本文選題：《歷史的拐點》 + 歷史人文紀錄片��； 參考：《電視研究》2017年02期

【摘要】：系列紀錄片《歷史的拐點》突破了傳統(tǒng)歷史人文紀錄片的宏大敘事模式,在沒有新的歷史考古發(fā)現(xiàn)、缺乏信息第一落點的情況下,采取新穎的歷史解讀和影像表達方式,塑造了鮮活可感的歷史人物形象,拉近了現(xiàn)代觀眾與歷史事件間的心理距離,有效提高了歷史人文紀錄片的藝術品質(zhì)和觀賞價值。
[Abstract]:The series documentary "the inflection Point of History" has broken through the grand narrative mode of traditional historical and humanistic documentaries. In the absence of new historical archaeological discoveries and the lack of the first landing point of information, a novel way of historical interpretation and image expression has been adopted. It molds the vivid historical figure image, draws close the psychological distance between the modern audience and the historical event, and effectively improves the artistic quality and ornamental value of the historical humanistic documentary.
【作者單位】： 中國傳媒大學新聞與傳播學部;
【分類號】：J952
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本文編號：1846277