本文選題：語義 + 文化��； 參考：《出版廣角》2017年09期

【摘要】：在電影美術(shù)中,藝術(shù)品道具的創(chuàng)作背景、作品寓意及其所代表的文化內(nèi)涵,不僅在電影的人物塑造上有重要意義,在影片情節(jié)推動以及主題傳達(dá)上也有密切的關(guān)系。如果藝術(shù)品本身作為意義傳達(dá)的符號,能指和所指不再是統(tǒng)一的概念,而是被割裂,那么,它就會影響受眾對影片以及藝術(shù)品的理解。文章利用符號學(xué)及其相關(guān)理論,對電影中藝術(shù)品的復(fù)制或者模仿再現(xiàn)的現(xiàn)象進(jìn)行分析,闡釋掌握藝術(shù)品歷史和文化意義對電影敘述的重要作用。
[Abstract]:In the film art, the creation background, the implication and the cultural connotation of the art props are not only of great significance in the character shaping of the film, but also closely related to the plot promotion and the theme communication of the film. If art itself as a symbol of meaning, signifier and signifier is no longer a unified concept, but is separated, then it will affect the audience's understanding of the film and art. Based on semiotics and its related theories, this paper analyzes the phenomenon of reproduction or imitation of works of art in movies, and explains the important role of historical and cultural significance of art in film narration.
【作者單位】： 北京師范大學(xué)藝術(shù)與傳媒學(xué)院;
【分類號】：J05;J913.2
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本文編號：1827386