本文選題：動(dòng)畫(huà)預(yù)演 + 影視制作��； 參考：《四川美術(shù)學(xué)院》2017年碩士論文

【摘要】：影視制作產(chǎn)業(yè)的國(guó)際競(jìng)爭(zhēng)力逐漸受到國(guó)內(nèi)業(yè)界和理論的關(guān)注,動(dòng)畫(huà)預(yù)演已經(jīng)被廣泛應(yīng)用于國(guó)內(nèi)外高成本電影制作、影視廣告等領(lǐng)域當(dāng)中,為導(dǎo)演、項(xiàng)目制作人提供更加便捷有效的方法,利于決策、預(yù)算、采購(gòu)以及現(xiàn)場(chǎng)的加工布置,從而提升項(xiàng)目的創(chuàng)意,對(duì)預(yù)測(cè)項(xiàng)目最終執(zhí)行的效果起到重要的作用。動(dòng)畫(huà)預(yù)演是目前影視制作數(shù)字化管理最新的技術(shù)變革之一,已經(jīng)開(kāi)始影響整個(gè)電影制作的生產(chǎn)體系,提供了更多的創(chuàng)造性。動(dòng)畫(huà)的預(yù)演方案導(dǎo)演與制片人來(lái)說(shuō)都是極為重要的,動(dòng)畫(huà)預(yù)演將抽象達(dá)構(gòu)思具體化和詳細(xì)化,不僅為制作節(jié)約了時(shí)間與成本,還提高拍攝與后期視效制作的效率。目前來(lái)說(shuō),系統(tǒng)而全面的的研究鳳毛菱角。本文以動(dòng)畫(huà)預(yù)演為主線(xiàn),從它在影視制作中的“可控化”、“可視化”、“可拓化”三個(gè)方向的新運(yùn)用為研究?jī)?nèi)容,運(yùn)用相關(guān)理論知識(shí)與技術(shù)研究,再結(jié)合多個(gè)案例分析,從動(dòng)畫(huà)預(yù)演的可視、可控和可拓三個(gè)不同分析視角來(lái)探索在影視制作中的新運(yùn)用。主要運(yùn)用文獻(xiàn)研究法、統(tǒng)計(jì)分析法、層次分析法、專(zhuān)家訪(fǎng)談法等來(lái)論證內(nèi)容的創(chuàng)新性,對(duì)動(dòng)畫(huà)預(yù)演和影視制作產(chǎn)生的背景、理論概念、發(fā)展現(xiàn)狀以及發(fā)展趨勢(shì)進(jìn)行系統(tǒng)進(jìn)行研究。在此基礎(chǔ)上,針對(duì)當(dāng)下數(shù)字化影視制作的狀況,結(jié)合資料與數(shù)據(jù)再深入分析我國(guó)影視產(chǎn)業(yè)現(xiàn)狀以及動(dòng)畫(huà)對(duì)于未來(lái)發(fā)展新趨勢(shì)提出預(yù)測(cè)。本文研究?jī)?nèi)容共有六章:第一章是對(duì)選題的研究背景、目的與研究意義進(jìn)行綜合的概述,明示本選題的價(jià)值和意義,還對(duì)本選題關(guān)于國(guó)內(nèi)外研究現(xiàn)狀進(jìn)行綜述分析,再梳理本文的研究方法,清晰展示研究框架;第二章,對(duì)動(dòng)畫(huà)預(yù)演和影視制作的概況進(jìn)行梳理,簡(jiǎn)要闡述動(dòng)畫(huà)預(yù)演與影視制作的關(guān)系,為后面的重要章節(jié)奠定理論基礎(chǔ);第三章,從影視視效的角度去闡述動(dòng)畫(huà)預(yù)演的可視化新運(yùn)用;第四章,從動(dòng)畫(huà)預(yù)演介入影視制作的制作流程著手,以影視制作項(xiàng)目工程規(guī)劃的角度去分析動(dòng)畫(huà)預(yù)演在影視制作中的可控化運(yùn)用,構(gòu)建影視產(chǎn)業(yè)價(jià)值體系;第五章,基于動(dòng)畫(huà)預(yù)演在影視視效不同階段運(yùn)用的綜合因素,結(jié)合前文,通過(guò)案例分析和比較,通過(guò)數(shù)據(jù)進(jìn)行結(jié)構(gòu)分析和類(lèi)型分析,從當(dāng)今我國(guó)動(dòng)畫(huà)預(yù)演對(duì)影視制作發(fā)展的趨勢(shì)進(jìn)行探索;第六章,分析我國(guó)動(dòng)畫(huà)預(yù)演在影視制作運(yùn)用過(guò)程中的局限,提出對(duì)策,分析研究局限與不足,展望未來(lái)研究路徑。總之,動(dòng)畫(huà)預(yù)演的“可視化”、“可控化”、“可拓化”的運(yùn)用,有效輔助了影視制作項(xiàng)目在運(yùn)營(yíng)中效率提升,改進(jìn)影視制作的工作方法。從動(dòng)畫(huà)預(yù)演的不斷完善中讓影視制作獲得新的發(fā)展勢(shì)態(tài),希望本次的研究能為影視制作的生態(tài)發(fā)展作出有益的效應(yīng),并且能拓展動(dòng)畫(huà)預(yù)演的應(yīng)用領(lǐng)域,為促進(jìn)科學(xué)技術(shù)的發(fā)展作出微小貢獻(xiàn),為動(dòng)畫(huà)預(yù)演未來(lái)的研究及創(chuàng)作方式提供理論參考和依據(jù),引發(fā)對(duì)動(dòng)畫(huà)預(yù)演創(chuàng)作的新思考。
[Abstract]:The international competitiveness of the film and television production industry has gradually attracted the attention of the domestic industry and theory. Animation preview has been widely used in the field of high-cost film production, film advertising and other fields at home and abroad. The project producer provides a more convenient and effective method for decision making, budget, procurement and on-site processing, which promotes the creativity of the project and plays an important role in predicting the effect of the final execution of the project. Animation preview is one of the latest technological changes in the digital management of film and television production, which has already begun to affect the production system of the whole film production and provides more creativity. Animation preview is very important for both director and producer. Animation preview not only saves time and cost for production but also improves the efficiency of shooting and post-visual effect production. At present, a systematic and comprehensive study of the chestnut. This text regards animation preview as the main line, from its "controllable", "visualization", "extension" in