本文選題：動(dòng)畫(huà)創(chuàng)作 + 解構(gòu)�。� 參考：《江南大學(xué)》2013年碩士論文

【摘要】：當(dāng)前，動(dòng)畫(huà)的大眾化與跨文化傳播正在逐步加劇。動(dòng)畫(huà)創(chuàng)作中誰(shuí)先打破文化的時(shí)空界限并掌握整合文化資源的方法，以全新的“他者”角度客觀的審視異域文化與本土文化，才能得到更大的文化發(fā)展空間。放眼世界，美國(guó)動(dòng)畫(huà)一直擅長(zhǎng)于吸納世界各國(guó)、各地區(qū)的優(yōu)秀文化資源為己所用。美國(guó)動(dòng)畫(huà)有效的文化資本轉(zhuǎn)換力實(shí)現(xiàn)了它的商品價(jià)值與文化價(jià)值，完善了美國(guó)的國(guó)家形象建構(gòu)。文章選取美國(guó)動(dòng)畫(huà)中應(yīng)用異國(guó)文化元素的影片為案例，以個(gè)案分析與綜合研究法為主，文獻(xiàn)研究法、跨學(xué)科研究法以及歷史性研究法為輔，探討美國(guó)動(dòng)畫(huà)對(duì)文化資源轉(zhuǎn)換的理念，揭示動(dòng)畫(huà)與文化的關(guān)系，助力我國(guó)動(dòng)畫(huà)的未來(lái)發(fā)展和定位。 首先，從故事主題、角色設(shè)計(jì)、場(chǎng)景設(shè)計(jì)以及視聽(tīng)語(yǔ)言這四個(gè)方面分析美國(guó)動(dòng)畫(huà)歷年來(lái)對(duì)異國(guó)文化元素解構(gòu)與建構(gòu)的影片案例特點(diǎn)。在此基礎(chǔ)上發(fā)現(xiàn)美國(guó)動(dòng)畫(huà)創(chuàng)作對(duì)異國(guó)文化元素解構(gòu)與建構(gòu)的模式堅(jiān)守與理論創(chuàng)新，即商業(yè)化為目的，，類(lèi)型化為條件，奇觀化與陌生化為策略。其次，以前文研究為基礎(chǔ)，分析美國(guó)主導(dǎo)文化、動(dòng)畫(huà)本體特性與動(dòng)畫(huà)本體形態(tài)相關(guān)理論對(duì)美國(guó)動(dòng)畫(huà)創(chuàng)作文化資源轉(zhuǎn)換過(guò)程中的影響。得出的結(jié)論是美國(guó)主導(dǎo)文化構(gòu)建動(dòng)畫(huà)創(chuàng)作的基本框架，動(dòng)畫(huà)本體特性與動(dòng)畫(huà)形態(tài)系統(tǒng)規(guī)范動(dòng)畫(huà)的形式表達(dá)與意義傳達(dá)。最后，從“美國(guó)動(dòng)畫(huà)創(chuàng)作對(duì)異國(guó)文化元素的解構(gòu)與建構(gòu)”這個(gè)文化現(xiàn)象中得出啟示：動(dòng)畫(huà)影像生成超越現(xiàn)實(shí)邏輯、遮蔽傳統(tǒng)審美趣味的仿像文化；動(dòng)畫(huà)文化生成不同文化背景與群體的人們都可以享受的共享文化。在全球化的文化背景下，我國(guó)動(dòng)畫(huà)未來(lái)的發(fā)展與定位是形成中國(guó)本土特色的動(dòng)畫(huà)世界語(yǔ)言、構(gòu)建中國(guó)民族特色的動(dòng)畫(huà)共享文化。在尊重本土文化、他者文化的前提下，用本土特色的動(dòng)畫(huà)語(yǔ)言降低仿像文化可能對(duì)真實(shí)邏輯的掩蓋，使動(dòng)畫(huà)文化生態(tài)更加健康。以民族精神為內(nèi)核，用動(dòng)畫(huà)本體特性卡通化的抹去地域文化、傳統(tǒng)文化中一些排斥性的、不兼容的限制，搭建融合全球人類(lèi)集體記憶的共享文化溫床。
[Abstract]:At present, the popularization of animation and cross-cultural communication is gradually intensified. In animation creation, who first breaks the time and space boundary of culture and grasps the method of integrating cultural resources, and examines the foreign culture and native culture objectively from the perspective of "other", can get a greater space for cultural development. Looking at the world, American animation has always been good at absorbing countries around the world, the region's excellent cultural resources for their own use. The effective cultural capital conversion of American animation realizes its commodity value and cultural value, and improves the national image construction of the United States. In this paper, we choose the films with foreign cultural elements in American animation as a case study, with case analysis and comprehensive research as the main method, literature research, interdisciplinary research and historical research as the supplement. This paper probes into the concept of American animation on the transformation of cultural resources, reveals the relationship between animation and culture, and contributes to the future development and orientation of animation in China. Firstly, this paper analyzes the characteristics of American animation's deconstruction and construction of foreign cultural elements from four aspects: story theme, character design, scene design and audiovisual language. On this basis, it is found that the mode of deconstruction and construction of foreign cultural elements in American animation works is firmly adhered to and theoretical innovation, that is, commercialization as the purpose, type as the condition, wonder and strangeness as the strategy. Secondly, based on the previous studies, this paper analyzes the influence of American dominant culture, the characteristics of animation ontology and the related theory of animation ontology on the process of cultural resources conversion of American animation creation. The conclusion is the basic frame of American leading culture to construct animation creation, animation Noumenon characteristics and animation form system to standardize the form expression and meaning communication of animation. Finally, from the cultural phenomenon of "deconstruction and construction of foreign cultural elements in American animation creation", the author draws inspiration: animation image generation transcends the realistic logic and obscures the traditional aesthetic taste; Animation culture creates a shared culture that people from different cultural backgrounds and groups can enjoy. Under the cultural background of globalization, the future development and orientation of animation in China is to form the world language of animation with Chinese local characteristics and to construct the culture of animation sharing with Chinese national characteristics. Under the premise of respecting local culture and other culture, using the animation language with local characteristics to reduce the imitation culture may cover up the real logic and make the animation culture ecology more healthy. Taking the national spirit as the core, using the animation Noumenon characteristic card to erase the regional culture, some exclusive and incompatible restrictions in the traditional culture, and to build the shared cultural hotbed that integrates the global collective memory of human beings.
【學(xué)位授予單位】：江南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J954

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相關(guān)期刊論文 前2條

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2 彭玲;;現(xiàn)代動(dòng)畫(huà)受眾觀賞行為研究[J];電視研究;2006年05期

本文編號(hào)：1820908