本文選題：川劇影視劇 + 影視媒介　； 參考：《成都理工大學(xué)》2014年碩士論文

【摘要】：技術(shù)與藝術(shù)，總是相輔相成的。川劇作為一種綜合性的表演藝術(shù)，從產(chǎn)生到發(fā)展都受到來(lái)自技術(shù)的影響。特別是隨著大眾媒介技術(shù)的發(fā)展，川劇從故事內(nèi)容到傳播模式，，甚至到藝術(shù)形態(tài)都發(fā)生了巨大的變化。文字與圖片是印刷時(shí)代川劇擺脫傳統(tǒng)口耳相傳的束縛向更多人傳播的符號(hào)形式。廣播的產(chǎn)生，通過(guò)機(jī)械設(shè)備和傳輸技術(shù)重現(xiàn)了川劇的唱腔與音樂(lè)。而電影和電視技術(shù)的發(fā)展，為川劇帶來(lái)了一種新的藝術(shù)形態(tài)——川劇電影和川劇電視劇。川劇電影、電視劇是一種以川劇為母體，綜合運(yùn)用川劇和影視兩種語(yǔ)言進(jìn)行再創(chuàng)造的影視戲曲類型。從第一部川劇電影的發(fā)行到現(xiàn)在，川劇電影、電視劇已經(jīng)走過(guò)了近60個(gè)年頭。它的傳播現(xiàn)狀到底如何，值得探討。論文以川劇電影、電視劇為主要的研究對(duì)象，將其研究置身于傳播學(xué)的五大傳統(tǒng)研究?jī)?nèi)容之一的“媒介分析”之中，以川劇影視劇的傳播媒介、媒介效果作為主要的研究方向，綜合運(yùn)用定性與定量的研究方法，探索川劇電影、電視劇的傳播現(xiàn)狀。 論文正文主要分為五個(gè)章節(jié)。第一章節(jié)為引言部分，主要是論述了論文的研究背景、選題意義，同時(shí)從宏觀的角度對(duì)研究現(xiàn)狀做了系統(tǒng)的梳理，并由此提出論文研究的設(shè)想與具體的研究方法。第二章節(jié)主要采用文獻(xiàn)法對(duì)川劇電影、電視劇的相關(guān)概念進(jìn)行界定，整理了30多部川劇電影、電視劇的詳細(xì)信息，同時(shí)從藝術(shù)學(xué)的角度審視了研究對(duì)象。第三章節(jié)，對(duì)論文的研究視角——媒介分析做了系統(tǒng)的論述，包括：什么是影視媒介，特點(diǎn)是什么；什么是媒介分析，分析的技巧與方法是什么，如何利用影視媒介分析的視角探究論文的研究主體川劇電影、電視劇。第四章節(jié)是論文的重點(diǎn)，分為兩個(gè)主要小節(jié)：媒介技術(shù)分析和媒介組織分析。從川劇電影、電視劇的傳播媒介和媒介組織兩個(gè)具體的角度入手，通過(guò)文獻(xiàn)、問(wèn)卷、訪談、內(nèi)容分析等方法，結(jié)合其傳播效果，探索川劇影視劇的傳播現(xiàn)狀。第五章節(jié)，將川劇電影、電視劇的研究提升到現(xiàn)實(shí)問(wèn)題上——如何利用其振興川劇。這一部分重點(diǎn)分析了川劇電影、電視劇在振興川劇方面的優(yōu)勢(shì)與不足，由此提出川劇電影、電視劇在振興川劇過(guò)程中的角色定位。 論文的結(jié)論部分，用“定義與性質(zhì)”界定了川劇電影、電視劇到底是什么；用“技術(shù)與時(shí)代”論證了為什么要重視川劇電影、電視�。挥谩艾F(xiàn)狀與出路”概況了川劇電影、電視劇的傳播現(xiàn)狀與困境，并由此提出了相關(guān)的策略；用“定位與意義”從宏觀上強(qiáng)調(diào)了媒介技術(shù)對(duì)川劇的重要性，強(qiáng)調(diào)了川劇電影、電視劇是川劇傳承與發(fā)展的有效途徑。作者也在最后以“后記”的形式對(duì)川劇電影、電視劇提出了希望。
[Abstract]:Technology and art always complement each other. As a comprehensive performing art, Sichuan Opera is influenced by technology from its emergence to development. Especially with the development of mass media technology, great changes have taken place in Sichuan opera from story content to communication mode, even to artistic form. Text and picture is the symbol form of Sichuan opera to spread to more people from the traditional word of mouth. Broadcast, through mechanical equipment and transmission technology to reproduce the singing and music of Sichuan Opera. The development of film and TV technology has brought a new artistic form for Sichuan opera-Sichuan opera film and TV drama. The film and TV drama of Sichuan opera is a kind of film and television drama which is created by the combination of Sichuan opera and film and television. Since the release of the first Sichuan Opera film, Sichuan Opera movies and TV series have gone through nearly 60 years. It is worth discussing how the current situation of its dissemination. In this paper, the main research object of Sichuan drama, film and TV series, is the media analysis, which is one of the five traditional research contents of communication. The main research direction is the media of Sichuan drama film and television drama, the media effect as the main research direction. Comprehensive use of qualitative and quantitative research methods to explore the current situation of Sichuan opera film, TV series. The text of the paper is divided into five chapters. The first chapter is the introduction, mainly discusses the research background, the significance of the topic, at the same time from the macro point of view of the status quo of the research made a systematic combing, and from this paper research ideas and specific research methods. The second chapter mainly uses the literature method to define the related concepts of Sichuan opera movies and TV dramas, collates the detailed information of more than 30 Sichuan drama films and TV dramas, and examines the research objects from the angle of art. In the third chapter, the author makes a systematic discussion on the media analysis, including: what is the film and television media, what is the characteristic, what is the media analysis, what are the techniques and methods of the analysis, How to use the visual media analysis to explore the main body of the paper, Sichuan Opera movies, TV series. The fourth chapter is the focus of the paper, divided into two main sections: media technology analysis and media organization analysis. From the two specific angles of the media and media organization of Sichuan drama film and TV series, through the methods of literature, questionnaire, interview, content analysis and so on, this paper explores the present communication situation of Sichuan drama film and television drama. In the fifth chapter, the research of Sichuan opera film and TV play is raised to the practical problem-how to use it to revitalize Sichuan opera. This part mainly analyzes the advantages and disadvantages of Sichuan opera film and TV series in revitalizing Sichuan opera, and puts forward the role orientation of Sichuan opera film and TV drama in the process of revitalizing Sichuan opera. In the last part of the paper, the author defines the film of Sichuan opera with "definition and Nature", proves with "Technology and time" why we should pay attention to the film of Sichuan opera and TV series, and gives an overview of the film of Sichuan opera with "present situation and way out". The present situation and predicament of TV dramas' dissemination and the related strategies are put forward, and the importance of media technology to Sichuan opera is emphasized from the macro view with "orientation and significance", which is an effective way for the inheritance and development of Sichuan opera. In the end, the author puts forward hope for Sichuan opera films and TV series in the form of postscript.
【學(xué)位授予單位】：成都理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

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