本文選題：電視專題片 + 老道外��； 參考：《吉林大學(xué)》2017年碩士論文

【摘要】：道外區(qū),哈爾濱市發(fā)源最早的行政區(qū)域,也是哈爾濱的開(kāi)埠之地。百年來(lái)因?yàn)槭艿酵鈦?lái)文化的影響,而形成了中西合璧的城市風(fēng)格。一度成為哈爾濱最發(fā)達(dá)、最具商業(yè)氣息的城市中心。也正是因?yàn)榈劳鈪^(qū)承載著哈爾濱從建立到發(fā)展的悠久歷史,哈爾濱人更是習(xí)慣的稱它為老道外。然而隨著城區(qū)的發(fā)展、城市化進(jìn)程的加快和城市重心的轉(zhuǎn)移,哈爾濱的南崗區(qū)、道里區(qū)逐漸取代了老道外原有的職能和商業(yè)地位。道外區(qū)的城區(qū)發(fā)展進(jìn)入了緩慢而又相對(duì)落后的進(jìn)程。雖然曾經(jīng)的繁華盛世已被歲月掩蓋,城區(qū)房屋出現(xiàn)了老化、破敗的痕跡,但那里的居民們卻依舊保持著幾十年來(lái)不變的生活方式,享受著屬于他們自己的愜意生活。時(shí)代在變,城市在變,卻無(wú)法淹沒(méi)老道外留給城市的文化印記。本文共分成四個(gè)部分進(jìn)行論述:第一章將從本次創(chuàng)作與課程學(xué)習(xí)的關(guān)系來(lái)進(jìn)行論述,闡釋創(chuàng)作中涉及到的理論知識(shí)和實(shí)踐的來(lái)源。第二章將從作品的內(nèi)容、主題和創(chuàng)作理念三個(gè)角度進(jìn)行論述。在作品的內(nèi)容方面,利用三分之一的篇幅講述哈爾濱老道外的歷史與發(fā)展歷程,而將更多的重點(diǎn)放置于現(xiàn)實(shí)的記錄,用當(dāng)下的視角去觀摩老道外,展現(xiàn)一個(gè)城市變化的今非昔比。用歷史紀(jì)錄與再現(xiàn)的方式形成作品的整體架構(gòu);在主題方面,以歷史文化、城市文化、老道外區(qū)域文化為依托,用現(xiàn)實(shí)視角解讀老道外百年來(lái)的滄桑巨變,激起人們對(duì)于歷史文化與民族文化的追憶與認(rèn)同。在創(chuàng)作理念方面,主要遵循客觀記錄與主觀表現(xiàn)的辯證統(tǒng)一、人文性與娛樂(lè)性的辯證統(tǒng)一的原則使作品具有藝術(shù)性;第三章著重從視聽(tīng)技術(shù)與藝術(shù)表現(xiàn)形式對(duì)作品進(jìn)行了論述:在視聽(tīng)技術(shù)方面包含了對(duì)前期拍攝、后期剪輯及整體包裝與架構(gòu)的闡釋,這其中針對(duì)鏡頭、背景音樂(lè)、主持人出鏡和解說(shuō)詞等節(jié)目制作過(guò)程向觀眾進(jìn)行了詳盡的說(shuō)明;第四章是對(duì)作品的價(jià)值判定與思考:論述了作品在創(chuàng)作過(guò)程中的審美、文化與社會(huì)價(jià)值,對(duì)作品中的創(chuàng)新意識(shí)與現(xiàn)實(shí)意義進(jìn)行了深刻思考,并對(duì)節(jié)目中的前期拍攝與后期制作中存在的不足進(jìn)行了反思,為今后的創(chuàng)作吸取了寶貴經(jīng)驗(yàn)。
[Abstract]:Daowai District, Harbin originated the earliest administrative area, is also the port of Harbin. Because of the influence of foreign culture in the past hundred years, it has formed the urban style of combining Chinese and western culture. Harbin once became the most developed, the most commercial flavor of the city center. It is precisely because the Daowai District bears a long history from the establishment to the development of Harbin, Harbin people are accustomed to call it the Old Road outside. However, with the development of urban areas, the acceleration of urbanization process and the transfer of urban center of gravity, the Nangang District, Daoli District in Harbin has gradually replaced the original functions and commercial status outside the Old Road. The development of Daowai district has entered a slow and relatively backward process. Although the prosperous times have been masked by the years, urban houses are aging, signs of decay, but the residents there are still keeping the same way of life for decades, enjoying their own comfortable life. The times are changing, the cities are changing, but they cannot drown the cultural imprint left to the cities outside the old ways. This paper is divided into four parts: the first chapter will discuss the relationship between the creation and the curriculum learning to explain the theoretical knowledge and the source of practice involved in the creation. The second chapter will discuss the content, theme and creative idea of the work. In terms of the content of the works, 1/3 is devoted to the history and development of the old Tao outside Harbin, while more emphasis is placed on the actual records, and the present perspective is used to observe the outside of the old Tao. Show a city's change in the past. Form the whole structure of the works by the way of historical record and reappearance, in the aspect of theme, take historical culture, city culture, old Taoist region culture as the basis, and interpret the vicissitudes of vicissitudes in the past hundred years from the realistic angle of view. Arouse people to historical culture and national culture recall and identity. In the aspect of creative idea, it mainly follows the dialectical unity of objective record and subjective expression, and the principle of humanism and entertainment makes the work artistic. The third chapter focuses on the audio-visual technology and artistic expression of the works: in audio-visual technology, including the pre-shooting, post-editing and the overall packaging and structure of the interpretation, which aimed at the lens, background music, In the fourth chapter, the author judges and ponders the value of the works: discusses the aesthetic, cultural and social values of the works in the process of creation. This paper deeply ponders on the creative consciousness and realistic significance of the works, and reflects on the shortcomings in the pre-shooting and post-production of the program, so as to absorb valuable experience for the future creation.
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J952

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本文編號(hào)：1839431