本文選題：體育紀錄片 + 紀錄片�。� 參考：《成都體育學院》2013年碩士論文

【摘要】：本文從敘事的角度對十二集版體育紀錄片《賽季》進行分析研究，采用文獻資料法、觀察法、統(tǒng)計分析法等對其進行梳理與分析，以敘事學作為核心理論對作品進行審視，在對紀錄片、電視紀錄片、體育紀錄片等研究成果的基礎(chǔ)上，結(jié)合體育比賽特征、體育精神內(nèi)涵、體育社會價值等探討體育紀錄片的敘事藝術(shù)。敘事的成功是紀錄片成功的前提，原創(chuàng)紀錄片《賽季》的敘事態(tài)度、結(jié)構(gòu)、視角、方法等都有別于傳統(tǒng)的體育紀錄片，在內(nèi)容選擇、素材處理、前期拍攝、后期剪輯各方面都有著更自由的發(fā)揮空間。 《賽季》的敘事結(jié)構(gòu)充分遵循了體育精神和體育發(fā)展規(guī)律，以多條故事線搭建情節(jié)，敘事核心是上海男籃的成長，在敘事策略方面將姚明的明星效應逐漸轉(zhuǎn)移給上海隊；《賽季》依靠旁白設問及陳述、前置采訪、時序變化、同期聲提問、中斷事件進程等手段打造懸念；在敘事視角上，以第三人稱全知視角統(tǒng)領(lǐng)全片，兼顧多視角紀錄，并使用窺視視角、動態(tài)視角、藝術(shù)視角等特殊視角為觀眾營造豐富的心理體驗；在敘述時間上，使用追述、預述、共述的時序處理，并進行了省略、詳述、概述、拉長、停頓的時長改變；《賽季》充分使用推拉搖移等動鏡頭，其晃動鏡頭的使用也是創(chuàng)新嘗試；在后期制作上，《賽季》強化對比，使用搖滾和后搖風格的音樂對紀錄片進行包裝，這一特色也讓人印象深刻。 在《賽季》的述本中，通過上述的敘事藝術(shù)手段，敘述者將上海男籃打造成了一支有理想、有拼勁、越挫越勇、團結(jié)一心的戰(zhàn)斗集體，使其與體育文化、上海城市文化融為一體，進而被敘述成城市英雄、模子男子漢、青春代言人等積極形象。 體育紀錄片《賽季》在敘述上的不足之處包括：第一，敘事態(tài)度上明顯的傾向性。第二，在敘事結(jié)構(gòu)、敘事時間和懸念打造方面，大量的變化容易造成觀眾觀看和理解障礙。第三，制作較為粗糙，后期剪輯加工過于簡單和大意，降低了此部紀錄片應有的品位。 對體育紀錄片創(chuàng)作的建議：第一，，體育紀錄片的創(chuàng)作應在秉承客觀真實原則基礎(chǔ)上，著重強調(diào)“體育化”創(chuàng)作原則，即體育紀錄片敘事應遵循體育文化內(nèi)涵特質(zhì)，表現(xiàn)手段應借鑒參考與體育相關(guān)的實際生活。第二，體育紀錄片創(chuàng)作應提倡《賽季》的跟蹤紀錄模式，深入體育對象，全方位立體式紀錄細節(jié)。第三，體育紀錄片創(chuàng)作者要培養(yǎng)前后期統(tǒng)一合作的意識，善于貫通始終，一氣呵成；第四，體育紀錄片創(chuàng)作應根據(jù)對象特點，采用團隊化、多機位紀錄。第五，紀錄片創(chuàng)作應大膽創(chuàng)新，追求跨界融合。
[Abstract]:From the perspective of narration, this paper analyzes and studies the 12-episode sports documentary "season", combs and analyzes it with the methods of literature, observation and statistical analysis, and examines the works with narratology as the core theory. On the basis of the research results of documentary, TV documentary and sports documentary, this paper discusses the narrative art of sports documentary based on the characteristics of sports competition, the connotation of sports spirit and the value of sports society. The success of narration is the premise of documentary success. The narrative attitude, structure, visual angle and method of original documentary "season" are different from traditional sports documentaries in content selection, material processing, early shooting, etc. All aspects of post-editing have more freedom to play. The narrative structure of "season" fully obeys the sports spirit and the law of sports development, and sets up the plot with many story lines. The core narrative is the growth of the Shanghai Men's Basketball team. In the narrative strategy, the star effect of Yao Ming is gradually transferred to the Shanghai team; the "season" relies on narration questions and statements, pre-interview, timing changes, simultaneous voice questioning, interruption of the event process and other means to create suspense; in the narrative perspective, The third person omniscient visual angle is used to lead the whole film, taking into account the multi-angle record, and the special visual angle, such as peep-view, dynamic and artistic perspective, is used to create a rich psychological experience for the audience, and in the narrative time, the narration time is used to recall, prestate, and so on. The timing processing, including omitting, expounding, summarizing, lengthening and pausing, making full use of the push-pull and rocking lens, is also an innovative attempt to use the sloshing lens. In post-production, season-enhanced contrast, the use of rock and post-rocking music to wrap documentaries is also impressive. In the narrative of the season, through the above-mentioned narrative art, the narrator has built the Shanghai Men's Basketball team into a fighting collective with ideals, efforts, more frustration and courage, and unity with the sports culture. Shanghai city culture merges into a whole and is described as a positive image of city hero, model man, youth spokesman and so on. The shortcomings of sports documentary season include: first, the obvious tendency of narrative attitude. Second, in the aspects of narrative structure, narrative time and suspense creation, a large number of changes are easy to cause obstacles to audience viewing and understanding. Third, the production is rough, the post-editing process is too simple and general, which reduces the taste of this documentary. The suggestions for the creation of sports documentary are as follows: first, the creation of sports documentary should be based on the principle of objective reality and emphasize the principle of "sportsmanship", that is, the narrative of sports documentary should follow the connotation of sports culture. The means of expression should refer to the actual life related to sports. Secondly, the sports documentary creation should promote the track record mode of season, go deep into the sports object, and record details in all directions. Third, the sports documentary creators should cultivate the consciousness of unity and cooperation between the former and the later period, be good at getting through all the time, and achieve it at one time; fourth, the creation of sports documentary should be based on the characteristics of the object, adopt team, multi-machine record. Fifth, documentary creation should be bold innovation, the pursuit of cross-border integration.
【學位授予單位】：成都體育學院
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J952

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