本文選題：吳宇森 + 暴力美學(xué)��； 參考：《湖南科技大學(xué)》2014年碩士論文

【摘要】：吳宇森，世界暴力美學(xué)電影大師之一。經(jīng)過(guò)多年在電影道路上的探索與創(chuàng)新，形成了具有個(gè)人特色的影像風(fēng)格風(fēng)格——“暴力美學(xué)”。暴力美學(xué)有其特定的文化淵源和產(chǎn)生背景，也有著獨(dú)特審美特征和審美心理，然而在吳宇森的不懈努力下暴力變成了一種富有詩(shī)意的“有意味的形式”，給全世界觀眾提供了一個(gè)全新審視暴力的視角。他的作品更深刻的影響著當(dāng)今世界其他導(dǎo)演對(duì)暴力題材電影的創(chuàng)作，他的影片展示出來(lái)的暴力場(chǎng)面既與同是東方武俠動(dòng)作導(dǎo)演李安、張藝謀暴力電影存在不同的視聽(tīng)風(fēng)格，又與美國(guó)暴力美學(xué)大師昆汀·塔倫蒂諾、日本暴力電影新銳導(dǎo)演北野武的影片有著截然不同的敘事風(fēng)格。 本文主要分四部分對(duì)吳宇森電影的暴力美學(xué)進(jìn)行闡述：一、前言。這部分主要是對(duì)吳宇森、暴力美學(xué)等概念以及當(dāng)今世界主要的暴力美學(xué)導(dǎo)演、代表作品進(jìn)行歸納總結(jié)，為之后的深入研究打下基礎(chǔ)；二、吳宇森電影暴力美學(xué)的人物塑造與情境設(shè)置。通過(guò)對(duì)吳宇森暴力電影里如何進(jìn)行人物刻畫(huà)和情境設(shè)置進(jìn)行了剖析，，進(jìn)而升華了吳宇森電影暴力美學(xué)中寫(xiě)意唯美、浪漫詩(shī)意和舞蹈化的獨(dú)特表現(xiàn)方式和手法；三、吳宇森電影暴力美學(xué)的文化依托研究。結(jié)合吳宇森的成長(zhǎng)背景、時(shí)代背景與國(guó)內(nèi)其他暴力電影導(dǎo)演的作品和世界其他暴力美學(xué)大師的闡述風(fēng)格進(jìn)行了鮮明的對(duì)比，著重突出顯示了在中西文化交匯的吳宇森暴力電影里獨(dú)樹(shù)一幟的美學(xué)風(fēng)格；四、吳宇森電影暴力美學(xué)的帶來(lái)的思考。暴力運(yùn)用在電影里是一把雙刃劍，使用的的好可以帶來(lái)意想不到的效果和收視，然后一旦被受眾歪曲理解，則也會(huì)帶來(lái)意想不到的后果。如何把握好電影中暴力的展示力度？如何對(duì)電影主題進(jìn)行升華？如何引導(dǎo)青少年用正確的態(tài)度觀看暴力電影？都成了新時(shí)代暴力美學(xué)電影想要持續(xù)平穩(wěn)發(fā)展所研究的課題。 吳宇森電影暴力美學(xué)之所以能得到觀眾們的認(rèn)可，還是因?yàn)橛捌锼w現(xiàn)的主題或精神是符合人們的心理需求的。雖說(shuō)暴力不好，但用得好還是會(huì)有意想不到的驚喜。
[Abstract]:Wu Yusen is one of the masters of the world's violent aesthetics film. After many years of exploration and innovation on the road of film, a personal style of image style-"violence Aesthetics" has been formed. The aesthetics of violence has its specific cultural origin and background, but also has its unique aesthetic characteristics and aesthetic psychology. However, with the unremitting efforts of Wu Yusen, violence has become a poetic "meaningful form". It gives viewers around the world a fresh look at violence. His works have a more profound impact on the creation of violent films by other directors in the world today. The violent scenes displayed in his films are different from those of Lee an and Zhang Yimou violent movies, which are the same action directors of the Eastern Martial Arts, and there are different audio-visual styles in his films. And American violence aesthetics master Quentin Tarantino, Japanese violence film director Kitano has a different narrative style. This paper is divided into four parts to describe the aesthetics of violence in Wu Yusen's films: first, foreword. This part is mainly about Wu Yusen, violence aesthetics and other concepts, as well as the world's main director of violence aesthetics, representative works of summary, for the future in-depth research laid the foundation; second, Character shaping and situational setting of violent Aesthetics in Wu Yusen's movies. Through the analysis of how to portray characters and how to set up the situation in Wu Yusen violent movies, it sublimates the unique ways and means of expressing the beauty of freehand brushwork, romantic poetry and dancing in the violent aesthetics of Wu Yusen films. Research on the Cultural support of Wu Yusen's Film violence Aesthetics. In combination with Wu Yusen's background of growth, the background of the times and the works of other violent film directors in China and the exposition styles of other world masters of violence aesthetics, It highlights the unique aesthetic style of Wu Yusen's violent film, which intersects Chinese and Western cultures. The use of violence is a double-edged sword in the film, the good use of which can bring unexpected effects and ratings, and then if distorted and understood by the audience, it will also bring unintended consequences. How to grasp the intensity of violence in movies? How to sublimate the theme of the film? How to guide teenagers to watch violent movies with the right attitude? Has become the new era of violence aesthetic film want to continue to develop smoothly research topic. The reason why Wu Yusen's film violence aesthetics is accepted by the audience is that the theme or spirit embodied in the film is in line with people's psychological needs. Although violence is not good, there will be unexpected surprises when used well.
【學(xué)位授予單位】：湖南科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J901

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相關(guān)期刊論文 前2條

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2 賈磊磊;暴力美學(xué):吳宇森電影中的原罪與贖罪[J];藝術(shù)評(píng)論;2004年03期

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