the film and television production three new application as the research content, uses the related theory knowledge and the technical research, then unifies the many cases analysis, This paper explores the new application of animation preview from visual, controllable and extensible perspectives. Mainly uses the literature research method, the statistical analysis method, the analytic hierarchy process, the expert interview method and so on to demonstrate the content innovation, to the animation preview and the film and television production produces the background, the theory concept, The present situation and trend of development are studied systematically. On this basis, according to the current situation of digital film and television production, combined with the data and data, the paper analyzes the current situation of China's film and television industry and the forecast of the new trend of the future development of animation. There are six chapters in this paper: the first chapter is a comprehensive overview of the research background, purpose and significance of the topic, the value and significance of this topic, and the status quo of the topic at home and abroad. Then combing the research methods of this paper, clearly showing the research framework; chapter two, the overview of animation preview and film production, briefly explain the relationship between animation preview and film production, lay a theoretical foundation for the later important chapters; The third chapter, from the angle of visual effect of film and television to explain the new application of animation preview visualization; chapter four, from the animation preview involved in the production process of film and television production, This paper analyzes the controllable application of animation preview in film and television production from the angle of project planning of film and television production, and constructs the value system of film and television industry. Chapter five, based on the comprehensive factors used in different stages of film and television visual effect, combined with the above, Through the case analysis and comparison, through the data structure analysis and the type analysis, carries on the exploration from the present our country animation preview to the movie and television production development tendency; the sixth chapter, analyzes our country animation preview in the movie and television production application process limit, Put forward the countermeasures, analyze the limitations and shortcomings of the research, and look forward to the future research path. In a word, the application of "visualization", "controllable" and "extension" of animation preview effectively assists the efficiency improvement of film and television production project in operation and improves the working methods of film and television production. From the continuous improvement of animation preview so that the film and television production to obtain a new development situation, I hope this study can make a beneficial effect for the ecological development of film and television production, and can expand the application field of animation preview. In order to promote the development of science and technology, provide theoretical reference and basis for the future research and creation of animation preview, and trigger a new thinking on animation preview creation.
【學(xué)位授予單位】：四川美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J91

