本文選題：臺灣紀(jì)錄片 + 紀(jì)錄片�。� 參考：《華南理工大學(xué)》2014年碩士論文

【摘要】：臺灣紀(jì)錄片市場，商業(yè)運(yùn)作已經(jīng)趨向成熟。在經(jīng)過了60年代的電影新聞片與宣傳片的時(shí)期之后，紀(jì)錄片開始萌芽。1980年代，紀(jì)錄片的制作開始走向平民化，，許多獨(dú)立導(dǎo)演自行拍攝了有關(guān)于政治抗議事件現(xiàn)場的紀(jì)錄片。在邁入90年代后，紀(jì)錄片的內(nèi)容類型開始出現(xiàn)轉(zhuǎn)變，早期政治反對運(yùn)動的強(qiáng)烈色彩漸漸褪去，產(chǎn)制也從街頭政治與社會運(yùn)動中回歸，全景映像工作室與臺南藝術(shù)學(xué)院音像記錄研究所的創(chuàng)辦以及公視記錄欄目的開播，為臺灣社會培養(yǎng)了一大批優(yōu)秀的紀(jì)錄片人才。 2000年之后，臺灣紀(jì)錄片進(jìn)入成熟發(fā)展的時(shí)期。從這時(shí)期開始，臺灣紀(jì)錄片幾乎每年都會有一部備受矚目的影片在院線上映并取得不俗的成績，紀(jì)錄片開始從電視形式躍升至大銀幕，觀眾也喜愛并樂意買票看紀(jì)錄片。2013年紀(jì)錄片《看見臺灣》更是開出了2億高票房的好成績，并推動了臺灣社會環(huán)保議題的進(jìn)步。 本文以臺灣紀(jì)錄片為研究對象，梳理它的整個發(fā)展歷程與發(fā)展現(xiàn)狀，概括出它的總體特征，整理近十年在臺灣電影院上映的影片基本信息的數(shù)據(jù)，從臺灣紀(jì)錄片的生產(chǎn)制作流程到最終的發(fā)行流通過程都進(jìn)行分析，對商業(yè)市場的興起原因分析并找出不足之處，希望最終能為國內(nèi)紀(jì)錄片提供一些借鑒意義。
[Abstract]:Taiwan documentary market, commercial operations have tended to mature. After the 1960s period of film news and propaganda, documentaries began to sprout. In the 1980s, documentaries began to become popularized, with many independent directors making their own documentaries about political protests. After entering the 1990s, the content types of documentaries began to change, the strong color of the early political opposition movement gradually faded, and the production system also returned from the street politics and social movements. The establishment of panoramic image studio and the institute of audio and video recording of Tainan Institute of Art, as well as the opening of the public television recording program, have trained a large number of outstanding documentary talents for Taiwan society. After 2000, Taiwan documentary film enters the mature development period. Since this period, Taiwan documentaries have had a high-profile film released in theaters almost every year and achieved remarkable results. Documentaries have begun to leap from television to big screens. Viewers also love and are willing to buy a ticket to watch documentaries. The 2013 documentary, see Taiwan, was a box-office record of more than 200 million yuan and helped promote environmental issues in Taiwan society. This article takes Taiwan documentary as the research object, combs its entire development course and the present situation, summarizes its general characteristics, collates the data of the basic information of the films that have been shown in Taiwan cinemas in the past ten years. From the production process of Taiwan documentary to the final process of distribution and circulation, this paper analyzes the reasons for the rise of commercial market and finds out the inadequacies, hoping to provide some reference significance for domestic documentaries in the end.
【學(xué)位授予單位】：華南理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J952

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