本文選題：張婉婷 + 女性形象�。� 參考：《四川師范大學(xué)》2017年碩士論文

【摘要】：張婉婷是華語電影界杰出的女性導(dǎo)演,從影近三十年來,拍攝了十余部作品,其電影多次榮獲國內(nèi)外電影獎(jiǎng)項(xiàng),受到業(yè)界和觀眾的一致好評(píng)。張婉婷作為一位女性導(dǎo)演,以其特有的女性視角關(guān)注著女性的命運(yùn),以細(xì)膩的創(chuàng)作手法講述著女性的故事。因此,以女性形象分析為入口研究張婉婷的電影,對(duì)影視藝術(shù)創(chuàng)作,藝術(shù)文化研究,社會(huì)學(xué)研究都具有一定的意義。本研究從形象分析、敘事視角、視聽語言和文化解讀四個(gè)角度入手,試圖對(duì)張婉婷電影女性形象特征、塑造手法和文化背景進(jìn)行闡釋和總結(jié)。本文分為四個(gè)部分,第一部分介紹本文的研究意義、研究現(xiàn)狀以及張婉婷電影的創(chuàng)作概況。第二部分“張婉婷電影中女性形象的特征”,通過對(duì)女性形象的身體外貌特征、身份特征、人物關(guān)系等方面的分析,揭示出張婉婷電影中的女性形象呈現(xiàn)青春化、個(gè)體獨(dú)立、愛情至上、樂觀堅(jiān)強(qiáng)等特征,她們是一群女性意識(shí)逐漸蘇醒的女性,正是這些特征使得張婉婷塑造的女性形象更加鮮活和貼近生活。第三部分“女性形象的塑造手法”,在挖掘出張婉婷電影在以女性視角展開電影的敘事策略的基礎(chǔ)之上,結(jié)合獨(dú)特的鏡像語言,半記錄式空間環(huán)境塑造,中近景特寫、長鏡頭和慢鏡頭的使用、光影色調(diào)的烘托以及音樂的渲染來進(jìn)行形象塑造。第四部分“女性形象塑造的文化背景”,以張婉婷個(gè)人的雙重身份入手,透過張婉婷的成長環(huán)境和教育背景,挖掘出張婉婷與影片中女性形象氣質(zhì)特征的內(nèi)在一致性。最后從文化背景出發(fā),結(jié)合導(dǎo)演對(duì)時(shí)代的自我表達(dá),探討香港文化特征、女性主義視角與女性形象塑造之間的內(nèi)在聯(lián)系性。本文以美學(xué)、影視批評(píng)學(xué)和女性主義相關(guān)理論為基礎(chǔ),對(duì)電影文本進(jìn)行內(nèi)容分析和符號(hào)學(xué)分析。揭示出張婉婷電影中的女性形象不同于主流社會(huì)中的女性,給人一種難以琢磨的神秘感和奮勇向前的無畏感。這些女性形象大都來自張婉婷現(xiàn)實(shí)生活的寫照,也有文學(xué)作品與現(xiàn)實(shí)生活的融合。正是基于此種特殊性,使得張婉婷電影中的女性形象具有極強(qiáng)的感染性和啟發(fā)性,但同時(shí)也局限了張婉婷電影女性形象的多元化和大眾化發(fā)展。
[Abstract]:Zhang Wanting is an outstanding female director in the Chinese film industry. In the past three decades, she has made more than a dozen films. Her films have won many awards at home and abroad, and have been well received by both the industry and the audience. As a female director, Zhang Wanting focuses on the fate of women with her unique female perspective and tells the story of women with exquisite creative techniques. Therefore, the study of Zhang Wanting's films based on the analysis of female images is of significance to the study of film and television art, art and culture, and sociology. From four angles of image analysis, narrative perspective, audiovisual language and cultural interpretation, this study attempts to explain and summarize Zhang Wanting's film female image characteristics, molding techniques and cultural background. This paper is divided into four parts. The first part introduces the significance of the research, the status quo of the research and the creation of Zhang Wanting's films. The second part, "the characteristics of female image in Zhang Wanting's film", through the analysis of the body appearance characteristic, identity characteristic, character relation of female image, reveals that the female image in Zhang Wanting's film presents youth and individual independence. They are a group of women whose consciousness has gradually awakened. It is these characteristics that make Zhang Wanting's female image more vivid and close to life. The third part, "the method of shaping female image", on the basis of digging out the narrative strategy of Zhang Wanting's film from a female perspective, combining the unique mirror language, the creation of semi-recording space environment, and the close-in feature. The use of long-shot and slow-motion shots, the contrast of light and shadow tones and the rendering of music to shape the image. The fourth part, "the cultural background of female image shaping", starts with Zhang Wanting's personal dual identity, through Zhang's growing environment and educational background, excavates the inherent consistency between Zhang Wanting and the female image temperament characteristic in the film. Finally, from the cultural background, combined with the director's self-expression of the times, this paper probes into the inherent relationship between the cultural characteristics of Hong Kong, the feminist perspective and the shaping of the female image. Based on the theories of aesthetics, film criticism and feminism, this paper analyzes the content and semiotics of film texts. It reveals that the female images in Zhang Wanting's films are different from the women in the mainstream society and give people a mysterious and fearless sense of courage. Most of these female images come from the portrayal of Zhang Wanting's real life, but also from the fusion of literary works and real life. It is precisely because of this particularity that the female images in Zhang Wanting's films are highly infectious and enlightening, but at the same time they also limit the diversified and popular development of the female images in Zhang Wanting's films.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J911

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