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 周雯;;謀求中國(guó)電影的工業(yè)化樣本——與劉松談《尋龍?jiān)E》的視覺(jué)特效[J];電影藝術(shù);2016年01期

2 袁萱;楊玉潔;;《權(quán)力的游戲》角色動(dòng)畫(huà)特效制作解析[J];影視制作;2015年06期

3 郭勁鋒;;在想象與影像之間——試論數(shù)字電影技術(shù)對(duì)導(dǎo)演創(chuàng)作的影響[J];當(dāng)代電影;2015年06期

4 梁滌;;數(shù)字影視特效設(shè)計(jì)制作與動(dòng)畫(huà)合成方法的運(yùn)用探析[J];科技創(chuàng)新導(dǎo)報(bào);2014年11期

5 何苗;;“造夢(mèng)時(shí)空”:數(shù)碼動(dòng)畫(huà)技術(shù)與文獻(xiàn)紀(jì)錄片創(chuàng)作[J];中國(guó)電視(紀(jì)錄);2013年07期

6 趙蓉婧;巨思嘉;;美國(guó)電影的引進(jìn)對(duì)中國(guó)電影市場(chǎng)影響的研究[J];東南大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2012年S3期

7 陳建軍;;多媒體計(jì)算機(jī)技術(shù)在電視后期特效制作中的應(yīng)用研究[J];無(wú)線(xiàn)互聯(lián)科技;2012年12期

8 楊玉潔;田霖;;“造夢(mèng)機(jī)器”操作手冊(cè)——電影數(shù)字特效制作的工業(yè)化流程[J];影視制作;2012年11期

9 顧純剛;張占軍;;我是升旗手——《運(yùn)用“動(dòng)作路徑”制作動(dòng)畫(huà)》教學(xué)設(shè)計(jì)[J];中國(guó)信息技術(shù)教育;2011年22期

10 梁明;高志丹;;一切景語(yǔ)皆情語(yǔ)——論環(huán)境造型的表現(xiàn)力[J];當(dāng)代電影;2011年01期

相關(guān)博士學(xué)位論文 前2條

1 季景濤;基于虛擬現(xiàn)實(shí)觀的景觀創(chuàng)作方法研究[D];哈爾濱工業(yè)大學(xué);2014年

2 王鑫;數(shù)據(jù)驅(qū)動(dòng)的人群動(dòng)畫(huà)仿真技術(shù)研究[D];浙江大學(xué);2009年

相關(guān)碩士學(xué)位論文 前5條

1 李君一;數(shù)字動(dòng)畫(huà)與實(shí)拍結(jié)合技術(shù)在影視廣告中的應(yīng)用研究[D];北京印刷學(xué)院;2015年

2 劉柱;數(shù)字化時(shí)代電影的視覺(jué)特效研究[D];武漢紡織大學(xué);2014年

3 李百東;3D影視動(dòng)畫(huà)制作管理系統(tǒng)的設(shè)計(jì)與實(shí)現(xiàn)[D];山東大學(xué);2013年

4 張藝舟;山西云岡石窟陳列館數(shù)字預(yù)演的設(shè)計(jì)與實(shí)現(xiàn)[D];北京工業(yè)大學(xué);2013年

5 孫玉靈;群體動(dòng)畫(huà)虛擬環(huán)境建模與路徑規(guī)劃方法研究[D];山東師范大學(xué);2012年

，

本文編號(hào)：1833292