本文選題：軍旅題材 + 新時(shí)期��； 參考：《河北大學(xué)》2014年碩士論文

【摘要】：新時(shí)期軍旅影視劇，是指從20世紀(jì)70年代末到2013年，我國以戰(zhàn)爭、軍事、軍隊(duì)和平時(shí)期訓(xùn)練演習(xí)，軍人和軍營生活為主題的電影電視劇作品。通過四個(gè)階段對新時(shí)期軍旅題材影視劇的發(fā)展脈絡(luò)進(jìn)行梳理，考察了新時(shí)期軍旅影視劇的誕生與興盛、困頓與茫然，并從多角度探討了新時(shí)期軍旅題材影視劇的出路。 第一個(gè)階段為新時(shí)期軍旅影視劇的誕生時(shí)期，指1978年-1990年改革開放初期的這12年，是新時(shí)期的開始，軍內(nèi)外涌現(xiàn)出一大批優(yōu)秀的軍旅作家，這為日后軍旅題材影視劇的發(fā)展奠定了良好的基礎(chǔ)，做好了充足的準(zhǔn)備。 第二個(gè)時(shí)期是新時(shí)期軍旅影視劇陷入困境的時(shí)期，指1990年-2000年，這十年是中國經(jīng)濟(jì)騰飛的時(shí)期，一切以經(jīng)濟(jì)建設(shè)為中心，，從而使軍旅影視的創(chuàng)作讓位于經(jīng)濟(jì)建設(shè)的宣傳，同時(shí)，軍旅題材影視劇的創(chuàng)作遭受到了題材干涸的困境，除去一些敏感的戰(zhàn)役題材（如對越反擊戰(zhàn)），可以進(jìn)行創(chuàng)作的題材極其有限，創(chuàng)作者不得不一次又一次的將抗日戰(zhàn)爭和解放戰(zhàn)爭拿來進(jìn)行再創(chuàng)作。值得一提的是，這一時(shí)期的《大決戰(zhàn)》系列片得到了國內(nèi)外一致好評，堪稱軍旅影視劇中的史詩巨片。 第三個(gè)時(shí)期是新時(shí)期軍旅影視劇的繁榮期，指2000年-2010年，這個(gè)時(shí)期涌現(xiàn)出了一批經(jīng)典的軍旅題材影視劇，如《激情燃燒的歲月》《亮劍》《士兵突擊》等，這些經(jīng)典劇集不僅創(chuàng)作精良且受到了廣大觀眾的喜愛，從而造就了新時(shí)期軍旅影視劇的輝煌。 第四個(gè)時(shí)期是新時(shí)期軍旅影視劇的創(chuàng)作多元化時(shí)期，指2010年-2013年，論文主要通過對近年來橫空出世的抗日“神劇”進(jìn)行分析，提出現(xiàn)階段軍旅題材影視劇所面臨的問題和困難。 論文的最后對新時(shí)期軍旅題材影視劇的發(fā)展現(xiàn)狀進(jìn)行總結(jié)，并嘗試為該題材影視劇未來的發(fā)展探求出路。
[Abstract]:From the late 1970s to 2013, the new era of military film and television drama refers to China's war, military, military peacetime training exercises, military and camp life as the theme of the film and TV series. This paper combs the development of military movies and TV dramas in the new period through four stages, investigates the birth and prosperity, difficulties and blankness of the military movies and TV dramas in the new period, and probes into the outlet of the new period military movies and TV dramas from various angles. The first stage was the birth period of military film and television dramas in the new period, referring to the 12 years between 1978 and 1990 at the beginning of reform and opening up. It was the beginning of a new period, and a large number of outstanding military writers emerged both inside and outside the military. This has laid a good foundation for the development of military movies and TV dramas in the future. The second period is the period in which military movies and TV dramas in the new era are in trouble. This refers to the period from 1990 to 2000, when China's economy took off. Everything was centered on economic construction, so that the creation of military films and television gave way to propaganda in economic construction, and at the same time, The creation of military movies and TV dramas has suffered the dilemma of drying up the theme. Except for some sensitive campaign themes (such as the counter-attack on Vietnam), the subjects that can be created are extremely limited. The creator had to reinvent the War of Resistance against Japan and the War of Liberation again and again. It is worth mentioning that this period of the "Battle of the Great" series has been well received at home and abroad, can be called military film and television drama epic film. The third period was the boom period of military movies and television dramas in the new era, referring to the period between 2000 and 2010, during which a number of classic military film and television dramas emerged, such as "years of passion burning", "bright sword", "soldiers assault", and so on. These classic dramas are not only well created and loved by the audience, but also bring up the brilliance of military movies and TV dramas in the new period. The fourth period is the new period of military film and television drama creation diversification period, refers to 2010-2013, the paper mainly through the analysis of the emergence of recent years of anti-Japanese "god drama", put forward the current military theme film and television drama facing the problems and difficulties. At the end of the paper, the author summarizes the current situation of the military film and TV drama in the new period, and tries to find a way out for the future development of the film and television drama.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

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