneck of development, appeared the single theme and type, the phenomenon of primary-age prominent, the art level is not high, resources need to be integrated, and so on, need to be improved.
【作者單位】： 北京師范大學(xué)藝術(shù)與傳媒學(xué)院;
【分類號(hào)】：J954

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