發(fā)布時(shí)間：2018-05-02 05:04

  本文選題：宮崎駿 + 動(dòng)畫(huà)電影��； 參考：《曲阜師范大學(xué)》2013年碩士論文

【摘要】：本論文主要對(duì)宮崎駿動(dòng)畫(huà)電影的美學(xué)風(fēng)格以及文化成因進(jìn)行一次較為全面的整理和研究。宮崎駿作為世界動(dòng)畫(huà)電影大師，一直關(guān)注著人類(lèi)的生存狀態(tài)。在他的作品中我們能感覺(jué)到他深刻的環(huán)保意識(shí)和深厚的人文情懷，這些都與他淵博的文化知識(shí)分不開(kāi)的。在宮崎駿大師的動(dòng)畫(huà)作品里，我們處處都能看到日本文化的影子，他優(yōu)秀的電影作品成為了日本傳統(tǒng)文化的縮影，成為日本人值得驕傲的民族文化象征。例如在他的動(dòng)畫(huà)電影中我們能看到“物哀”、“和諧”等美學(xué)思想。本文試圖從動(dòng)畫(huà)與文化的角度對(duì)宮崎駿動(dòng)畫(huà)電影的美學(xué)風(fēng)格進(jìn)行分析，并期望在分析的過(guò)程中找出中國(guó)動(dòng)畫(huà)市場(chǎng)處于低迷的原因，找出解決辦法，并對(duì)中國(guó)動(dòng)畫(huà)的發(fā)展前景進(jìn)行展望和構(gòu)想。 本文從文化、動(dòng)畫(huà)電影、美學(xué)風(fēng)格三個(gè)角度，運(yùn)用美學(xué)的相關(guān)理論，采用理論解讀與文本剖析相結(jié)合的方式，分析宮崎駿的代表作，探討他電影中所映射的日本民族文化精髓和日本人民的審美特質(zhì)。并運(yùn)用宮崎駿動(dòng)畫(huà)電影的成就與中國(guó)動(dòng)畫(huà)現(xiàn)在處于的低迷狀態(tài)進(jìn)行對(duì)比的方法，提出中國(guó)動(dòng)畫(huà)存在的問(wèn)題，找出中國(guó)動(dòng)畫(huà)的出路。 全文分為三大部分：第一部分，宮崎駿動(dòng)畫(huà)思想主題的多維審思。主要關(guān)注四個(gè)方面：人與自然關(guān)系的思考、成長(zhǎng)主題的探討、對(duì)女性群體的關(guān)注、自我的找尋。人與自然的關(guān)系一直是宮崎駿作品的主要關(guān)注點(diǎn)，在他的每一部作品中都有體現(xiàn)。他的作品大多以女性形象為主角，把她們塑造成英雄形象，最終都會(huì)打敗黑暗勢(shì)力取得勝利。成長(zhǎng)主題和自我的找尋同樣一直是宮崎駿作品中不可缺少的重要主題。 第二部分，，試論宮崎駿動(dòng)畫(huà)的美學(xué)風(fēng)格及文化成因。這一部分是論文的重點(diǎn)章節(jié)。主要從三個(gè)美學(xué)特質(zhì)進(jìn)行闡釋?zhuān)锤袀�、�?jiǎn)約美、和諧美。宮崎駿之所以成為動(dòng)畫(huà)電影大師，與他深厚的文化底蘊(yùn)是分不開(kāi)的。他善于利用日本傳統(tǒng)文化，挖掘文化精華，并巧妙的運(yùn)用到動(dòng)畫(huà)電影創(chuàng)作中，創(chuàng)作出獨(dú)具一格的動(dòng)畫(huà)電影形式。這一點(diǎn)是中國(guó)動(dòng)畫(huà)電影最值得學(xué)習(xí)的部分。 第三部分，宮崎駿動(dòng)畫(huà)電影對(duì)中國(guó)動(dòng)畫(huà)的啟示。這是論文主要想解決的問(wèn)題。最后一部分主要分析中國(guó)動(dòng)畫(huà)現(xiàn)在存在的弊端，希望通過(guò)分析宮崎駿動(dòng)畫(huà)電影之所以能立于不敗之地的原因，通過(guò)對(duì)比，找出中國(guó)動(dòng)畫(huà)為什么會(huì)是現(xiàn)在這樣低迷的局面，并提出相應(yīng)的措施，使中國(guó)動(dòng)畫(huà)重新回到世界動(dòng)畫(huà)大舞臺(tái)。
[Abstract]:This thesis mainly focuses on the aesthetic style and cultural causes of MiyazakiHayao animation film. MiyazakiHayao as the world animation film master, has been concerned about the survival of mankind. In his works, we can feel his deep environmental awareness and profound humanistic feelings, which are inseparable from his profound cultural knowledge. In the animation works of Master MiyazakiHayao, we can see the shadow of Japanese culture everywhere. His excellent film works become the epitome of Japanese traditional culture and the symbol of Japanese national culture worthy of pride. For example, in his animated movies, we can see the aesthetic thoughts such as "object mourning" and "Harmony". This paper tries to analyze the aesthetic style of MiyazakiHayao animation film from the angle of animation and culture, and expects to find out the reason why the Chinese animation market is in the doldrums and find out the solution in the process of the analysis. And the prospect of the development of Chinese animation is prospected and conceived. This paper analyzes MiyazakiHayao's masterpieces from the perspectives of culture, animated film and aesthetic style, using the relevant theories of aesthetics and the combination of theoretical interpretation and text analysis. This paper probes into the essence of Japanese culture and the aesthetic characteristics of the Japanese people reflected in his films. Using the method of comparing the achievement of MiyazakiHayao animation film with the low state of Chinese animation, this paper puts forward the existing problems of Chinese animation, and finds out the outlet of Chinese animation. The thesis is divided into three parts: the first part, the multi-dimensional review of MiyazakiHayao's animation theme. It mainly focuses on four aspects: the relationship between man and nature, the theme of growth, the concern for women and the search for self. The relationship between man and nature has always been the main focus of MiyazakiHayao's works, which is embodied in every work. Most of his works focus on female characters, portraying them as heroes and ultimately defeating the dark ones. The theme of growth and self-search has also been an indispensable theme in MiyazakiHayao's works. The second part discusses the aesthetic style and cultural causes of MiyazakiHayao animation. This part is the key chapter of the thesis. Mainly from three aesthetic characteristics of interpretation, that is, sentimental beauty, simple beauty, harmonious beauty. The reason why MiyazakiHayao became a master animation film, and his profound cultural heritage is inseparable. He is good at making use of the Japanese traditional culture, excavating the essence of culture, and skillfully applying it to the animation film creation, creating a unique animation film form. This is the Chinese animation film most worthy of study part. The third part, the inspiration of MiyazakiHayao animation film to Chinese animation. This is the main problem that the paper wants to solve. The last part mainly analyzes the drawbacks of Chinese animation, hoping to find out why Chinese animation is in such a doldrums by analyzing the reasons why MiyazakiHayao animation films are invincible. And puts forward the corresponding measure, causes the Chinese animation to return to the world animation big stage.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J954;J901;G131.3

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 宋傳東;李澤厚美學(xué)批判[J];安徽教育學(xué)院學(xué)報(bào);2003年01期

2 游智皓;宮崎駿奇幻世界初旅[J];北京電影學(xué)院學(xué)報(bào);2003年03期

3 [榭

本文編號(hào)：1832471