本文選題：青村 + 經(jīng)租　； 參考：《南京師范大學(xué)》2017年碩士論文

【摘要】：如今的社會發(fā)展樂于迎新,可迎新必然伴隨除舊嗎?對于高樓大廈、窗明幾凈來說,青村的“舊”的�？蓪τ谝粋�充滿生活氣息的城市來說,它似乎是應(yīng)該保留的過去。把鏡頭對準(zhǔn)青村以及房屋里的一家人,其實鏡頭之后才是更加深刻的焦點。青村建成至今已經(jīng)83年,經(jīng)歷了新中國的成立、1958年社會主義改造(私有房產(chǎn)經(jīng)租)、文革十年、落實私房政策、如今又面臨政府“征收”,房屋主人的態(tài)度,也從剛開始“我們擔(dān)心今天把房子交出去,明天他們就能拆掉”,到最后“我想會有好的結(jié)果,我們也在等著這一天”,如此的轉(zhuǎn)變,可以說是希望與無奈并存。此影片采用文獻(xiàn)紀(jì)錄片制作模式,運用文獻(xiàn)分析法、歷史研究法、案例研究法對影片主體進(jìn)行分析,經(jīng)過攝錄、配音、剪輯等藝術(shù)創(chuàng)作過程,以互文的手法交叉完成青村和“經(jīng)租史”兩條線索鏈。從而探討一場由“物權(quán)”引發(fā)的關(guān)于歷史的追溯和關(guān)于“人權(quán)”的思考。本片的主觀性觀察在于如今社會發(fā)展中“獲得”與“失去”問題的提出,客觀性在于第三人稱表達(dá)。影片參考了文獻(xiàn)紀(jì)錄片的制作及其特點,并在不影響客觀性的基礎(chǔ)上嘗試藝術(shù)性手法的表達(dá),以求引起觀影者更加深刻的思考。
[Abstract]:Today's social development is willing to welcome the new, but welcome the new must be accompanied by the old? For tall buildings, the clear, green village of the "old". But for a city full of life, it seems to be the past that should be preserved. Focus the camera on Aokura and the family in the house, but only after the camera is a deeper focus. It has been 83 years since the establishment of Qingcun. It has gone through the founding of New China. In 1958, the socialist transformation (private housing was rented for 10 years, the Cultural Revolution was carried out, the private housing policy was implemented, and now it faces the government's "levy" and the attitude of the housing owners. From the beginning, "We are worried about handing over the house today and they will be able to tear it down tomorrow," and finally, "I think there will be a good result, we are also waiting for this day." such a change can be said to be both hope and helplessness. This film adopts documentary documentary production mode, uses literature analysis method, historical research method, and case study method to analyze the subject of the film, and through the process of recording, dubbing, editing and other artistic creation. Intertextuality of the completion of Qingcun and "through the history of rent" two clue chain. This paper probes into a historical retrospect and a reflection on human rights caused by Real right. The subjective observation of this film lies in the proposition of "gain" and "loss" in the social development nowadays, and the objectivity lies in the third person expression. The film refers to the documentary and its characteristics, and tries to express the artistic technique on the basis of not affecting objectivity, in order to cause the viewer to think deeply.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J952

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